Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team.

This site is not for profit but for an expression of love for cinema & adjacent artforms. 

Powered by Squarespace
DON'T MISS THIS

Follow TFE on Substackd 

COMMENTS

Oscar Takeaways
12 thoughts from the big night

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in Nina Arianda (11)

Thursday
Aug042016

Born in 1984? Oscar doesn't love you (yet)

Since 1984 is our Year of the Month I was prepping a "vintage" list of the people, places, and things birthed that year and was alarmed to realize that I could find ZERO Oscar nominees born that year. Not a one. And I've spent all too much time scouring the web for it.

Actors born in 1984 are 31 or 32 years of age which is plenty of time to secure an Oscar nomination, at least for women. For comparison sake consider that a very quick glance at 1983, no more than one minute of research, turns up at least 5 nominees one of whom won (Lupita N'yongo). The same speedy glance at 1985 reveals 4 nominees instantly. Even 1986 has one that immediately pops out (Lady Gaga for Original Song) though the more recent years naturally have less as the field of contenders gets younger and younger. Unless I'm missing some fast-rising sound editor or makeup artist or some such, Oscar has yet to love any 1984 babies. Poor Millenial babies. If you were born in 1984 does this make you grumpy?

So who do you think will be first? Some options after the jump as well as the saving grace of Tony, Emmy, and Grammy nominees from that 1984 crop.

Click to read more ...

Sunday
Jun292014

Our Link Summer

Must Reads
The Atlantic 'How Brando Broke the Movies' -excellent piece from Tom Shone on perceptions of movie stardom, acting and chameleon tricks
L'etoile on summer's anniversary nostalgia and childhood idles
Pajiba shares fun excerpts from Neil Patrick Harris' upcoming autobiography. Sounds like a must-read. The Scott Caan story is delicious 

More Links & News
The Guardian "The Glorious Folly of Dance on Film" Singin' in the Rain, Pina and more
The Dissolve Bond 24 gets a rewrite. But why? Daniel Craig returns of course with Ralph Fiennes and Naomie Harris in tow
Geeks Out Boo. Disney is taking pains to make sure we know that 'Wandering Oaken' from Frozen (the guy with the store and sauna) isn't gay like the internet said
Kenneth in the (212) Shia Labeuf and the Jordan Almond defense
Towleroad Gay Iconography: Bette Midler
Vérité recommends Rob the Mob (2014) with Michael Pitt and Nina Arianda. This is one of those rare 'under the radar' recommendations that actually is. I hadn't been aware of this Bonnie & Clyde like tale but I'm up for more Arianda for sure.

Off Cinema
Salon has a list of the 19 greatests 'double entendre' songs from "Brand New Key" to "Milkshake" and so on. I object to the exclusion of Cyndi Lauper's "She-Bop"
Gizmodo how long until we get this weird 'Smart Morphable Surface' technology in sci-fi movie designs? 

Oscar Notes / Production Design
In case you missed it as the weekend began, AMPAS made some minor adjustments to the rules (as they are prone to do) which In Contention analyzes. Mostly it's technicalities like how nominations are credited for Song & Best Picture but the super interesting one is that movies nominated for Production Design which feature heavily digital environments will now have an added nominee, the digital designer. I personally suspected /was hoping that the change which was bound to happen would be closer to the Black and White vs. Color designations that Oscar went through from the mid30s through the mid60s in cinematography and I was hoping it would happen in both cinematography and production design since visual fx achievements keep winning in one or both of those categories (think Avatar, Alice in Wonderland, Gravity, Hugo, etcetera). But I guess that was wishful thinking.

Thursday
Sep062012

More Melanie

This David Poland interview with Melanie Lynskey is fun to watch so soon after her warm and movie-lovin' guest blogging right here. My favorite part is when she talks about being stuck between "leading lady" and "character actors" (3:33) and Nina Arianda fans will be happy to know that she also compares Nina's magnetism to Kate Winslet's way back in Heavenly Creatures in that it was obviously and readily clear that the only life outcome for certain actors is major film stardom.

Later in the interview she also reconfirms that she's a geek for film critics, citing Mary Pols and Glen Kenny ("so grumpy") as two of her many favorites. So, yes, unfortunately we don't have her all to ourselves here at TFE. But scratch "unfortunately" as we don't want her to hide that light under a bushel anyway -- happy to share her with the cinephile world.

