Monday, January 9, 2017 at 11:30PM Chris here with more Globes afterglow. What's there to even say about Meryl's stupendous acceptance speech when her beautiful rally cry was words enough? Instead, let's bask in the glow of actors basking in the glow of Meryl Streep. Here's a look at the room she captured and some guess as to what everyone was thinking:
Monday, January 9, 2017 at 7:25PM 
UNICEF held a screening of Lion this past week in Manhattan with stars Nicole Kidman and Dev Patel and Sunny Pawar (who share the protagonist role of Saroo). I finally had the pleasure of getting some face time with Nicole at the party afterwards. The Monkey Bar's main room has restaurant tables and chairs circling the a big slightly lower open area where the stars enter and are then typically bombarded by press, photographers, and industry wellwishers.
The crowd gave adorable little Sunny plenty of space, looking so tiny and a bit overwhelmed while taking press photos, before he headed to a private table. Dev Patel worked the room shaking hands at tables. Nicole, at least from my vantage point, stayed in the center; you came to her. As it should be.
The statuesque star towered over me (she's only 1" taller, but, add heels)...
Monday, January 9, 2017 at 3:57PM I'll be updating the Oscar charts once the Globe results have settled and the BAFTA nominations are thoroughly parsed. To do so we must ask the time old precursor awards question: who benefitted most from winning or losing at this speed bump on Oscar's highway (sorry for the clumsy metaphor -- I have driving on the brain due to La La Land's big deal opening number). Perhaps the obvious answer is Isabelle Huppert who has had a tremendous week winning the NSFC and the Globe and her movie winning the Globe, too, and finally passing the not insignificant $1 million mark at the box office (making it the one of the most successful foreign language film in the States this year.)
Moonlight's Best Picture win and La La Land's sweep (now the biggest Golden Globe winner of all time with 7 prizes) is perhaps the most "what does it mean?" prize. It's good news for both films obviously, at least for marketing purposes, but since Moonlight's was the last prize of the night and it had won no other awards, will it be anyone's "takeaway" from one of television's biggest awards nights? And do La La Land's seven prizes feel like overkill?
I grilled Team Experience who they thought benefitted from the Globe trophies...
Sunday, January 8, 2017 at 9:01PM 
Katey, Nick, Joe and Nathaniel gab about recent screenings on Golden Globe morning and we find out which actress Charlie (Katey's six month-old) is already a fan of...
Index (42 minutes)
00:01 Bright Lights w/ Carrie Fisher
01:15 Toni Erdmann & Globe Foreign Noms
02:45 Hacksaw Ridge Schizophrenia
05:50 Hidden Figures and Best Actress Movies Losing Oscar Heat
17:30 Joe's Movie Spelling Bee & Podcasting
19:50 Jackie - Nick's not convinced
27:40 Which Oscar movies need second looks?
36:00 Annoyed with Deadpool's Awards
39:00 Random Wrap-Up Chatter
You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments. Next week we'll look at the Golden Globe aftermath.
Saturday, January 7, 2017 at 9:31PM By Chris Feil
It's always ceaselessly frustrating to see deserving below-the-line work from so-called smaller films miss out on Oscar nominations. Even when a film is a favorite in the major categories, it can still be hard to break through beyond major races - just look at last year's Room. This year, Moonlight deserves those nominations for its behind-the-scenes craft, each of its elements too powerful and integral to deny. But for brevity's sake, I'll just call attention to its evocative score by Nicholas Britell.
Britell threads recurring melodies and tones through each of Chiron's chapters without feeling repetitive. As the piano theme comes in and out, it takes us back to the previous struggles that add weight to the fresh one, just as life is connected memory to memory. The sharp strings show the soaring relief of a moment like Juan teaching him to swim, but also reveal the anxiety of being seen for what he truly is, the fear of what that means.
