Best International Feature: China, India, Japan

by Cláudio Alves

The cultural hegemony of Hollywood can make it seem as if the American film industry were the biggest in the world. However, some nations produce even more cinema than the US, and, annually, there's a much greater number of non-English-speaking features than Anglophonic ones. Since the Oscars tend to relegate such films to the Best International Feature category, it's possible to get a skewed view of the global realities of movie-making from them. In truth, the Academy's very local in its choices. With that in mind, let's explore the submissions of three countries whose industries are as robust as America's…

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Best International Feature: Lesotho, Morocco, Sudan

by Cláudio Alves

Our first voyage through the Best International Feature contenders took us to the films of the latest Oscar champions: South Korea, Mexico, and Chile. Now, we shall turn our attention to nations that haven't been nearly as lucky with AMPAS. The entire African continent, in fact, has been chronically ignored by the Academy ever since the genesis of this award. Shining a light on the African cinema in contention this year, we find the first-ever submissions from Lesotho and Sudan, as well as a deadpan comedy from Morocco…

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Best International Feature: Chile, Mexico, South Korea

by Cláudio Alves

Nathaniel has recently shared the Best International Feature Contenders List and given us an overview of the stars and directors and stats. Like last year, I'll be reviewing as many of the contenders as I can get my hands on, beyond the reviews already shared here at The Film Experience for the submissions from Czech Republic, Georgia, Guatemala, Ivory Coast, Kenya, Palestine, Romania, Switzerland, Taiwan, and Venezuela. The number of contenders is at an all-time high!

To start our voyage around the world, let's take a look at the submitted films from the last three champions of the category: Chile (2017, A Fantastic Woman), Mexico (2018, Roma), and South Korea (2019, Parasite)… 

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Review: Taiwan’s Oscar Submission "A Sun"

By: Patrick Gratton

They say that time is the eternal healer. It picks you up from your bootstraps and licks your wounds. Time is also the eternal grim reaper. It has the power to darken one’s heart, hope and inhibitions.  Chung Mong-Hong’s A Sun, the big winner at last year’s Golden Horse Awards and Taiwan's submission for the 93rd Oscars, is a 150+ minute meditational piece on the effects of time and its role in expanding and tightening the human spirit. 

For a film with such a daunting running time, A Sun begins with a bang! Teenager A-Ho (Wu Chien-to) races with fellow gang member on his motorcycle through the pouring rain to a local restaurant. A-Ho thinks this is a simple shakedown to intimidating a rival of theirs. But the gang amputates the rival's hand with a machete (in the film's goriest moment). A-Ho’s father A-Wan (Chien Yi-wen) advocates for a guilty sentence during his son’s trial. When questioned by his wife about why he’s so apathetic towards their son, A-Wan replies that he’s simply giving him a chance to repent while spending time behind bars...

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Yes No Maybe So: Pixar's 2020 Films "Soul" and "Onward"

by Tony Ruggio

Pixar gonna Pixar. That is, use cute anthropomorphic beings to explore the many profundities of life and make us cry in the process. Soul appears to be another excellent example of their personal stamp. Better yet, it's one of two Pixar originals this year (their firsts since Coco in 2017 since the last two years have been sequels). Let's do the Yes No Maybe So after the jump... 

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