Yes No Maybe So: Hillbilly Elegy

Can the movie world please slow down? After months of nothing much happening, everything is happening at once. Three more festivals start today and the trailers keep hitting. It's as if we're in a typical year's mid October even though Oscar nomination battles are not two months away (as they'd usually be) but four months away. Early buzz on Hillbilly Elegy has been a bit hard to read. Is it going to be bad? Is it going to be good? Is it going to be so bad it's good camp classic. Is it going to wow and compete for all the Oscars or none after face-planting? 

Glenn Close and Amy Adams Arguing About Who is Going to Win the Oscar First: The Movie (2020) pic.twitter.com/VDZgSVjQze

— Nathaniel Rogers (@nathanielr) October 15, 2020

We'd argue that the trailer does not answer these questions although there is a lot of capital A acting (which is always hard to judge out of context though lord knows everyone does when they see trailers) So we invite you to contribute your own Yes No and Maybe So in the comments as we're at a loss.

P.S. We've adjusted the Best Actress (Amy) and Best Supporting Actress (Glenn) charts to reflect the confirmed campaigns. 

How Had I Never Seen... "Splash"

by Cláudio Alves 

From time to time, there's talk of creating new Oscar categories. Just this year, Brad Pitt spoke about the need to give stunt coordinators some love and appreciation during his acceptance speech. Maybe he's right, maybe there should be a stunts category. Another arguably necessary addition is a casting award that reflects that job's importance in creating the movies we love – it's much more crucial than original songs, for instance. Casting is not just a matter of hiring good actors, but the challenge of getting the right people for the right roles. It's knowing how to capitalize on a star's persona and energy, the performer's fame, the tonal register they bring and the audience's perception of them. In the right circumstances, a limited actor can be a better choice than a consummate thespian with a greater range.

Ron Howard's delightful Splash (available on Disney+) is a pertinent example of the importance of good casting for a movie's success, humor, and dramatic functionality. With different performers, it probably wouldn't work half as well as it does…

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I Have Altered The Auteur, Pray I Do Not Alter It Further

by Salim Garami

What's good? This is opening weekend for Solo: A Star Wars Story, a Disney/Lucasfilm production that saw a bit of behind-the-scenes drama. It's hardly the first production of the space opera franchise to be so contentious: Rogue One had Tony Gilroy take over post-production in lieu of director Gareth Edwards and the still in-production Star Wars Episode IX interrupted its development when Colin Trevorrow stepped down as director to J.J. Abrams, returning from Star Wars: The Force Awakens.

After the jump, more on Solo and five films that had survived such a director change to a decent reception after the jump...

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Review: "Solo - A Star Wars Story"

by Chris Feil

Han Solo isn’t exactly a character that has our affections enmeshed in his origins. As played in the original Star Wars saga by peak hunk Harrison Ford, Han is about 50% swagger, 30% smart ass, and 20% emotional walls. He’s a crucial element, but one whose history isn’t essential to the story we all know and love - so in tracing his beginnings, Solo - A Star Wars Story needs a strong point of view to be more than a spin on the hampster wheel. It’s sadly almost there...

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A "Solo" trailer at last!

Chris here. We've got only a month or so before we finally feast our eyes on the much reported troubled production of Solo: A Star Wars Story. Was Ron Howard able to steer the film to safety after original directors Phil Lord and Christopher Miller notoriously clashed with Lucasfilm brass? Depending on which reports you believe, Howard either completely reshot the entire script or just the major set pieces. Whether the final product succeeds, expect the "who shot what" discussion to continue into Star Wars lore like "Han shot first".

Adding to the concern has been a lack of footage to pore over, but await no longer for a full trailer is finally here! While the delayed glimpse at what is in store hasn't done much in the way of damage control, the actual trailer doesn't quite help either. We're served a mishmash of murky imagery and what looks to be an overadherence to formula, particularly in its character lineup. If you can already sense there are too many cooks in the kitchen from this short assemblage, it might be time to believe the worst. Doesn't it feel like the titular hero (and our beloved Alden Ehrenreich who plays him) is being backgrounded? Shouldn't our heart race immediately at the sight of the Millennium Falcon?

But the trailer isn't without its highlights: Donald Glover being sexy in space, ample capes, Woody Harrelson being weird again, and whatever it is that Thandie Newton is doing (but speechlessly so? Why?!). And thanks to Fleabag, we still couldn't be any more excited for whatever Phoebe Waller-Bridge's android brings. For now, we wait nervously on the rest...