 

Wednesday
Aug012012

Linker Come Back to Me

My New Plaid Pants pic of the day, first image from the set of Steven Soderbergh's Liberace bio Behind the Candelabra with Michael Douglas and Matt Damon as lovers
Movie City News 29 Weeks To Go until Oscar! Wooo
Cinema Blend apparently they're going to reboot The Brady Bunch
i09 pretends that 10 upcoming remakes / reboots aren't going to suck. Hey, someone has to stay positive.

Hollywood Elsewhere Dark Right(Wing) Rises... People can't stop talking about the politics of Chris Nolan's Batman trilogy.
Hollywood.com interviewed me and other pundits on The Dark Knight Rises Oscar hopes
Awards Daily breaks down the Tony nominees who made it to Oscar nominations 
Pajiba would like you to think about all the brunettes in Chris Nolan films. It's always brunettes.
/Film manages to dig up a tiny bit of info about the Coen Bros Inside Llewyn Davis 
Awards Daily breaks down the Tony nominees who made it to Oscar nominations

  

Obits
is it just me or are people dropping like flies... I'm a bit freaked out :( 
Studio Briefing Mr Cyd Charisse, singer/actor Tony Martin (1913-2012), has died 
The Guardian pays final respects to Chris Marker (1921-2012), the experimental filmmaker of La Jetée fame (which inspired 12 Monkeys)
New York Times the ever fascinating Gore Vidal (1925-2012) 
Fresh Air remembers Lupe Ontiveros (1942-2012) of As Good As it Gets and Selena fame. I loved it when NBR handed her Best Supporting Actress for Chuck and Buck (2000). Remember that? That's my favorite Lupe turn.

Finally, in much happier news...
Have you heard that Nina Arianda (Midnight in Paris, Win Win) is signing projects left and right. Looks like that Tony Award for "Venus in Fur" really did it. Nina, who has previously really had bit roles in movies, has surely arrived.

She recently signed on to play the great Guilieta Masina in Fellini Black and White the story of two missing days in the life of Oscar magnet Federico Fellini right before the Oscars in 58. Are they making this movie just for us? Seriously! She's also set to play Janis Joplin in another upcoming bio with Martha Marcy May Marlene's Sean Durkin helming after approximately a million years of rumors of this actress and that actress and sometimes more than one at once, playing her in a biopic. Hollywood apparently just can't let  The Rose (1979) be the last word. Tina Fey and Jane Krakowski even sent up the development hell of Janis Joplin biopics in an arc of 30 Rock. Nina also joins a huge cast of recognizable actors in the fascinating sounding The Disappearance of Eleanor Rigby which is reportedly a two-part film told from the husband (James McAvoy) and wife's (Jessica Chastain) perspectives.

This is all a long way of saying learn Nina's name and expect her on an Oscar shortlist in 5...4...3...2....1

Tuesday
Jun122012

Burning Questions: Broadway's Cinematic Potential?

Michael C. here in the aftermath of the Tony's to return the focus to where it belongs: Movies.

The film version of Porgy & Bess (1959) is rarely seen. Audra McDonald & Norm Lewis in the Broadway show, with movie star looks and thrilling voices, suggest its cinematic potential

As I've written before in this column, as a rule I don't go in for the sort of rose-colored nostalgia that assumes pop culture is on some kind of inexorable decline into the sewer and if only we could return the Golden Age of the 30's or the 70's or whenever then we would experience some kind of artistic renaissance. It is now as it ever was - a little quality, lots of junk.

But one trend I do resist, one that I mark as the undeniable decay of the natural order of things, is the movement toward reverse-engineering successful movies into Broadway shows and away from the reverse. I will fight this trend to my dying breath, or at least I will stand outside the stage production of Ghost and shake my old man cane at it like Carl from Up

Yet there is hope. With Les Miserables finally landing in theaters this December, and August: Osage County getting the Streep treatment as we speak, maybe there is still a chance to return to the glory days of stage to screen transfers the way that Thespis intended. But with only so many big Broadway titles left unfilmed that brings me to this week's Burning Question: Are there any current Broadway shows that deserve the big screen treatment? 

Click to read more ...