The Furniture: 25 Years Trapped in Castle Dracula

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. 

Bram Stoker’s Dracula turns 25 years old today. It is, appropriately, not dead. Not that a film can die, exactly, but this one has held onto its toothy vigor with particular success. Even the ridiculous way Keanu pronounces “Bewdapest” still charms. Eiko Ishioka’s Oscar-winning costumes seem simultaneously ancient and way ahead of their time. The same goes for the Oscar-winning makeup, which transforms Gary Oldman across centuries with bewildering commitment. The visual effects, which went unnominated, remain thrilling, a dizzying phantasmagoria of cinematic shadow-puppetry.

But I’m here to rave about the only nominated category that the film didn’t win. Production designer Thomas E. Sanders and art director Garrett Lewis were nominated, but they lost to Howards End. Hard to argue with that, of course. Yet their work on Bram Stoker’s Dracula is just as worthy in its complexity, engaging with the material deep within the extravagance and color. Sanders and Lewis demonstrate a creativity well beyond the Gothic castles and thick cobwebs of the genre’s lesser films, shining a newly bloodstained light on this most famous of vampire stories.

The home of the monstrous count itself is a perfect example. Dracula lives in a decaying tower, but a fraction of his former seat of power. It hovers over a cliff in a remote corner of Transylvania, all but removed from the eyes of the living. It cascades upwards, every story more mangled than the last...

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Martin Landau (1928-2017)

Landau at an event honoring Tim Burton last yearWith well over 100 credits to his name no one can say that Martin Landau didn't have a fine and enduring career. But for such a fantastic talent, perhaps he remained undersung. After a brief stint as a cartoonist, he found his calling with acting and nabbed his first TV guest spots in the mid '50s. By the end of the decade he appeared in his first classic (Alfred Hitchcock's North by Northwest) but it wouldn't be his last. For the remainder of his long long career he toggled between TV (most notably three seasons in the mix of Mission Impossible in the 60s and leading the cult favorite Space 1999 in the 70s) and intermittent movie success.

You can't call it his late 80s/early 90s success a comeback, given that he never quit working, but it was a revival and a rediscovery...

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A League of Their Own, Pt. 2: Mae Swings, Evelyn Cries, Jimmy Rants

25th Anniversary Four-Part Mini Series Event

Previously in Part 1: "Dollies" who could also play ball were recruited to save America's Favorite Pastime while the men were at war. But these athletic women didn't realize that they'd still be met with such sexism despite the chance to show their gifts. The final piece of this movie's puzzle was the manager and the job was offered to Jimmy Dugan (Tom Hanks) and that's where we pick back up. How will the Rockford Peaches handle their new arrogant alcoholic boss? 

Batter up...

Part 2 by Nathaniel R

33:40 "Ladies and Gentlemen welcome to the first game of the All American Girls Baseball League"... In this case via the establishing shot (Penny Marshall makes good use of those throughout) 'ladies & gentlemen' is a small plural; the stands are mostly empty. 

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"Girl, you'll be a woman soon... Soon, you'll need a man 🎵"

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Stage Door: "Six Degrees of Separation" Revived

Stage Door bringing you intermittent theater reviews when we manage to get there. Here's Nathaniel R

It's so basic to binge plays during Tony season as opposed to a more sensible and committed once-a-month diet of live theater. Alas, just as the more familiar mainstream obsession of the Oscar circus encourages studios to backload their releases to the last quarter of the year, most of the "big" theater shows open as late as they can for Tony consideration. This makes April and May a madhouse of theater-going for those who care about such things. Because most of the musicals are too expensive, I've been catching up with the plays. We've already covered The Little Foxes (a must see) and the Pulitzer-winning economic tragedy Sweat. So let's talk Six Degrees of Separation nominated for 2 Tonys: Best Revival of a Play and Best Leading Actor (Corey Hawkins).

"Chaos, control. Chaos, control. You like, you like?"

That's Stockard Channing's most sweetly funny line reading (among thousands of exquisite ones) in the 1993 movie adaptation of this stage classic. That was also, roughly, my reaction to the Broadway revival with Allison Janney, John Benjamin Hickey, and Corey Hawkins (Straight Outta Compton), taking over the roles Channing, Donald Sutherland, and Will Smith played onscreen...

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