Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in RIP (235)

Monday
May192014

RIP: Gordon Willis, cinematography of "The Godfather", "Manhattan", "All the President's Men"...

Here's one of my personal favorite critics, Tim Brayton, with a gracious crossposting of his lovely obituary for one of the greatest cinematographers who ever lived. - Nathaniel


It’s not tragic when an 82-year-old man, who had been happily retired for 17 years, following an incredibly strong and well-regarded career, dies. Any of us would be lucky and blessed to have that kind of live and that kind of death. But the loss of Gordon Willis on May 18 is heartbreaking anyway: it’s always heartbreaking when a true genius, visionary, and leader of his field passes away.

Willis was the most important cinematographer of the last 50 years of cinema. I don't know of any clearer or more concise way of putting it. If he'd only shot The Godfather and The Godfather, Part II, a pair of films that fundamentally altered the way people used lighting and focus and the peculiar film stock of '70s American filmmaking, he would be one of the great masters of his field, and his passing a day of mourning for all cinephiles.

A beauty break featuring some of his greatest achievements after the jump...

Click to read more ...

Wednesday
May142014

Gridlink

Big Screen
Comics Alliance reviews the new mutant twinkies inspired by X-Men Days of Future Past. No, really
Self Styled Siren Farran's first novel "The Missing Reel" is coming out this year. If you've ever read her site you know this is a big deal since she's a wonderful writer. She promises lots of film references in this romantic comedy set in the 1980s at a NYC revival house. 
The Dissolve Ridley Scott might direct The Martian starring Matt Damon. Mars movies always flop but Hollywood is eternally optimistic 

Why So Sad, Batman makes the only smart use of the first photo of Ben Affleck as Batman 
Out director Bryan Singer profiled, he declines to comment on the legal battles involving sexual assault claims but there's quite a lot of commenting on perceptions of his sexuality
AV Club Wolverine Remixed. 'Snikt' with a dance beat 
The Film Stage See a short film from Godzilla director Gareth Edwards 
Cinema Blend first look at Tom Hanks in another novel adaptation. This one is A Hologram for the King from Tom Tykwer 
Film School Rejects I was going to do a "posterized" on Godzilla but they beat me to it 

Small Screen
Variety love love love these motion posters for Orange is the New Black
My New Plaid Pants 'tell me how to feel about...' the latest development in the Greta Gerwig sitcom story
Vulture ABC Upfronts. Viola Davis's new show has a pretty awesome teaser but I'm still not happy the movie star thing didn't happen. *sniffle* 
Vulture NBC Upfronts. Nothing looks interesting to me here and Jesus that Katharine Heigl show looks derivative - like someone created it with a computer program that randomly mixed up elements of Homeland and Scandal scripts.
Vulture Fox Upfronts.  I'm sorry but this Gotham show looks so dumb. We just don't need this much Batman in the world. Also: Last Man on Earth. Intriguing ballsy teaser but how do you sustain that?


RIP
Reuters brilliant artist H.R. Giger, who gave us Ripley's acid-blooded enemies in the Aliens franchise, has passed away.
The Guardian tragic news. Documentarian Malik Benjelloul has apparently taken his own life, less than two years after winning an Oscar for Searching For Sugar Man (2012) 

Off Screen
Because sometimes you need to take a breather and read about regular life...
The New Yorker "The Woman Who Coined The Term White Privilege." Fascinating interview.
Outsports comments from Michael Sam's NFL-draft  ESPN kiss attached to photos of NFL players on camera with their lady friends. There have been so many fascinating and funny and ridiculous articles and TV talk meltdowns about this. All from a quick closed-lip kiss with a hug. Haha. Which is so... nothing. Standard business when someone hears great news. It never ceases to amaze me how many people can't see double standards from the fog of their hysteria. It is interesting, though, isn't it that very few people seem upset that it's a bi-racial relationship we're looking at? You'd think while people were trotting out their homophobia they'd toss in a little racism, too. Progress!
Time "30 Incorrectly Used Words That Can Make You Look Horrible"  I know better but I still make some of these mistakes. (sigh)
The New Yorker Lynda Barry, my all time favorite cartoonist, sells all her art in the show "Everything: Part One." 

Whither Cannes Reporting?
As previously noted I've been super ill. There was a moment an hour ago where I felt vaguely human again so tomorrow I will hopefully be back to the mad blogger routine of frequent posting. Until then please enjoy this appropos sand carving on the beach in the south of France...

