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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Missi Pyle's Oscar Memoir!

ME N OSCAR

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all of Missi Pyle's guest posts

 

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Entries in Norma Rae (3)

Monday
May262014

Cannes Monologue: Norma Rae

Andrew's Cannes-inspired subseries in our Monday Monologue tradition ends with Sally Field in Norma Rae, one of only four Best Actresses to win both Cannes and the Oscar...

 

Is Julianne Moore finally going to get that Oscar? Blame it on the human urge to tie everything down to laurels, but it seems that's biggest wishful-thinking question coming out of Cannes after the awards ceremony. It’s not enough that she’s recently joined Juliette Binoche as one of the few  “European Best Actress Triple Crown” winners –the allure of Oscar is hard to resist. Cannes and Oscar rarely measure up, of course, but it seems like a good excuse to look back to one of only two performance to manage both Best Actress wins in the last 50+ years: Sally Field in Norma Rae (1979)...

Click to read more ...

Wednesday
Feb192014

11 Days Til Oscar. Bette Midler & Original Song

Bright and early this morning they announced that Bette Midler will be performing at the Oscars for the first time. That's shocking to type since she's had so many great movie musical moments in her career and she's obviously been to the Oscars as a nominee or to present. But, alas, her material was generally not original* and thus unnominated in the one category that regularly prompts performances.

Though it seems highly likely that they'll have her as underscore songstress for the In Memoriam visuals (zzz. Love that segment but it's never about the singer so they're interchangeable... something you can't usually say for Bette Midler) It's more fun to fantasize about recreating one of her musical moments from a movie on the main stage. So... vote!

 

 

 

* A Shocking Memory
Yes, it's true. The classic "The Rose" from The Rose (1979), written by Amanda McBroom, was NOT nominated for Best Original Song even after winning the Golden Globe. It was not expressly written for the movie though it had never been recorded before that point -- the same tragic reasons for disqualifications as Moulin Rouge!'s "Come What May". That category has been fucking us over for decades - this year's controversy was the least of it, really. The ideal song line up for 1979, an unusually good year for the category, would have probably would have been some combination of the two lists since the Oscar winner "It Goes Like It Goes" from Norma Rae, unnominated at the Globes, is also lovely.

But when you remember that "The Rainbow Connection" was nominated at both awards shows and lost twice, the point becomes moot. Truth: that eternal classic deserved multiple Oscars. An Oscar for 1979 and then an Oscar for every random year thereafter that failed to produce a worthy nominee. As an encore, you know? 

 

What would you have voted for?

I hope you've been enjoying the Countdown to Oscar! We're having so much fun with it so please check out any episodes you missed. Remember this truth: Comments are fuel for more blogging. 

Previously
12 Days - A twelve-wide Best Picture field!!! What does 1934 tell us about "Oscar slots"? 
13 Days - Matthew McConaughey and 2000's Best Actress Race?
14 Days - All About Eve vs. Titanic. The two all time nomination leaders face off!
15 Days - Supporting Oscar Chart fun "how were they nominated?"
16 Days - Irene Sharaff's 16 nominations 
17 Days - Looking back at The English Patient, Sal Mineo... and 1917?
18 Days - Meryl Streep's 18th nomination. Like whoa
19 Days - Julianne Moore's awards history
20 Days - Flashback '93: Age of Innocence, Farewell My Concubine, The Piano
21 Days - What's your favorite Billy Wilder? 

Monday
Sep032012

Happy Labor Day 

 

If you're at work, please explain yourself! Wait, why am I at work blogging?