Thankful for... Christopher James

This year for our "thankful for" column we're interviewing our contributors so you can get to know them better. Yes, Thanksgiving is technically over but we're still grateful. Here's one more for you. A big hug and thank you to CHRISTOPHER JAMES!

Chris has been with for TFE for just over a year but we've known him much longer online, first meeting him in the flesh on a trip to Los Angeles. In the short time he's been with us he's completed the popular "Gay Best Friend" series (one more wrap-up episode is coming!) and is about to launch a new series. He also kept things lively with fun personal anecdotes and important questions, and has been a powerhouse when it comes to our Emmy coverage. 

Our short interview follows...

When did you first fall in love with the movies?

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AFI Diary #3: "Parallel Mothers" and "Petite Maman"

Christopher is covering the 2021 AFI Fest Film Festival. Follow along for his reviews.

The hits just keep coming during AFI Fest. Two renowned international filmmakers screened their new films this weekend - Pedro Almodóvar and Celina Sciamma. Check out the latest reviews below:

Parallel Mothers (Pedro Almodóvar)

Pedro Almodóvar is a genre unto his own. The legendary Spanish director has made dramas, comedies, thrillers and everything in between over his forty-plus year career. No matter the tone of the movie, there are certain colors, beats and stylistic choices that are undeniably Pedro. We don’t look at a bright, dark red color the same thanks to his work in cinema. One of the great joys in watching a Pedro Almodóvar film is watching the plot change from what you expected it to be and what it actually is. Parallel Mothers is top-tier Almodóvar, particularly because it subverts one’s own expectations and becomes a much more emotional, haunting and political picture...

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It's 2002 all over again with Spain's Oscar submission choice

by Nathaniel R

We hinted that this could happen again and it has. In 2002 the Spanish Academy of Arts and Cinematographic Sciences passed over Pedro Almodóvar's internationally fêted Talk to Her for the country's Oscar submission in favor of Mondays in the Sun, a Fernando León de Aranoa film starring Javier Bardem. Now 19 years later history repeats itself as Spain has passed over Pedro Almodóvar's internationally fêted Parallel Mothers for their Oscar submission in favor of The Good Boss, a Fernando León de Aranoa film starring Javier Bardem. 

Now we wait and see if history will be yet more repetitive. In 2002 Oscar voters ignored Mondays in the Sun but honored Talk to Her with nominations for Director and Screenplay. We doubt that history will repeat itself that fully since Parallel Mothers is considerably less flashy a film but you never know. Either way it went today the Javier Bardem/Penélope Cruz household would have a reason to celebrate so congrats to Spain's most famous movie star couple and to Aranoa, too.

Submission charts for more info and current predictions. You can also follow along on Letterboxd.

What will Spain submit to the Oscars?

by Nathaniel R

Spain, which is Oscar's third favourite country (statistically speaking) in the Best International Feature Film race, will announce their submission on October 5th. In the meantime they have released the names of the three films that they are considering. It's Pedro Almodóvar's melodrama Parallel Mothers versus Fernando León de Aranoa's comedy The Good Boss versus Marcel Barrena's adventure film Mediterráneo. All three of the films are slated for October release in Spain so we don't yet know how the "home team" will react to them. Still this trio of possibilities is interesting for a few fun triva reasons...

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Nathaniel's Venice Wrap-Up: Jury of One Awards

by Nathaniel R

The Venice jury and I agree on a Screenplay prize for THE LOST DAUGHTER

Elisa's already shared the official winners of Venice (and her take on those choices since she saw the whole competition slate). I admire her completism at festivals but my habit is instead to sample a bit from each program. I saw twenty-one films which is a very low number to see over eight days at a major fest — blame Venice’s absurd ticketing system this year which encouraged people to be on their phones securing tickets WHILE watching movies -- i met several people who had set timers for themselves! -- since they sold out in seconds after becoming available every few hours. Since I refused to play on my phone during movies I missed two crucial movies (Spencer and Dune) but here are my favorite achievements from the films I did catch from all programs (Competition, Out of Competitions, Orizzonti, Biennale Collage Cinema, and Critics Week)

RULES: In true festival jury fashion (even though it’s just myself) I’m only allowing one prize per film. And rather than giving out a Best Actress and Best Actor prize (don't make me decide this early!) I’m listing my 15 favorite performances after the jump. What, too much? Acting is magic so I shan't apologize…. 

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