Lunchtime Poll: What are the oddest Best Actress wins?

Claudio recently celebrated Glenda Jackson's Oscar winning performance in Women in Love and we have to ask if you've ever seen Women in Love's trailer? We personally can't recall a time another time when critical pullquotes were wielded to shame people into praising something. Haha. Note that final blurb! 

While most Oscar wins make sense given the context of their own years (for various reasons), they don't always make any sense in the grander scheme of Oscar history and taste. Women in Love stands as one of the strangest Oscars wins in its category given the nature of the role and the acting achievement. I'd argue that Julie Andrews in Mary Poppins is another odd duck, with no correlative elsewhere in Oscar taste. Who would you name as one of the strangest Oscar wins in Best Actress history (besides those two)? And why?

All hail the great Glenda Jackson!

by Cláudio Alves 

50 years ago, Ken Russell's Women in Love was released in US theaters after having already opened in the UK the year before. Accusations of obscenity and licentiousness followed the picture across the Atlantic and, as it usually happens, polemic was a good catalyst for popularity. Nowadays, such arthouse offerings rarely get mainstream attention but the America of 1970 was a different place as far as moviegoing was concerned. In a time of radical change in society and tastes, Women in Love's tale of bohemian affairs, sexual candor and class hierarchies in 20s England was warmly received by critics and audiences alike. The performance of Glenda Jackson was of particular fame and catapulted the actress to the pantheon of celebrity.

So much so that, by April of 1971, she won the Oscar for Best Actress. To this day, it's one of the weirdest victories in the category's history…

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Luis Bunuel's "Tristana" is 50...

by Eric Blume

Fifty years ago director Luis Bunuel's Tristana, his second collaboration with Catherine Deneuve, opened. It went on to become  a 1970 Best Foreign Film Oscar nominee.  While it lost the statue to Elio Petri's excellent Investigation of a Citizen Above Suspicion from Italy, it's fascinating to look back at Bunuel's fourth-to-final film and see it still standing strong.

In many ways, Tristana is one of the more straightforward and accessible Bunuel films, but "straightforward Bunuel" is thankfully still pretty fucked up...

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Reader's Choice: Voyage of the Damned (1976)

Last week by popular vote you selected this streaming film for screening & discussion...

by Nathaniel R

It lasted 30 days... You will remember it as long as you live."

So went one of the chief taglines for the Oscar hopeful Voyage of the Damned (1976). It reads like a threat -- when taglines attack! -- this promise of a long unforgettable sit. Having only viewed The Voyage of the Damned for the very first time this weekend, it's too soon to say if we'll remember it for as long as we live, but the other part of the statement is accurate. We won't make a snarky comment about the running time (too easy!) but the titular passage was indeed a month long moment of intensely shameful global history. 

For those unfamilar with the history it goes, very briefly, like this...

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Fellini @ 100: "Amarcord"

A few volunteers from Team Experience are revisiting Federico Fellini classics for his centennial. Here's Eric Blume...

 

Federico Fellini’s 1975 film Amarcord is considered the culmination of his style and artistry, the “most Fellini” of Fellini films, the one that won him his last (of four) Best Foreign Film Oscar, as well as prizes from the New York Film Critics and National Board of Review as director of the year.  And he never made a film afterwards that rivaled its success or connection with audiences... 

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