Wednesday
Apr092014

Mickey Rooney (RIP)

I came to the news of Mickey Rooney's passing late due to my offline vacation but it wouldn't be right to not mention it here at the musicals-loving The Film Experience. My first exposure to Mickey Rooney, as far as I remember, was Babes in Arms (1939) for which he was Oscar nominated at 19. I think my parents took us to see it at an awesome revival house in Detroit. Tweens and teenagers, who always fear being uncool, aren't supposed to love old black and white movies made many decades before they were born but cinephiles and/or musical-fanatics are a different breed and I had no shame whatsoever about seeking them out. [More...]

Click to read more ...

Wednesday
Mar262014

The Temple of Link

Vulture Pharrell on his Oscar loss and Frozen's "Let it Go"
Cinema Blend super depressing think piece about Chris Evans planned retirement after Captain America and why our franchise culture kills an actor's passion
Empire Madonna is not done directing. Next up: Ade: A Love Story based on the novel by Alice Walker's daughter

Guardian wonders when we'll start seeing gay parents in family films from Disney
Variety True Detective will compete in drama rather than in miniseries at the Emmys. Interesting move, right? I still think the Emmys need to start making rulings on this sort of thing just so there's consistency, rather than letting the shows decide. 
The Wire FWIW this is the article that seems to make the most sense as to why HBO is doing that
Film School Rejects Plans for Prometheus 2 move forward. Rumors of multiple Michael Fassbender sound perfect to me. Fill the screen with him.
Salon on Wes Anderson and the art of Twee "It's not easy being twee"
What Culture on 18 screenplays every aspiring writer should read. Some interesting choices / points but it's VERY man's man oriented. Obviously written by a guy who doesn't get into female protagonist cinema because I don't know how you make a screenplay list and don't include All About Eve
St Paul Lutheran Church Get this. Oft employed character actor James Rebhorn (Homeland, The Talented Mr Ripley, Far From Heaven) wrote his own obituary before he died. It's beautiful

From CinemaCon in Vegas
i09 sees and loves footage from Luc Besson's "insane" Lucy starring Scarlett Johansson as a drug mule turned superpowered killer. They liken it to Kick Ass which is unfortunately for me a superpowered deterrent.
In Contention on Angelina Jolie's Unbroken preview - I haven't drawn up my "april foolish" predictions yet but I think I'm probably less bullish on this one than most. I keep thinking Seabiscuit. Not that that film wasn't an Oscar hit but that type of inspirational power of human (or animal) spirit isn't as easy of an Oscar sell as it once was, I'd wager. 

P.S. And in case you haven't heard Jonathan Groff (Looking, Frozen) and Lucy Liu will announce the Tony Award nom this year on April 29th.

P.P.S. I'm not going to link to any of the many articles about the possible reboot of the Indiana Jones franchise (a.k.a. Indiana Jones 5 or 6)  because the only way to end reboot culture and get some actual NEW material up in here is for the media and the public to start ignoring these creatively bankrupt cash-ins that desperately want to keep giving us things we've already had.

What happened to youthful rebellion, I ask? Why do kids today want to see watered down versions of their parents favorite heroes instead of getting their own? Katniss aside, it's ALL their parents heroes over and over again.

Thursday
Mar202014

Oswald Morris (1915-2014)

We just celebrated the career of cinematographer Oswald Morris this past November on his birthday with a visual tribute. I regret to inform that the fine DP has passed away at 98 on St. Patrick's Day.

Director John Huston (left) and Oswald Morris (right) size up a scene

I first became a fan of his, without knowing I was (you know how that is at the beginning of cinephilia) when I saw the puppet classic The Dark Crystal (1982) which was his last film. That film was so technically ambitious at the time and a visual triumph in many ways. I've been meaning to watch it again just to feel the presence of actual objects with weight and shadow in the time of CGI. 

In the obit at The Telegraph he tells a good story about one of his true breakthroughs: Moulin Rouge (1952):

In 1952, Morris “broke every rule in the book” while shooting Huston’s Moulin Rouge. On being interviewed for the job at the Dorchester Hotel Morris asked Huston how he envisaged the completed film would look. “I would like it to look as though Toulouse-Lautrec had directed it himself,” replied Huston. Morris shot using strong, light-scattering filters on the camera, which had never been used before. “We also filmed every set full of smoke so that the actors always stood out from the background,” he recalled. “The Technicolor people hated it.” Their tune changed, however, on the film’s positive reception. “The head of Technicolor in America wrote to Technicolor in London congratulating them on the wonderful colours in the film. No mention of me.”

Curiously, though he shot several famous films other than Moulin Rouge like Lolita, Equus, The Taming of the ShrewThe Pumpkin Eater and won three consecutive BAFTAs in the 60s for black and white pictures, he was only ever Oscar-nominated for his colorful work on musicals: The Wiz, Oliver!, and Fiddler on the Roof, winning for the latter.