Remembering Rutger Hauer (1944-2019)

by Nathaniel R

"All those moments will be lost like tears in the rain."

Thus went the immortal words of Roy Batty, in Blade Runner (1982) as he breathed his last, betrayed by the cruel brevity of life. Rutger Hauer improvised one of cinema's all-time greatest death scenes when he was just 38. The actor, who turned 75 this past January, has now passed on, dying at his home in The Netherlands after a short illness.

Rutger Hauer first came to worldwide fame in 1973 as the star of Paul Verhoeven's Oscar-nominated sexually provocative Turkish Delight (the most successful Dutch film of all time). More buzzy international hits from his home country followed. Hollywood soon came calling as they usually do when someone who can speak English fluently has multiple imported hits...

Click to read more ...

Box Office: An Expensive Lesson in Sequel Production

Amir here, with the weekend’s box office report. Much like last week, the biggest story at the multiplex is the massive failure of a has-been brand. Then, it was the shrinking shoulders of 80s action heroes that could not bear the weight of a changing, modern world. Now, it is Frank Miller’s overly familiar aesthetic and the fading stars of Jessica Alba and crew. This catastrophe is of epic proportions. Budgeted around $70m, Sin City: A Dame To Kill For failed to make even 1/10th of its production costs back and fell behind the aforementioned Expendables 3. Reviews haven’t been kind and any affection for the original film has vanished in the intervening decade. You either have to suffocate the audiences with non-stop sequels and reboots before they know who’s hitting them, or they’ll forget you. That’s the lesson for Robert Rodriguez and Frank Miller and one they have had to pay at least $50m dollars to learn.

The best selling wide release was also the weekend’s Film Amir Is Too Old To Watch, a romance starring Chloe Grace Moretz called If I Stay that didn’t have the muscle to take the throne from Guardians or Turtles, making this one of the year’s quieter weekends. 

WEEKEND BOX OFFICE
01 GUARDIANS OF THE GALAXY $17.6 (cum. $251.8)  Review
02 ...NINJA TURTLES $16.8 (cum. $145.6) remember the animated one?
03 IF I STAY $16.2 *new*
04 LET'S BE COPS $11 (cum. $45.2)
05 WHEN THE GAME STANDS TALL $9 *new*
06 THE GIVER $6.7 (cum. $24.1) Review
07 THE EXPENDABLES 3 $6.6 (cum. $27.5)  recommended read
08 SIN CITY: A DAME TO KILL FOR $6.4 *new*
09 THE HUNDRED FOOT JOURNEY $5.5 (cum. $32.7) 
10 INTO THE STORM $3.8 (cum. $38.3)  
11 LUCY $3.5 (cum. $113.7) Podcast
12 BOYHOOD  $1.8 (cum. $16.5)  Review & Podcast
13 MAGIC IN THE MOONLIGHT $1.3 (cum. $6.8)  
14 DAWN OF THE PLANET OF THE APES $1.1 (cum. $203.9) Podcast & Reviewish
15 GET ON UP  $.9 (cum. $28.7) Review & Viola Davis

On the limited side, brighter news: Ira Sach's Love Is Strange a film The Film Experience adores, did strong business on only 5 screens. Here’s hoping it expands across North America as quickly as possible. The only new release I watched in the past couple of days is Ari Folman’s The Congress, which isn’t actually out until next weekend. Stay tuned for my review! What have you watched this weekend?

Live from Comic Con: The Boxtrolls and Sin City's Sequel

Anne Marie here, surviving on pop tarts and coffee and delivering film news live(ish) from SDCC. This next bit covers two very different panels that were placed side-by-side: kid-friendly The Boxtrolls and blood-and-guts comic book noir Sin City: A Dame To Kill For.

The Boxtrolls
The latest picture from the studio that brought us Coraline and ParaNorman is another stop-motion animation that made the chattering crowd of Hall H stop and stare. The trailer gave us everything we expect from Laika; a creative world, seamless animation, and humor. But they really got the audience's attention from a preview of a nearly wordless scene featuring the Boxtrolls searching through the garbage and playing with a trashed teddy bear. Have you ever heard 6,000 people "aww" at the same time? It's both loud and cute.

