Over & Overs: Marie Antoinette (2006)

In this new-ish series members of Team Experience share movies they've watched way too often and why...

By Cláudio Alves 

I don’t think I was a very ‘normal’ 12-year-old. Whatever that word might mean, I doubt it encompasses nerdy pre-teens obsessed with The French Revolution. Looking back, I’m not even sure why I was so enthralled. Maybe it was the tragedy of it all, how its horrors were as undeniable as the social changes they brought upon were necessary. Maybe it was the moral ambivalence, the complexity of its historical narrative. Maybe it was just the prettiness of the fashions. 

One thing’s for sure, I was very excited by the prospect of watching Sofia Coppola’s Marie Antoinette...

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Over & Overs: Sugar & Spice (2001)

By Spencer Coile 

Growing up, there was no place more sacred than my local Blockbuster. I remember scouring the walls on a Friday night, searching the aisles to find the right movie to take home that weekend. At times, I knew exactly what I wanted, but there were other times when I walked in clueless and would let the cover art persuade me. I would always rent just one and consume it multiple times throughout the weekend - especially if it was a movie I loved. 

2001 was when, as a 9 year-old, I started taking film seriously. I would rent the “classics” and learn about foreign cinema. However, one night, I noticed a peculiar looking DVD cover in the new movie section - one that featured a collection of high school cheerleaders with hideous doll masks robbing a bank. It looked like careless fun, and I was instantly compelled to rent it. It was then my love for Sugar & Spice was born....

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Over & Overs: The Hudsucker Proxy (1994)

by Mark Brinkerhoff

The Coen Brothers have no shortage of veritable classics on their résumé (Fargo, No Country for Old Men, Raising Arizona, etc.), but somewhat overlooked within their filmography are the quirky, sweet (read: non-violent, still absurdist) little diversions into optimism, vs. their patented nihilism. And so, sandwiched between the critical and commercial triumphs Barton Fink and Fargo, arrived The Hudsucker Proxy, the Coens’ mid-‘90s (25th anniversary, y’all!) ode to the zany, screwball comedies of Hollywood’s Golden Age.

They had me at "You know, for kids.”

I was one of the few who saw The Hudsucker Proxy in theaters—it bombed…hard—at the mall where I worked as a teen (at Subway in the food court, natch). In fact, it wasn’t by chance that I saw The Hudsucker Proxy; I actually sought it out, for reasons I can’t totally recall. But loved it I did, from the very first watch... 

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Over & Overs: Moonstruck (1987)

In our new Team series, members of The Film Experience wax rhapsodic on movies they can't help watching frequently and can't turn away from if they stumble upon them. Here's Deborah Lipp...

 

I ain't no freaking monument to justice!

As with many of my favorite movies, I find Moonstruck endlessly quotable. I open with a quote in the hopes I can restrain myself from doing nothing but quoting in the course of this write-up.

We are here to ruin ourselves and to break our hearts and love the wrong people and die!

Oops.

Moonstruck is infinitely watchable because it works on so many levels... 

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Over & Overs: Indiana Jones and the Last Crusade

In this new series, members of Team Experience wax rhapsodic on films they've never been able to stop watching. Here's Lynn Lee...

Conventional wisdom holds that Raiders of the Lost Ark, the O.G. Indiana Jones, is also the best Indiana Jones.  Yet the Indy installment I love the most is Indiana Jones and the Last Crusade, which I’ve watched more times than I can count and can practically quote from beginning to end.  It’s one of my cinematic comfort food go-tos. I can count on it to put a smile on my face and – perhaps more surprisingly – a tear in my eye.

I suspect my deep affection for The Last Crusade is at least partly rooted in the fact that it was the first Indiana Jones movie I saw, and the only one I ever saw in a theater...

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