FYC: Lily Gladstone, Supporting Actress

by John Guerin

I could not have predicted that in a movie starring Laura Dern, Kristen Stewart, and Michelle Williams, a performance by relative newcomer Lily Gladstone would leave me the most affected. The best short film of 2016 is the third act of Kelly Reichardt’s Certain Women, in which Jamie (Gladstone), a solitary Montana rancher, falls for Beth, an out-of-town lawyer (Stewart), who is stuck teaching an educational law night class four-hours away from her home in Livingston. Stewart, unsurprisingly, adds another formidable performance to her collection of direct yet remote modern women, but the revelation here is Gladstone, who contributes a sensational breakthrough performance that deserves The Academy’s attention...

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W Magazine's 2016 Best Performances

Chris here. Have you seen this year's W Magazine "Best Performances" spread yet? Each year the photo collection features Oscar hopefuls and breakouts alike in one massive treat, and this year is as sprawling as ever. Previous years have ranged from the avant garde to the candid, but this year seems to spark inspiration straight from the loins. No seriously, its actually titled "Come Together", winks at gender and self-love, and recalls 90s lesbian chic supermodels on more than one occasion.

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Oscar Balloting Begins. What are your top three FYCs?

Tomorrow's the day awards-freaks, January 5th, 2017. Oscar nomination balloting begins. Where the buzz falls now is where the buzz settles. AMPAS branch voters have just 8 days to finalize their ballots (they're due by the 13th). January 14th through 23rd then becomes our awards purgatory and on the 24th when nominations are read we learn who goes to heaven and who is cast out for good, forever doomed to be considered a "snub" to their future fans. Pardon the tortured analogy but the Oscars are our religion!

This past week has been a very strong week for La La Land and Fences with fantastic box office grosses for each as they went wide. The hottest titles from October and November (Manchester, Moonlight, Arrival) can also feel pretty safe about their potential nomination hauls. But there are several titles that are a bit harder to read in terms of possible Oscar love. Those are the titles that expanded too late for a definitive take from the precursors (20th Century Women, Lion, Silence, and Hidden Figures) and their counterparts, the titles that were too "old" (i.e. released before October like Sully, Hell or High Water, Florence Foster Jenkins, Captain Fantastic, Zootopia, Love & Friendship) for precursor season's problematic but blatantly obvious "shiny new toy" syndrome in which everything that's just opened must be prioritized above all else. 

If you had three FYCs and three FYCs to impress on Oscar voters this week, what would they be? 

Casting Society and ACE "Eddie" Nominations

Two branches of movie craftsmen have sounded off now in what will soon be a deluge of guild announcements. The casting directors and the editors have spoken and they've rallied behind some Best Picture hopefuls (the three frontrunners: La La Land, Manchester by the Sea, and Moonlight are showing up everywhere) and passionate fanbase movies (20th Century Women, Deadpool, Captain Fantastic) ...and 'oh, they remembered that!' surprises (Hail, Caesar!).

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Billy Crudup won't tell you this but he's terrific in "20th Century Women"

20th Century Women, now playing in limited release, is named after its complicated women. There are three of them to be exact played by Annette Bening, Greta Gerwig and Elle Fanning. To the movie's great credit, the two male characters are no less fascinating. Take note, men: while the men have their own distinct characters, half of the reason they're so interesting is their empathy and curiousity about the women they share their lives with. One of the guys is a teenager just getting started in life (Lucas Jade Zumann) and eager to soak it all in. The film's quietest character is William (Billy Crudup). He's moving into middle age but headed nowhere in particular; the women have always come to him but he still doesn't know where he's going.

On a very busy day just before the holidays I was able to catch Billy Crudup for a few minutes at the tail end of his press duties for 20th Century Women. While far more articulate than his character, he was similarly self-effacing, deflecting praise more often than not to pass the achievement on to co-stars, directors, and writers. Suddenly his theorized resistance to being A Movie Star (a long-since forgotten topic of discussion from the early days of his career when he turned down high profile gigs) made a great deal of sense. And since he won't say it himself, let it be known that this modest actor is very good in a tricky part in this wonderful film.

lost William in 20TH CENTURY WOMEN (2016)

Here's our conversation...

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