Oscar submission deadline has passed for International Feature

Just a heads up that we forgot to mention. The deadline for countries to submit to the Oscars for Best International Feature Film passed on December 1st (the deadline is usually October 1st but they had two extra months this year due to COVID-19). All told 89 submissions have been announced (all accounted for on our Oscar charts) so we probably won't have a record breaking amount of titles. That said, 89 is a fluid number. The final "official" list generally includes a title or two that hadn't been announced previously and generally one or two of the ones that were announced are absent for vague reasons. All in all the list is made up of 33% debut filmmakers and 34% female directors so it's a "fresh voices" year. Only eight countries sent filmmakers who've already been nominated or who've made the finals. I'm on pins and needles to dive deeper into stats as I suspect the Academy will announce the full list very soon.

While we wait for the Official List we'll be sprucing up the other Oscar charts :) which we know need updates.

UPDATE: And here's the Golden Globes list of international hopefuls. Historically they have a different list than Oscar and also allow for more than one movie per country. 

In defense of Glenn Close as "Maw-Maw"

by Juan Carlos Ojano

Adapted from J.D. Vance’s controversial memoir about his family in the Appalachians, Hillbilly Elegy opened to harshly negative reviews from critics, but the film is not really out of the awards conversation. What was seemingly a slam dunk Oscar contender given the pedigree of its cast is now caught in the critics/audience divide, something that has become a commonality these past few years (Green Book, Bohemian Rhapsody, Joker, etc). Just look at the critics and audience scores the film got in Rotten Tomatoes and Metacritic.

ROTTENTOMATOES: Tomatometer: 26% / Audience Score: 85%
METACRITIC Metascore: 39 (generally unfavorable) / User Score: 7.9 (generally favorable)

The most significant Oscar push for the film will undoubtedly be seven-time oscar nominee Glenn Close for Best Supporting Actress. She plays Mamaw, J.D.’s grandmother and de facto guardian when his mother Bev (Amy Adams) spirals into heroin addiction. This role comes after a surprising Best Actress loss at the 91st Academy Awards for her performance in The Wife.  Absurdly overdue for a win, Close came to this particular Supporting Actress race as a preordained frontrunner. However, the dismal critical reception of the film immediately cast doubt on her chances. Some now feel she won't be nominated at all. Or, that she doesn't deserve to be which is unfair on Close’s part, in my humble opinion...

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China submits "Leap" to the Oscars

by Nathaniel R

China has submitted the women's volleyball drama Leap to the Oscars, which is already streaming on Amazon Prime. Gong Li headlines but you'd barely recognize her she's so unglamorous this time. The 55 year old superstar has recently returned to the screen after taking a few years off, and its' going pretty well. She's the flashiest thing about Disney's Mulan and now she's headlining her seventh Oscar submission in the International category. We already discussed China's Oscar history but how about Gong Li's history starring in Oscar hopefuls? Here they are...

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Doc Corner: A 'Mayor' in Palestine

By Glenn Dunks

Documentaries about bureaucracy can be tricky. Not everybody has the luxury of being Frederick Wiseman and be given over four hours to luxuriate in the minutiae of a major city’s political processes like he did in this year’s City Hall. And if nothing particularly interesting happens then all you’re left with is a movie about people pushing paper around for 90 minutes, which would thrill me by doubtful many others. American director David Osit is at something of an advantage with Mayor, however; set in the city of Ramallah in the Palestinian West Bank.

You could be forgiven for thinking that Osit has missed the obvious story right in front of his face. For the opening stretches of Mayor, about Ramallah’s Mayor Musa Hadid, the director is seemingly content to focus on administrative nonsense including an amusing, extended narrative strand around Hadid’s inability to grasp the concept of city branding (as a public servant myself, I related). I was beginning to think that this film would be just a curious diversion showing how life in the Palestinian National Authority does carry on.

But Osit proves to be much smarter than that in how he has structured Mayor...

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International Contenders: Will we get a repeat Nominee?

by Nathaniel R

Roughly 34% of Oscar's Best International Feature hopefuls (thus far) come from debut filmmakers so it feels like we're headed for an "emerging filmmaker" kind of year at the Oscars (and not just in this category). But while the 2020 competition is likely to favor fresh blood statistically, eight countries have submitted famous directors who've made it to the nomination list already... or almost made it in two of the cases.

They are...

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