Over & Overs: Young Frankenstein (1974)

by Ginny O'Keefe

When you’re blue and you don’t know where to go to 
Why don’t you go where passion sits
PUTTINNNONDAREEEEEEEEEZ

In these dark times we are living in, it’s good to have a little escapism. Even if it only lasts an hour and forty-six minutes. And nothing puts a larger smile on my face quite like Mel Brooks’ classic horror-parody, Young Frankenstein. I watched this movie with my family on a skit trip when I was eight years old, not knowing what I was getting into...

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Over & Overs: Anatomy of a Murder (1959)

In this series members of Team Experience share their feelings for movies they have watched multiple times and that they can never get enough of. Here's Michael Cusumano

I can’t remember what originally drew me to Anatomy of a Murder. I certainly never held strong feelings toward the courtroom genre in general or the films of Otto Preminger in particular. I do recall a youthful obsession with George C. Scott that might explain it; Dr. Strangelove and The Hustler both would both qualify as top contenders for this series.

Whatever path I took to Anatomy of a Murder, once discovered it was never far from my rotation. You would think courtroom movies would be ill-suited for repeat viewings since most are structured like mysteries where the truth is gradually forced out into the open. Once the secrets are spilled, what is left for the return visit? But therein lies the appeal of this surprisingly idiosyncratic title...

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Over & Overs: "My Girl"

Over & Overs is a series where we talk about movies we've watched countless times.

by Camila Henriques

I don't recall the first time I watched My Girl, but I do remember where I've seen it the most. This Howard Zieff-directed coming of age drama was a fixture on TV as I was growing up, and, for the past 25+ years, it has been for sure one of these films that becomes something new with every rewatch.

Probably best known for being Macaulay Culkin's first on-screen kiss, My Girl tells the story of Vada (Anna Chlumsky, in her breakout role), a 11 year old girl experiencing change in various ways whilst being surrounded by death: her widowed father falls in love again, her grandmother is in that there-but-not-there situation, and, of course, she goes through her first love - and heartbreak...

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Over & Overs: Sense & Sensibility (1995)

by Cláudio Alves

Films don't change. It's the viewer who is changed by the passage of time. When you watch the same film over and over again, it's easy to imagine that a transformation has occurred. What one day were negligible details, suddenly become the crux of a drama. Sentimental reactions change and so do the feelings each character brings out in the heart. To watch and rewatch across the years is to become starkly aware of how much you've changed as a person and as a cinephile.

At least, that's the experience I've had with those films that have stayed with me over time, cyclically revisited, especially in times of personal strife, as if they were the sweetest of comfort foods. Ang Lee's masterful Sense & Sensibility is one of those special films…

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Over & Overs: To Wong Foo

In Over & Overs we ask Team Experience to share movies that they've seen countless times and tell us why. Here's Chris Feil...

The 90s were an interesting time to be an odd kid strangely compelled to the sight of men in dresses. Drag comedies had a kind of resurgence into the mainstream, particularly with Robin Williams headlining both Mrs. Doubtfire and The Birdcage to huge popularity. But the one that struck my imagination and sparked an undefined sense of self-identification was Beeban Kidron’s oddly named To Wong Foo, Thanks for Everything, Julie Newmar.

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