Awards Update: "Mad Max" for OFCS / "Youth" for EFA

Michael Caine finally takes a prize for YOUTH. But is it too little too late for Oscar to notice?ICYMI in Awardage
"Previously on The Precursors..."  Gotham, Spirit, OFCS, NBR, NYFCC, LAFCA, BSFC, SAG Noms, SAG Ensemble, Golden Globes, Nominee Reactions, BFCA Noms

The Online Film Critics Society jumped on Furiousa's rig to go on George Miller's wild apocalyptic ride.  Mad Max Fury Road took 4 prizes, the clear winner of their annual honors. Carol won both acting awards for women because that's the world we live in... I could see this happening at Oscar too if they also embrace Rooney Mara's fraudulent "supporting" campaign (sigh). I love both of those performances so I want to be happy about it but... you know... it ain't right. Unless they actually tie for Best Actress. But that's only happened once, so...

Kudos to OFCS for breaking the critical sweep for Amy in documentary -- it seemed strange given the hundreds of documentaries released each year that only one film would win things. They went with The Look of Silence.

More on online critics and the European Film winners after the jump...

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OFCS Falls For Category Fraud

The Online Film Critics Society have released their annual nominations. They're the oldest of the many critics group which sprung up with "online" in the title back in the days when there was more of a clear line between print and web. This year unfortunately they've signed up for Category Fraud endorsing both Alicia Vikander and Rooney Mara's "supporting" campaigns so it's difficult to take them seriously. If we can't defeat the spreading cancer of category fraud this year with so much attention paid to how ridiculous it is to call protagonists in their own films "supporting" -- even among groups who aren't generally eager to "predict" Oscars with their nominations (and OFCS has been blessedly free of that curse in the past) -- than perhaps the war will never be won. It's all so very discouraging because it makes the honors feel cheap and gamed as opposed to fairly won.

the war on drugs will never be won. perhaps the war on category fraud is just as eternal

As such it's difficult to find joy in happy results like Cynthia Nixon nominated for James White (despite a very low profile and only $52,000 in ticket sales to date) and Sicario, which we'd feared would be forgotten coming on strong. In fact Denis Villeneuve's drug war thriller led the nominations alongside Carol. The complete OFCS nominations are at their site if you're interested.

UPDATE: I have heard from a few members of the OFCS expressing their displeasure with the results and/or this post. Like the BFCA (of which I am a member) there were internal discussions about this before they voted. (Full disclosure: at least two of our own contributors are members of the OFCS). There are people within the organization who are against category fraud but voting within all awards bodies is a matter of math and majority rules.  I don't really expect BFCA to self-correct on this next week when the nominations come out but it's good that there's at least been a discussion for once. Internally the BFCA has suggested to members that Rooney Mara should be considered a lead, despite what the campaign says, but they are still free to vote as they will. We'll see.

Critical Kudos Continue: Kansas, San Francisco, Dallas, OFCS

(We interrupt your Missi experience this morning to bring you more awards news. Missi returns this afternoon for two final posts.)

The Film Critic (a monolith) floats in his room this month contemplatively, aging rapidly before our eyes. A difficult choice faces him/her: Birdman or Boyhood? After the jump see which cities chose what and which categories they're allowing themselves to have a little fun with...

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Online Film Critics Society Have Got 'Mommy' Issues

Well this is a pleasant surprise!

Glenn here with a look at the slate of nominees that the Online Film Critics Society sent our way today. You can thank me for a smidgen of the rather wonderful list since I am a member. The cynical person that I am assumed group think and the homogeny of the pack would give us the usual suspects, but the OFCS blessedly included some curveballs and left of field choices that should make the AFI and other singularly Oscar-hunting awards bodies look foolish. Let's take a look.

BEST PICTURE

• BOYHOOD
• THE GRAND BUDAPEST HOTEL
• IDA
• THE LEGO MOVIE
• MOMMY
• NIGHTCRAWLER
• SELMA
• TWO DAYS, ONE NIGHT
• WHIPLASH
• UNDER THE SKIN

This being an online critics organisation, they are going to lean a little bit to the "cool" side of things. Having said that, only four of the organisation's nominations for Best Picture are likely going to get correlating Oscar nominees - they could be Boyhood, Grand Budapest, Selma and Whiplash. The rest of the list is spectacularly diverse with three foreign language films, a semi-experimental sci-fi, a creepy genre thriller, and the other meta-superhero flick from 2014. Speaking of which, the omission of Birdman is as surprising as it is delightful. I mean, I like the movie, and certainly much more than Whiplash, but I have no qualms with it missing for the sake of Xavier Dolan's Mommy. Not one bit.

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Online Film Critics Society chooses 12 Years a Slave

Tim here - I won't keep you very long, since it's just another damn critics' award, but the OFCS has announced its winners this morning, with 12 Years a Slave winning five times, including only the second award that Michael Fassbender has received from any group to date. The asterisk here is that Her wasn't made widely available to the membership at large before the conclusion of voting, and it's the kind of film that tends to do well with OFCS.

The full list:

Best Picture: 12 Years a Slave
Best Animated Feature: The Wind Rises
Best Film Not in the English Language: Blue Is the Warmest Color
Best Documentary: The Act of Killing
Best Director: Alfonso Cuaron – Gravity
Best Actor: Chiwetel Ejiofor – 12 Years a Slave
Best Actress: Cate Blanchett – Blue Jasmine
Best Supporting Actor: Michael Fassbender – 12 Years a Slave
Best Supporting Actress: Lupita Nyong’o – 12 Years a Slave
Best Original Screenplay: Her
Best Adapted Screenplay: 12 Years a Slave
Best Editing: Gravity
Best Cinematography: Gravity

Special Awards:
Best Sound Design and Best Visual Effects to Gravity
To Roger Ebert, for inspiring so many of our members

Top Ten films Without a U.S. Release:

Closed Curtain
Gloria
Like Father, Like Son
Our Sunhi
R100
The Rocket
Stranger By the Lake
We Are the Best!
Le Week-End
Why Don’t You Play in Hell?