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Entries in Smash (44)

Wednesday
Feb202013

Smash: The Dramaturg

previously on Smash

My hopes for Smash's precarious sophomore season were dashed the split second the third episode began as Katharine McPhee sang a poprock song in a halfshirt on a platform for a throng of admirers and capped it off with a little crowd surfing. I thought this was a show about making a Broadway musical... not about creating a pop star?! The new character Jimmy (Jeremy Jordan), prepping for a pitch to powerful director Derek, announces just before the opening titles that "one shot is all we need".  Unfortunately for Smash, it's had several of them and still isn't hitting its mark.

Julia (Debra Messing) hates dramaturg Peter (guest star Daniel Sunjata) at first sight which, in showbiz cliché, surely means a romance is brewing.

2.3 "The Dramaturg"
This week's episode, which felt mostly like connective filler to get us to the new season plotlines after the debut's efforts to tie off last season's storylines, mostly involved auditions though the writers didn't find a way to make that a thematic core. It played like a coincidence across multiple stories: Ivy auditioned for the Cecile role (the Uma Thurman role) in some sort of revival of Dangerous Liaisons; Jimmy and Kyle pitched their embryonic musical "Hit List" to Derek, Derek intended to re-audition for The Wiz producers who fired him in the last episode but was side-tracked by Julia's book changes. She was basically auditioning to keep her job by adding "heat" to the show (i.e. more focus on Marilyn Monroe's upwardly mobile sexuality; enter JFK). The changes were suggested by new dramaturg Peter (impossibly handsome Daniel Sunjata) who is no stranger to Broadway himself, having cut a very fine figure in the Tony winning baseball drama Take Me Out some years ago.

In my very limited experience with theater and theater people I understand dramaturgy to be a respected craft that functions like great editing, fine tuning and sculpting pre-existing material and jettisoning stuff that doesn't work. (A good dramaturg is EXACTLY what Smash needs.) Smash implies (at least for now) that it's more like vicious ghost-writing / script-doctoring so naturally this new character Peter is an asshole. Just like all the men on Smash. I do not need characters to be "likeable" to enjoy a show (hello Mad Men) but if they are all going to be hateful they need to be complex enough to fascinate me. There is no one on this show to root for beyond Ivy (whose self-pity is wearying). We're supposed to root for Karen but she literally complains and sighs and rolls her eyes every time we see her in a rehearsal scene which suggests that she DOES NOT WANT TO WORK TO CREATE A SHOW... so why should we root for her to star in a series about the making of a show? 

Set List: (Originals) "Party" (McPhee), "Our Little Secret" (Ovenden), "Moving the Line" briefly (McPhee/Hilty); Jukebox: "Dancing on My Own" sung as a dirge (Hilty); Showtunes: "Soon as I Get Home" (Hudson).
B♡BBY: Wesley Taylor was not in this episode. Hmmmm. Coincidence that it was a terrible episode? I think not!
Best Moment: Ivy finally wakes up and speaks the truth before walking away from a Derek landmine "You're doubting yourself. You don't do that remember? And neither should I."  
Worst Moment:  God, take your pick? This episode was all over the place. But I have to go with the weird cagey subplot about some sort of violent dude in Jimmy & Kyle's past. Zzzz. Don't care about this. Want more Ivy, Derek, Tom & Julia with a little piece of B♡bby (and okay he can bring Karen along) on the side.
Grade: D 

WHAT CAN BE DONE TO SAVE THIS SHOW? (Artistically, I mean. It's doomed ratings-wise.) 

Wednesday
Feb202013

Costume Designers Honor Princess Hathaway & Anna Karenina

The last (I think?) guild has spoken. And they have announced the movies (and tv) that were 'CLOTHED IN IMMENSE POWER'  for 2012. Apologies to Lincoln for stealing their line ...but at least they were nominated!

The evening included Career Achievement Awards to Eduardo Castro a frequent Emmy nominee with shows like "Ugly Betty" and "Once Upon a Time" under his belt and Judianna Makovsky who made waves this past spring with Hunger Games and costumed films as diverse as the original Harry Potter, Seabiscuit, and Reversal of Fortune. There was also a special award, the LACOSTE Spotlight Award to Anne Hathaway because Guilds generally find a way to honor a movie star or famous director during their ceremonies.

Her award seems to be a crystal alligator of some sort and it looks like she's inviting it to eat Russell Crowe's diaphragm in the photos. Hey, anything to stop him from singing at the Oscars on Sunday!

TV WINNERS:

Television Movie/Mini-Series Lou Eyrich for "American Horror Story: Asylum"
Commercial Costume Design Judianna Makovsky for "Captain Morgan Black"

Contemporary Television Molly Maginnis for "Smash
Period/Fantasy Television Carolina McCall for "Downton Abbey"
Their series awards are hard to argue with, right? Although "Smash" has an unfair advantage over other contemporary shows in that it can also work in period and fantasy wear without stretching the boundaries of the show.

AND THE FILM PRIZES... 

Contemporary Film Jany Temine for Skyfall
Period Film Jacqueline Durran for Anna Karenina 
Fantasy Film Eiko Ishioka for Mirror Mirror 

...which sets up the Oscar contest in brief.

