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Deborah Davis, first time screenwriter, is up for an Oscar this weekendDeborah Davis recently took home the BAFTA for her work on the screenplay to Yorgos Lanthimos's stunning tragicomedy and Best Picture hopefulThe Favourite. Though Lanthimos has previously co-written his own features this time was attached to a project already in progress. Davis and cowriter Tony McNamara than retooled the screenplay to match Lanthimos's vision. The results were magic, as has long since become obvious.
Before the hardware started arriving we hopped on a cross Atlantic phone call with Deborah Davis briefly. We couldn't find much info about her at the time and were reeling from the realization that the dearth of info came from the fact that The Favourite was her very first movie. As it turns out she became a screenwriter specifically to tell this story. And what a story it is.
Our interview, edited for length and clarity follows...
NATHANIEL: I'm still gobsmacked that this is a first screenplay!
DEBORAH DAVIS: That’s correct, yes. By training I'm a lawyer, but I’ve done quite a lot of journalism. I started to research The Favourite 20 years ago, and I was actually convinced that this story about women in power and the female triangle would make a wonderful film, so I went and learned how to write a script...
It’s my fourth year covering the nominees for the Live Action Short Oscar, and this group of nominees is far and away the most grim, depressing, and unrelenting batch yet. Four out of five of these films are about horrible things happening to young boys. You’d think the nominating committee would have cleaved to some other topics. After a while, provided you view them back-to-back, the horror of it all becomes nearly comical. If you have a boy child under twelve years of age, you will definitely want to skip this category this year to avoid going to a very dark place. But all five directors are talented artists who know how to build suspense and tell a story with fluidity and grace. Ready?
Madre (Mother) This short won the Goya (Spanish Oscar) last year and the director and actress have since reteamed for a feature version, currently in post-production. Director Rodrigo Sorogoyen swings swiftly from an everyday conversation between a woman named Marta (Marta Nieto) and her mother to an urgent phone call from Marta’s son...
Richard E Grant's timing was impeccable during my own journey into cinephilia. I was in the process of falling madly deeply in love with movies when he made his debut in the cult classic With Nail and I (1987) and as I became more invested in not just movie stars but the crucial contributions of character actors to rich movies, he was everyone in so many movies I loved: Henry & June (1990), L.A. Story (1991), Bram Stoker's Dracula (1992), The Age of Innocence (1993). I bought his first book "With Nails: The Film Diaries of Richard E Grant" in hardcover right when it was published and later bought it again in paperback. I bring up this chronological personal fandom so that'll you'll understand that I was surely as visibly thrilled to sit down with Richard E Grant as he has appeared to be for the entirety of this awards season. We're both giddy about the Oscar nomination for his incredible performance as the slippery but loveable Jack Hock in Can You Ever Forgive Me?
But we began by discussing the book. I'd read it too often to begin anywhere else...
[The interview has been edited for length and clarity.]
One of the funniest film books you'll ever read. A must-have for fans of 1990s cinemaNATHANIEL R: Do you still do film diaries or did you do it only for your book 'With Nails: The Film Diaries of Richard E Grant"?
RICHARD E GRANT: I've kept diaries since I was 11 years old, since I saw my mother shagging my father’s best friend on the front seat of a car, by accident. I tried religion, got no reply, couldn’t tell my friends, certainly couldn’t tell my parents what I’d seen, so I kept a diary to keep sane, and it has kept me relatively sane all these years. I was on the ill-fated Ready to Wear (Prêt-à-Porter) movie for Robert Altman, and a newspaper in England asked me if I would write a diary, so I did, and they published it...
Thank you for all the votes for this weeks Supporting Actress Smackdown for the 91st Oscars - so many ballots for us to sift through with opinions so varied which is just how it should be and how we like it (if you forgot, we'll accept them today as well but they're due by midnight!) Due to behind the scenes technical stuff we'll be posting the Smackdown Monday night, but it's time to meet the panel. We cheekily asked them for their pics in the three chopping-block craft categories but then the Academy reversed course. We're sharing their votes anyway, because shouldn't you always know who people are rooting for in cinematography, editing, and makeup? We think so!
