Exciting Project Alert: 'Spanish Dracula'

Remember the filmmaking brothers Paul Weitz and Chris Weitz? Their career together started strong with a box office smash American Pie (1999) and a well-loved modest hit About a Boy (2002). The brothers soon went solo as directors though they kept working together, producing and what not. Their subsequent work didn't capture the zeitgeist in the same way though there were sure-fire sequel hits (Little Fockers, The Twilight Saga: New Moon) a troubled attempted franchise (The Golden Compass) a few well received smaller pictures (A Better Life, Grandma) and an award winning TV series (Mozart in the Jungle). Their next project, their first co-directing gig in ages will be a biopic of their Mexican film star grandmother Lupita Tovar (pictured left) and it sounds just great...

Because of our long running "200 oldest living film stars" list we already knew that the brothers were descended from actresses...

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Esther Williams @ 100: Million Dollar Mermaid

Team Experience has been celebrating Esther Williams Centennial with a three part miniseries. Previously we featured Thrill of a Romance and Neptune's Daughter. 

by Cláudio Alves

In some ways, Million Dollar Mermaid is both the quintessential Esther Williams movie and a departure in the screen siren's career. During the 1940s, Williams achieved cinematic stardom through self-knowing exercises in romantic silliness and musical extravagance, lighthearted productions that wore their escapist possibilities as a badge of honor. One can often feel the screenwriter's strain, trying to shoe-horn swimming scenes in stories that could function just as well without them. Even the baseball comedy Take Me Out to the Ball Game had to be retrofitted into having an out-of-place pool number where Williams gets to lip-sync while swimming under the gaze of Busby Berkeley's camera. Consequentially, MGM never presented Williams as a great dramatic actress, preferring to exhalt her natural charms, radiant presence, and aquatic athleticism.

Loosely inspired in the life of Australian professional swimmer, vaudevillian, and early movie star Annette Kellerman, Million Dollar Mermaid is a lavish biopic with inspirational aspirations...

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1946: Olivia & Joan's feud goes public

Team Experience is revisiting 1946 in the lead up to this week's Smackdown.

by Baby Clyde

As she triumphantly left the stage of the Shrine Auditorium after winning a long awaited Best Actress Oscar for To Each His Own, Olivia De Havilland was approached by a very familiar figure offering congratulations. 

I don’t know why she does that when she knows how I feel...” 

...Olivia muttered as she turned away from her equally famous sister, the 1941 Best Actress winner Joan Fontaine. Unfortunately for all involved it was captured on camera, which lead to the infamous picture above. It's one of my favourite snapshots in Hollywood history. The look of genuine delight on Joan’s face, the look of pursed lipped distaste on Olivia’s. You could write a book about it; I’ll try and stick to a few hundred words...

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Mitchell Leisen: The forgotten legacy of a queer filmmaker

by Cláudio Alves

Sometimes, a writing project can take a life of its own, overwhelming you. That's what happened to me when trying to write about Old Hollywood director Mitchell Leisen. Initially, I pitched this piece to Nathaniel as a way of spotlighting an oft-forgotten talent whose best films feature in one of the Criterion Channel's latest collections. Later, as our 1946 journey began, the piece gained new value as a profile of the man who directed that year's Best Actress champion, Olivia de Havilland in To Each His Own. However, what most surprised me was how Leisen's story correlates with queer history and everything we celebrate and mourn during Pride month. 

As I went down a rabbit hole of research, the marvelous writings of Mark Rappaport, David Melville, Farran Nehme, and others revealed the complex case. That of an acclaimed queer artist whose legacy was systematically tarnished, if not downright erased, in a gesture of barely concealed homophobia…

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Joan Crawford's long road to Oscar

by Cláudio Alves

I make no secret that I'm a Joan Crawford fan. After all, I've already waxed poetic about the star's stellar 1947 and her turn in What Ever Happened to Baby Jane?. However, I've never written about Crawford's career pre-Oscar win. Since we're celebrating 75 years since that victory, it feels like an appropriate time to examine the actress' long road to Oscar, the misconceptions about her legacy, the complexities of her contemporary popularity. If you want to read more about the 18th Academy Awards, check out Baby Clyde's wonderful overview of the ceremony and the race for gold. Now, it's time to focus solely on that year's Best Actress champion…

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