NYFF: "Malmkrog"

by Jason Adams

The urge to wander off into our own personal worlds has become, presently, understandable. Many of us have been literally forced into it in 2020, covering our faces and taping up our windows, our only human interaction through Zoom. How many of us have watched pixelated people blow out their birthday candles from their corner of the Brady Bunch squares on our laptop screens? But I mean more than physical isolation here -- I mean it feels as if in some ways our imaginations are having a renaissance; in the absence of open spaces and fresh air at the least our brains have been given a moment to breathe.  It's in some ways terrifying and in others liberating, but there seem to be ways of embracing this shitty moment that aren't shit in themselves.

Reality dictates that Cristi Puiu's new film Malmkrog, named after the region in Romania where it is supposed to be set, must have been filmed before right now. But it feels of right now, right this minute, at least in the way of its isolated white-windowed impenetrability...

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NYFF Opening Night: Lovers Rock

by Jason Adams

Black joy is revolutionary. Even as a white dude -- even then! -- that's not hard for me to get. People of color have been saddled with being the standard bearers for suffering for so long -- look no further than the Slavery horror film Antebellum out in cinemas this weekend; or hey how about the news every single day and night? -- that joy becomes its own act of defiance: just song, dance, and smiles. A shuffling off of the strangleholds, the exemplary expectations, the time to scream proud and wild and free, not a thought or burden in the world. Liberation exists in the very molecules of that space...

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John Waters Designs NYFF Poster

by Nathaniel R

With TIFF disinviting 2/3rds of their regular press attendees (including yours truly 🤬 ) and a much smaller roster of film, and with Telluride cancelled altogether, NYFF is staking its claim to be the coolest North American film festival.

We've already seen their solidly interesting lineup and NYFF doubled down on their coolest film festival intention today by releasing their official poster designed by that icon of trash cinema, John Waters. 

See the full brilliant poster and John Waters quote about it after the jump...

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NYFF Lineup: Art films, gay romances, female directors, and more...

by Nathaniel R

The gay romantic drama "I Carry You With Me" will play at NYFF

Most film festivals seem to be trying to soldier on with smaller lineups and virtual screenings. NYFF is no exception. Today they've revealed the full lineup after previously announcing their opening, centerpiece, and closing films. So let's dig in to the lineup shall we? It includes several female directors, two major Oscar hopefuls, a new anthology series from Steve McQueen (12 Years a Slave), and two gay romances...

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"French Exit" News and Enthusiasm

by Nathaniel R

In case you haven't yet heard the New York Film Festival has selected French Exit, starring Michelle Pfeiffer, as its closing night film this October. Key positioning at film festivals is generally a sign of confidence by movie studios though it naturally doesn't always mean anything. But we're very excited nonetheless.

Since four and half months of quarantine or social distancing has us exhausted of streaming movies and television we've thankfully branched out for entertainment. We've read a few books during this COVID summer, too. One was French Exit which we read in anticipation of the film.

La Pfeiffer has appeared in a number of adaptations but only two novels before French Exit had us screaming 'MICHELLE PFEIFFER WAS BORN TO PLAY THIS ROLE. MICHELLE PFEIFFER WILL SLAY THIS!'...

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