Review: Skolimowski's "EO" is a miracle!

by Cláudio Alves

Can donkeys dream of heaven? One hopes so, for they need not search for hell in sleepy fantasy – they live it every day, wide awake. A world defined by human cruelty demands dreams of something better, something beyond the pain. Is it peace, love, a state of joy? Maybe it's red.

EO all starts in red. Bathed in scarlet light, skin touches fur, human hands over the animal's body, a trance-like choreography that's both intimate and public. There's a closeness to these touches that transcends their physical softness, a beauty that's more than mere performance for circus audiences – it's that heaven we spoke about, but maybe it's hell, too. Red will linger, a memory, perhaps a reverie. Dreams are nightmares by another name, and so is EO, both nightmare and dream right from the beginning…

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Poland & Ecuador make their Oscar picks

by Nathaniel R

Poland won their first Oscar in the Best International Feature Film category for Ida (2014) eight years ago and surely came closer than expected to a second win four years ago with a late surge for the brilliant Cold War (2018) which also scored Best Director and Best Cinematography nominations. In fact, Poland has had a major comeback with the Oscars in the past 15 years, racking of nearly half of their nomination total after a quarter century drought from the last time the Academy couldn't get enough of their cinema back in the mid seventies to early eighties.  Can they keep their hot streak going with the buzzy donkey point-of-view feature, EO... 

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German & Polish finalists for Oscar submissions

by Nathaniel R

Four countries have already announced their Oscar submissions thus far but soon the official titles will start pouring in from all over the place. Today we have news from Germany and Poland, both of which have won the category before. Both countries have named a list of finalists for the submission. Those titles are after the jump...

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Venice Diary #07 - "The Last Duel" and the last movies of the fest

by Elisa Giudici

Michael Myers is back in "Halloween Kills"

Final day!  I hope you are ready because in this entry I am going to cover all the movies I saw in the last two days of the Venice Film Festival. Eight movies, from European arthouse cinema to Hollywood blockbusters, with some solid performances, an instant cult, and the only major disappointment of this incredible edition of the Mostra.

I'll try to keep it short because of the lack of sleep. An inside joke between my roommate and me this year was that the Filipino movie with its 208 minutes of length lasted longer than our typical night of sleep in the last two weeks...

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Interview: Malgorzata Szumowska talks Oscar, Great Actors, and "Never Gonna Snow Again"

by Nathaniel R

Though it's easy to lose track of great cinema, especially in this strange time of virtual festivals and very little traditional moviegoing, you won't want to miss Never Gonna Snow Again, when it arrives this Spring. The Polish hopeful in this year's Oscar's International Feature Film race is a hard-to-describe elusive wonder about a Ukranian massage therapist (Stranger Thing's Alec Utgoff) who a suburban community becomes obsessed with. We were thrilled to jump on the phone with its talented 47 year-old director Malgorzata Szumowska. She's forged a long and international career for herself with award winning films like Elles (with Juliette Binoche), Body, the LGBT drama In the Name of, and her first English language picture last year, the cult drama The Other Lamb. 

She goes by 'Malgo'. "It's easier," she offers quickly, surely having heard her name mangled before. The director lives up to our expectations with a candid tongue and sharp sense of humor. Poland is a large country but she describes their film industry as small though not without its professional jealousy for those with international careers. The name directors, she adds, are "very supportive" of one another, name-checking three of the country's finest as we settle in for our chat: She mentions Jan Komasa (Corpus Christi) briefly; Pawel Pawlikowski (Cold War, Ida) is her very close friend -- she actually found him his lead novice actress for his Oscar-winning Ida; and shortly before our chat, Oscar nominee Agnieska Holland (Europa Europa, In Darkness) had called to catch up.

We're crossing our fingers that she soon joins their ranks at the Oscars. But Malgo appears to be less of a dreamer and more of a bemused pragmatist when it comes to careers and awards. "Some people think they'll make one film and then they'll be in Hollywood. It doesn't work that way. If you make a movie that wins an Oscar than, yes, but that's an accident, a lottery."  She's in it for the long haul and the work and eager to get on with her next project as we spoke...

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