Picture: BlacKkKlansman Cinematography: A Star is Born Editing: BlacKkKlansman Makeup and Hair: Vice
Ginny O’Keefe was born and raised in Westchester, New York. She credits her love of film and television to her parents, since they let her watch pretty much whatever she wanted growing up. They also helped fuel her love of acting by frequently taking her and her two sisters into Manhattan to see Broadway shows. She graduated from Elon University in 2016, with a BFA in Acting and a minor in Communications. She now lives in Los Angeles working as an actress and hopes to write and produce her own films one day. Follow her on Instagram.
Picture: The Favourite Cinematography: Cold War Editing: The Favourite Makeup and Hair: Mary Queen of Scots
Robin Write is the Editor-in-Chief of Filmotomy, a movie site that promotes the likes of female filmmakers, independent film, world cinema, documentaries etc. He's been writing, thinking, breathing, watching movies for as long as he can remembe and still feeds the addiction that is the Oscar race for near-30 years - a truly hard habit to break.
Picture: The Favourite Cinematography: Cold War Editing: BlacKkKlansman Makeup and Hair: Border
Nathaniel R has been running The Film Experience since the first seacreature grew legs and walked ashore in prehistoric times. He was there when Wings won best picture of 1928. Kidding... but he does love Wings and he's been loving the Oscars for far too long!
Picture: The Favourite / Black Panther Cinematography: A Star is Born Editing: The Favourite / BlacKkKlansman Makeup: Border
Chris Feil writes regularly at The Film Experience (including his column on movie music called Soundtracking) and lives in Columbus, OH. He cohosts the This Had Oscar Buzz podcast and has also been published at Vice, Paste, and Decider. You can easily beetlejuice him into your conversations by talking about soundtracks, RuPaul's Drag Race, and WALL•E. He is remembering to notice the collateral beauty around him.
Picture: BlacKkKlansman Cinematography: A Star is Born Editing: The Favourite Makeup and Hair: Border
You know Murtada from his writing on TFE and as the co-host of our podcast. However one thing you might not know is that recently he recorded his first video interview; with rising playwright Jordan E Cooper whose play AIN'T NO “MO starts at The Public Theater on March 12th.
We were offline last night (a break for computer strained eyeballs) so we're hours late delivering the news but good news is still good the next morning. Deadline scooped that the Academy has decided to reverse the decision to not present all categories live. This is a very happy turn of events but it's also left us feeling bruised and battered. Deadline's scoop reminds us that a large part of the problem -- a problem that's not going away any time soon -- is the way the media frames these issues. The media is essentially complicit in ABC's tactics at undermining the Oscars. For those who are looking closely at the situation it's become blindingly obvious that ABC is a toxic and abusive partner to The Academy, more concerned with pushing their own stars (like Jimmy Kimmel) and movies (more awards for Disney blockbusters plz -- hey how about a "popular Oscar"?) than perpetuating the brand of the Oscars themselves. And that brand, the Oscars, is the reason people tune in each year, not for any particular host or any particular movie.
ABC has strategically kept the Academy in panic mode with 'the sky is falling' style messaging about their lack of popularity (which is bollocks but facts are hard to see when you're in an abusive relationship). But the problem becomes larger because the media continually helps them do it! Consider the way Mike Fleming Jr frames the piece (and he's hardly the first) in his article...
Monday, February 18, 2019 at 8:03PM 
Deborah Davis, first time screenwriter, is up for an Oscar this weekendDeborah Davis recently took home the BAFTA for her work on the screenplay to Yorgos Lanthimos's stunning tragicomedy and Best Picture hopeful The Favourite. Though Lanthimos has previously co-written his own features this time was attached to a project already in progress. Davis and cowriter Tony McNamara than retooled the screenplay to match Lanthimos's vision. The results were magic, as has long since become obvious.
