Rock of Ages Will Rock You... (Or At Least Lightly Jostle You)

This review was originally published in my column at Towleroad

At a recent press screening in Manhattan, heavily attended by the gays, the choreographer turned So You Think You Can Dance judge turned movie director Adam Shankman cheerfully introduced the screening of his latest stage-to-screen musical Rock of Ages. It's his first musical since the exuberant Hairspray (2007) and he charmingly expressed his nerves and excitement about showing it off. He invited the assembled crowd to not take the movie too seriously, "dumb fun!", and sing along with it if they felt the urge. I was sitting near the front and as Shankman bounded up the stairs to exit from the back, he shouted out  'Oh, and I'm gay' as a "no shit" style punchline. The crowd laughed and the lights went out. 

The energy of Shankman's introduction can't have hurt the screening but his invitation to sing-along proved redundant. It doesn't take long for the movie to send out its own karaoke invitation.  In the jukebox movie musical's very first number we meet a small town girl, living in a lonely world, who takes a midnight train bus going anywhere. Her name is Sherry Christian (Julianne Hough) but she's not exactly going anywhere. She's purposefully headed to Los Angeles to try to make it in the music business. No sooner has she begun singing "Sister Christian" (get it? Um… haha?) than the unnamed extras on the bus start grabbing solo lines from the verses until the whole bus is singing about Sister Christian. Her time has come!  

Upon her arrival in the big city, this girl from the sticks lands both a new job and a new bartender/songwriter boyfriend (Cam Gigandet) at a famous club operated by a beleaguered old pro (Cher) and her gayish sidekick (Stanley Tucci). The club is having financial trouble thanks in part to a mercenary money man (Eric Dane) and hopes that a big voice (Christina Aguilera) will resurrect its fortu--- NO, WAIT. THAT'S BURLESQUE! More after the jump...

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Review: Arthur (2011)

Since I very recently saw Arthur (1981) on Netflix Instant Watch, I had a bit of a trouble disconnecting myself from the original while watching the new version 30 years later.

Dudley & Liz vs. Russell & Greta

The more things change the more they stay the same? The comedy Arthur (1981) opened during a recession and high unemployment rates. Here we are again in 2011 when all but the richest are hurting and that drunken millionaire is rearing his head again. He's hoping you'll laugh with him or at him -- either will do as he has no shame. The first time around audiences did just that. They embraced Arthur's reckless entitlement and threw millions more into his seemingly bottomless coffer, turning the film into one of the biggest blockbusters of early 80s cinema.

The remake, also named ARTHUR (2011) is in some ways a recreation with virtually the same character in a nearly identical plot. The few changes are cosmetic. Even Arthur's net worth hasn't changed all that much...

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What do you make of this Arthur or the earlier one?