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Entries in NYFF (240)

Thursday
Oct112018

NYFF: Five Favorite Performances at the Festival

As the New York Film Festival winds down, here's Murtada Elfadl with some of his favorite performances from the movies he's screened.

Sakura Ando in Shoplifters
Shoplifters, Japan's Oscar submission, is about familial bonds that unite with love and real connection rather than blood. Ando plays Nobuyo, the matriarchal figure in this family of outsiders. Her character is the wisest, always knows more than the other characters in any situation. She’s in charge emotionally and that needs an actor who's restrained yet immediate and easy with feelings. She always has the emotional truth in the scene whether her character is having a tender moment with a lover, or facing up to ignorant authority.

Ando shines everytime she’s on screen, yet there’s one moment that is forever marked in my memory...

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Wednesday
Oct102018

NYFF: Pawel Pawlikowski's Cold War

Jason Adams reporting from the New York Film Festival

Like Phantom Thread last year Pawel Pawlikowski's magnificently romantic and visually bewitching new film Cold War deals in the secret languages and strange understandings between true lovers - that no matter how hard it is on your soul and constitution that person sitting across the table is the one made for you and vice versa, and you might be the end of each other but you'll be each other's beginnings too...

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Tuesday
Oct092018

NYFF: Happy as Lazzaro

Jason Adams reporting from the New York Film Festival

The surprises that flow out of Alice Rohrwacher's Happy as Lazzaro start like a trickle - an idiosyncratic sound in the forest, a mysterious red light burning in the night sky - and flash to a flood by  the mid-point, washing away what we thought we knew of its retro-future strangenesses. The earth cracks like a shell, piece by piece, and reveals another odd shell underneath.

Lazarro tells the story of an isolated band of sharecroppers in rural Italy, whose Sisyphean work in the tobacco fields only seems to plow them further into debt day after day...

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Sunday
Oct072018

NYFF: The Ballad of Buster Scruggs

Jason Adams reporting from the New York Film Festival

Anthology films always have a bit of an under-cooked quality - you like a chunk of meat here, a chunk of potato there, but the stew's uneven, the broth skinned over from sitting. Even the very best ones can feel haphazard - you can and should certainly argue that Pulp Fiction is an anthology film, albeit one that's po-mo'd up in glorious fashion, but some days you're just not in the mood for Honey Bunny, ya dig?  The Coens' six-part The Ballad of Buster Scruggs maintains that streak - highs, lows, and everything in between, slapped between two fraying book covers...

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Friday
Oct052018

Coming Very Soon: Oscar Submissions "Burning" and "Border"

NYFF/TIFF screenings from Nathaniel R


"My what lovely posters!" he said, as he struggled to decide how to review two pictures that are best seen cold, knowing as little as possible. "But people don't buy tickets / get excited about movies without knowing something," he reasoned with himself about reviewing both South Korea and Sweden's Oscar submissions which are opening in US theaters very soon.

"Okay, okay," the purist in him, responded. "I'll say a little something about each but only if I can limit my discussion to the posters! People absolutely shouldn't watch the trailers." "Deal" his practical self muttered rolling his eyes, having been through this existential crisis of movie blogging numerous times. "Proceed..."

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