The panel assembled creators Travis Knight, Anthony Stacchi, and Graham Annable, along with voice talent Elle Fanning (bubbling over and wearing yellow eyeshadow), Isaac Hempstead, and Sir Ben Kingsley. The Boxtrolls is based on Here Be Giants, and has been 8 years in the making (as long as Coraline, as the head of Laika informed us). Stop-motion animation is hardcore! Knight and Stacchi described a bit of the time-consuming frame-by-frame process, which puts animators through a physical wringer, burned fingers handling lights, contorted bodies fitting in tiny sets, sliced hands handling puppets. Knight admitted the sets get destroyed too, as the man-sized cameras push through the doll-size set pieces. The sacrifices look worth it, though. The Boxtrolls looks utterly unique. 

Sin City sequel after the jump...

Click to read more ...

Twins: Eva Green and...

each day at 2:22 a twin post dedicated to all you Geminis reading - one of us... one of us...!

Eva Green keeps winning the spotlight in 2014. In March she took every MVP notice for 300: Rise of an Empire (though I must ask 'was their competition for that title, really?). In May she headlined the premiere of the new Showtime series Penny Dreadful (which we briefly discussed here). Right on the heels of that her hotness made the MPAA all sweaty again (they freaked out over her film debut as well) and they vowed that her character poster for Sin City: A Dame To Kill For woudl never see the inside of theaters. They've since changed the poster to get it approved. (They are so reliably weird.)

Eva's fanbase is ever growing but she's still mysterious onscreen and off. Did you know she has a twin?

Click to read more ...

Link City: Blogs To Click For

Coming Soon first look at Josh Brolin in Sin City: A Dame To Kill For
Low Resolution Joe Reid returns to his very neglected blog to make a movie trailer for his own awards
The Hollywood Reporter spends time with Emmanuelle Riva who might become the oldest acting Oscar winner in history
Slate discusses the morbid finale of Downton Abbey Season 3. Is it the cruelest show on television?

Pajiba five things you may not have known about Christoph Waltz. Fun - love the Haneke bit.
In Contention Christoph Waltz in Djesus Uncrossed on SNL
Empire Sam Mendes may return for Bond 24. That's crazy if you ask me. How the hell will he top Skyfall? Better to walk away with afterglow.
Cinema Blend Lincoln finally ends slavery.... in Mississippi. WTH?
MNPP Gael García Bernal two (sexy) times
Encore's World the whole collection of "Motifs" articles. This one is on Parents & Children in '12 cinema featuring Brave, Amour, Looper and Moonrise Kingdom
The Film Doctor's one sentence review of A Good Day To Die Hard. One very long (true) sentence. 

Greg P Russell working on SkyfallFinally... some last minute awardage. The Writers Guild (WGA) continued Argo's dominance at the guilds... which probably means no Oscar for Tony Kushner's Lincoln. I thank 2012 emphatically for being so hard to predict for so much longer than usual even though now it's snorezzzville again going into Oscar night. At least until earlier this month. Now it's snorezzzville with only Argo deemed worthy of hardware. Which is why I've fallen off the reporting wagon... well that and the lack of FYC ads this year ;) Argo and Silver Linings Playbook took the ACE awards for editing. I say near-sweep because Argo hasn't won everything. It lost the Art Directors Guild prize to Anna Karenina and Sound prizes have also eluded it. Life of Pi was a double winner for the Sound Editors (MPSE) with Wreck-It Ralph and Les Misérables picking up their other trophies... but the Cinema Audio Society felt somewhat differently handing Brave and Les Miz its trophies. All of which is very bad news for perennial sound mixing nominee Greg P. Russell who is up for Skyfall this year... will he really lose again on his 16th nomination! Sixteenth! Tomorrow one more guild announces: the Costume Designers Guild.