NYFF Opening Night: Lovers Rock

by Jason Adams

Black joy is revolutionary. Even as a white dude -- even then! -- that's not hard for me to get. People of color have been saddled with being the standard bearers for suffering for so long -- look no further than the Slavery horror film Antebellum out in cinemas this weekend; or hey how about the news every single day and night? -- that joy becomes its own act of defiance: just song, dance, and smiles. A shuffling off of the strangleholds, the exemplary expectations, the time to scream proud and wild and free, not a thought or burden in the world. Liberation exists in the very molecules of that space...

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John Waters Designs NYFF Poster

by Nathaniel R

With TIFF disinviting 2/3rds of their regular press attendees (including yours truly 🤬 ) and a much smaller roster of film, and with Telluride cancelled altogether, NYFF is staking its claim to be the coolest North American film festival.

We've already seen their solidly interesting lineup and NYFF doubled down on their coolest film festival intention today by releasing their official poster designed by that icon of trash cinema, John Waters. 

See the full brilliant poster and John Waters quote about it after the jump...

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NYFF Lineup: Art films, gay romances, female directors, and more...

by Nathaniel R

The gay romantic drama "I Carry You With Me" will play at NYFF

Most film festivals seem to be trying to soldier on with smaller lineups and virtual screenings. NYFF is no exception. Today they've revealed the full lineup after previously announcing their opening, centerpiece, and closing films. So let's dig in to the lineup shall we? It includes several female directors, two major Oscar hopefuls, a new anthology series from Steve McQueen (12 Years a Slave), and two gay romances...

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"French Exit" News and Enthusiasm

by Nathaniel R

In case you haven't yet heard the New York Film Festival has selected French Exit, starring Michelle Pfeiffer, as its closing night film this October. Key positioning at film festivals is generally a sign of confidence by movie studios though it naturally doesn't always mean anything. But we're very excited nonetheless.

Since four and half months of quarantine or social distancing has us exhausted of streaming movies and television we've thankfully branched out for entertainment. We've read a few books during this COVID summer, too. One was French Exit which we read in anticipation of the film.

La Pfeiffer has appeared in a number of adaptations but only two novels before French Exit had us screaming 'MICHELLE PFEIFFER WAS BORN TO PLAY THIS ROLE. MICHELLE PFEIFFER WILL SLAY THIS!'...

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Three Reasons to "Bacurau"

by Jason Adams

Bacurau, the fierce new Brazilian film from the folks behind Aquarius in 2016 (and the accompanying Sônia-Braga-ssaince), is finally hitting U.S. theaters this week. It tells the story of a small rural community in the middle-of-nowhere Brazil that politicians are attempting to wipe off the map, literally, by hiring a bunch of heavily armed militia-types (including pointedly several Americans) to come down and burn the place to the dirt.

The movie has been out in its home country, where it was a huge hit, for several months already, and on its way here to the States it's already played several fests to mucho raves -- I reviewed it right here at NYFF in the fall, calling it "an ass-blistering revenge fable." And you should indeed cover your ass. It's an intense ride, throwing populism and politics and capitalism and little silver spaceships into its grindhouse meat-grinder, spitting a pulpy, invigorating scream out its other side.

Here, five months after last watching it, are three thoughts that still stand out about Bacurau to me...

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