NYFF: Luca Marinelli is "Martin Eden"

Murtada Elfadl reporting from the New York Film Festival

How does a mercenary go about feeding off others? In particular an emotional mercenary. One who feeds on all those around him, particularly women, so that he can grow and thrive. Such is Martin Eden the eponymous character in Pietro Marcello's film which recently won TIFF's Platform award and the Volpi Cup in Venice for Best Actor. The film starts when Martin (Luca Marinelli) saves a young man from a bully and is taken in by his bourgeois family. At the time he is an uneducated labourer who gets by doing small jobs...

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NYFF: Kelly Reichardt's "First Cow"

Jason Adams reporting from the NYFF which opens tomorrow

First Cow is the sort of blunt title that you immediately have a bit of a chuckle with when you picture somebody speaking it at the theater's box office -- "Two tickets for First Cow, please!" (I'd love for somebody to program a double feature with Her Smell just for such whimsy. "I came for First Cow but I stayed for Her Smell.") It's just this sort of bluntness that sticks and that director Kelly Reichardt (Wendy & Lucy, Certain Women) lovingly specializes in. A first cow is what we are promised and a first cow is what we get, dagnabit.

Reichardt is nothing if not a documentarian of practicality and face value -- as in both that she sees the value in staring at faces, and in that things being what they seem to be is never boring to her. Her camera is always fascinated by ordinary people doing ordinary things, and under her eye the ordinary magnifies, finding itself extraordinary...

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Yes No Maybe So: Martin Scorsese's "The Irishman" and NYFF Trivia

by Nathaniel R

As you've undoubtedly heard, The Irishman will be finished in time for a 2019 rollout after all. (We had previously assumed it might not be ready due to the time-consuming visual effects to de-age DeNiro and Pacino for some sequences). The Martin Scorsese mob epic will have its world premiere as the opening night selection* of the New York Film Festival on September 27th. After that premiere it hits some theaters and Netflix streaming though we don't have dates for either one quite yet. It'd be nice if they didn't save it until Christmas for an actual release but awards contenders gonna awards contend, y'know. That said it does say "this fall" at the end so perhaps they'll be merciful to audiences and release it in October?

The drama is based on Charles Brandt's non-fiction book "I Heard You Paint Houses," a line that's included in the trailer and would have made a much less generic title! But generic film titles gonna generic film title, y' know. After the jump, the trailer and a brief Yes No Maybe So breakdown...

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Festival Wrap - All The Reviews

We screened them at TIFF or NYFF or Middleburg but you also may have heard about them from Cannes or Venice media coverage. Now that the festivals are wrapped (only AFI remains and we're unable to make it this year *cries*) the rest of the year is all of these treasures and some of the duds hitting movie theaters (hopefully) near you. THEN, THE OSCARS. You know how it goes. It's our very very very favorite time of year. That sound you hear is the squealing of movie fans everywhere.

Nicole making the festival rounds in the fallHere's everything we reviewed from TIFF and NYFF or Middleburg in case you missed any of them...

• Ash Is Purest White (China) - Murtada at NYFF
• Border (Sweden) - Nathaniel at TIFF
• Bulbul Can Sing (India) - Chris at TIFF
• Burning (South Korea) - Nathaniel at NYFF
• Can You Ever Forgive Me? (US) - Chris at TIF
• Climax  (France) - Chris at TIFF
• Cold War (Poland) - Jason at NYFF
• Destroyer (US) - Nathaniel at TIFF  
• Diamantino  (Portugal) - Chris at TIFF
• Duelle's / Mother's Instinct (Belgium) - Nathaniel at TIFF
• A Family Tour (China) - Murtada at NYFF
• The Favourite (UK) - Nathaniel at NYFF
• Fig Tree  (Israel/Ethiopia) - Nathaniel at TIFF
• First Man (US) -Nathaniel at TIFF 

• Giant Little Ones (Canada) - Chris at TIFF
• Gloria Bell (US) - Chris at TIFF
• Green Book (US) - Nathaniel at Middleburg
• Happy as Lazarro (Italy) - Jason at NYFF 
• Her Smell (US) - Jason at NYFF
• High Life (France) - Jason at NYFF
  
  
• If Beale Street Could Talk (US) - Nathaniel at TIFF
• Jeremiah Terminator LeRoy (US) - Chris at TIFF
• The Kindergarten Teacher  (US) Nathaniel at TIFF
• Long Day's Journey Into Night  (China) - Jason at NYFF
• Museo (Mexico) - Nathaniel at TIFF
• Non-Fiction (France) - Jason at NYFF
• The Old Man and the Gun (US) - Chris at TIFF
• The Quietude (Argentina) - Nathaniel at TIFF

• Rafiki (Kenya) -Chris at TIFF
• Ray & Liz (UK) - Murtada at NYFF
• The River (Kazakshtan) - Nathaniel at TIFF
• Roma (Mexico) - Nathaniel at TIFF
• Ruben Brandt Collector (Hungary) - Nathaniel at Middleburg
• Shadow  (Hong Kong) - Nathaniel at TIFF
• Sorry Angel (France) - Jason at NYFF
• A Star is Born (US) - Nathaniel at TIFF
• Tell it to the Bees  (UK) - Nathaniel at TIFF

• That Time of Year (Denmark) - Nathaniel at TIFF
• Too Late To Die Young (Chile) - Murtada at NYFF
• Touch Me Not (Romania) - Chris at TIFF
• Transit (Germany) - Nathaniel at TIFF
• Vita & Virginia  (UK) - Nathaniel at TIFF
• Widows (US) - Chris at TIFF
• Wildlife (US) - Chris at TIFF
• Woman at War (Iceland) - Nathaniel at TIFF

'extras'

• Venice winners - Murtada
• Venice fashion - the gowns -Nathaniel
• Venice thinks pink - Nathaniel
• The men of Venice - Nathaniel
• Toronto Fashion - Murtada
• Nicole in Toronto - Nathaniel
• Jury of One TIFF - Nathaniel's honors
• Best of NYFF Performances - Murtada's honors
• Yalitza Aparacio tribute - Nathaniel at Middleburg
• Diane Warren concert - Nathaniel at Middleburg

It's true we didn't review everything we saw at Festivals but the biggies we didn't get to --  Shoplifters, El Angel, Capernaum, and Boy Erased -- will be in theaters very soon so reviews are forthcoming.

Carey Mulligan Shines in 'Wildlife'

by Murtada Elfadl

Carey Mulligan always impresses. She gave the best performance I’ve seen on stage in Skylight in 2015. Earlier this year I was again astounded by her stage presence in the one woman show, Girls and Boys. It was an emotionally devastating theater experience, thanks to her command of the stage and of the language inflections. But despite being biased for her, I wasn’t ready for how blazing she comes out in Paul Dano’s Wildlife.

This is her shining moment. It’s her Blanche Dubois moment.

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