The Furniture: SciFi on a Budget in Planet of the Vampires

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

Last week’s column was about Dr. Zhivago, the obvious first choice for any 1965 celebration of production design. But where do we go for Part 2? None of the other 9 nominees really leap forward as worth a column, though I do like King Rat. Outside Oscar’s purview, meanwhile, there’s a lot. There are sweeping historical dramas, like The Saragossa Manuscript and Forest of the Hanged. There are wildly bizarre fantasies, like Juliet of the Spirits and Shadows of Forgotten Ancestors. But I think it would be fun to follow Dr. Zhivago with something entirely different, a movie with only a handful of sets and a budget of $200,000.

Mario Bava’s Planet of the Vampires was perhaps never destined to be a hit. Bava was disappointed with the casting of Barry Sullivan as Captain Mark Markary, who he considered far too old. Sullivan, for his part, took one look at the script and assumed the worst. It wasn’t until he showed up for ADR recording that he saw just how much magic Bava could get out of $200,000. The images took his breath away...

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"Raised by Wolves" 1-3: Prometheus Reborn

by Tony Ruggio

"Mother" and her children

Raised by Wolves is Ridley Scott’s answer to those who didn’t take to Prometheus, his magnum opus follow-up to Alien decades later. The powers that be got in the way of his true passion and led to a compromised vision once Alien Covenant came along. This is clearly an opportunity for him to revisit such themes as religion, man’s origin, and artificial intelligence, as well as delve into his slower, more methodical aesthetic preferences in greater detail. The first three episodes introduce us to a future wherein a great war has been fought (or is still being fought? It’s unclear) between atheists and a religious faction known as the Mithraic, spiritual fundamentalists devoted to a sun god called Sol. 

The story begins on a planet distant from Earth where an atheist group has sent two androids with the mission of shepherding a successful human colony there. So far, Wolves is primarily interested in the evolving behaviors of these androids, known only as Mother (Amanda Collin) and Father (Abubukar Salim)... 

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YNMS: Dune (2020)

by Nathaniel R

-There's something happening to me. There's something awakening in my mind, I can't control it. 

-What did you see?

-I saw Oscar season coming!

Let's break down the new Dune trailer by Yes No Maybe So, shall we?

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Shelley Winters @ 100: Pete's Dragon (1977)

Concluding our Shelley Winter's Centennial party, here's new contributor Baby Clyde...

My film obsession started around the age of 12 when I somehow acquired my first "Encyclopedia of Movie Stars". It changed my life. I spent literally hours pouring over it, utterly entranced by the legends of the Golden Age of Hollywood. I remember it introduced me to the likes of Luise Rainier and John Garfield who I had never heard of before, but mostly I remember being totally confused by the entry on Shelley Winters.

Who was the glamourous woman who had been a sex bomb and serious actress before going on to win two Oscars and how was she in any way related to the harridan who had been the stuff of my childhood nightmares? Whilst I understood that actors played different roles, I don’t think I’d quite grasped at that point just how different they could be and how the same woman could go from this...

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2005: When Tilda Swinton went full Hollywood

Please welcome back former contributor Sean Donovan who returns to the fold...

With the 2005 Supporting Actress Smackdown quickly approaching TFE, let’s take a moment to think about a future Best Supporting Actress winner who was just then gathering her strength, summoning her powers of fierce alien glamour, and dipping a toe into Hollywood. 2005 was a pivotal year for Tilda Swinton in that it was her first engagement with big budget genre filmmaking. Tilda had found her way onto some Hollywood projects prior to this -- The Beach (2000) with Leonardo DiCaprio, Vanilla Sky (2001) with Tom Cruise, Jonze and Kaufman’s contemporary classic Adaptation (where she briefly shares the screen with Meryl Streep and my little gay heart explodes) -- but 2005 brought bombast, costuming, and blockbuster genre storytelling to her body of work...

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