I've said for some time that I think that Anna Karenina will be winning this statue (the other nominations for the film show some cross-branch interest and, no small matter, the costumes are also beyond gorgeous and memorable). But Mirror Mirror does pose a formidable threat if the Academy is feeling silly and adventurous  (bunny ears on top hats, stilt legs, supersized bows, etcetera) or merely feeling misty about the passing of the great Eiko Ishioka.

Which way do you think it will go? Are you happy with the CDG winners? 

Wednesday
Feb062013

Smash: "On Broadway" & "The Fallout"

If I had to hold a Playbill while waiting for "Smash"'s second season to begin, my hands would have all smudged with the ink from the anticipatory twisting and rolling and general "start already!" fussing. Though "Smash" was never exactly a critical hit in its first season, the idea that it was "hate watch" appointment television was sad (sigh. people and their it's-cool-too-hate-musicals predictability!). Smash was really no worse than your average struggling-to-find-its-voice first season TV show but in its finest moments it was like nothing else on television and pretty thrilling, too. I would hold up last season's early episode "The Cost of Art" up against virtually any episode of any show last season in terms of quality.

American Idol Alumni: Hudson & McPhee duet "On Broadway"

We could definitely see the behind-the-scenes turmoil on the screen in Season 1 as the show went on. But the show must go on... [more after the jump including new characters and songs]

Click to read more ...

Saturday
Feb022013

♩To see- to sell- to get- to bring- to make- to LINK- to go to the Festival! Into the Woods ♫

Slate Why do people hate Anne Hathaway? Might it be sexism?
Yahoo Movies Roundtable on the Supporting Actress. I'm quoted here defending Hathaway naturally. One person even disses her for being so isolated as an actress like she's in her own movie. Um... THAT IS HOW IT SHOULD BE. Fantine's tragedy is that she's abandoned by the world and utterly alone. No safety nets or support systems.
Yahoo Movies Roundtable on Supporting Actor. This one is less divisive.
Variety's The Vote this is pretty horrifying. The Hobbit was added to the visual effects Oscar bakeoff without the committe actually seeing it. Terrible slippery slope there, Academy. Fix yourself! 

Kevin O'Keeffe on the twin protagonists of The Hurt Locker and Zero Dark Thirty
Pajiba this is so freaking sexy - 47 leading ladies in mannish clothing
Guardian Penelope Cruz is pregnant again... at least we'll see her a couple of times this year before she's gone again (Ridley Scott's The Counsellor and a cameo in Pedro Almodovar's I'm So Excited)
Billy on the Street "It's Spock! Do You Care?" haha. Zachary Quinto is a good sport. 
Awards Daily Mark Wahlberg and Ted will present at the Oscars. It's going to be a Ted heavy night what with the Norah Jones song, the host, and this presenting duo.
The Film Experience my choices for "best poster design" are up in the Film Bitch Awards 


Hollywood by now you've surely heard that it's official that Meryl Streep will play The Witch in Into the Woods. The film will be directed by Rob Marshall so expect lots of terrible reviews since the world probably hasn't forgiven him for Nine yet. Anyway I thought this called for a poll for all my fellow Sondheim fanatics out there. I've listed my favorite musical phrases from the Witch below and you tell me which you're most excited to hear Streep singing? Got it? Okay... Into the woods with you...

 

 

 

Off Cinema
Boston Globe "Smash" refashions itself into a show about the making of Broadway musicals for its second season. Promises promises, people. We shall see... (I'll be writing about the show weekly again this year)
Rasky Baerlein When pop culture and politics interlock: Obama and Jay-Z

Thursday
Jan312013

Oscar Can You Link Me?

Big Screen 
The Advocate Barbra Streisand to sing at the Oscars for the first time in 36 years - she'll do "The Way We Were" over the in memoriam segment. There sure are going to be a lot of musical performances on Oscar night. 
Variety Jessica Chastain to star in new screen version of Miss Julie. Chastain being cast is something isn't exactly news (she's everywhere) but LIV ULLMAN is directing this oft-filmed Strindbergh tale.
Gawker Rich Juzwiack on the mainstream appropriation of "shade" and Paris is Burning (That documentary on NYC's ball culture is still one of the largest blights on Oscar's documentary branch. It was critically raved at the time and is still must-see viewing 20+ years later but Oscar ignored it)

The New York Times  on the still heated atmosphere of all Les Miz conversations. Stanley Fish wonders if it's the film's lack of irony that so enrages people?
Empire Will our dream of seeing Viola Davis & Denzel Washington reprise their Tony roles in Fences onscreen come true? It turns out Denzel is planning to direct a film version. If he doesn't bring Viola along, I'm going to freak.
CHUD The Muppets... Again is already shooting. Here's a synopsis and cast list
The Carpetbagger on Spielberg's ACE prize from the editors in Hollywood 
Guardian Charlize Theron will co-star in the Seth McFarlane comedy A Million Ways to Die in the West which is said to be an homage to Blazing Saddles.
The Playlist first pic of Tilda Swinton and Tom Hiddleston (god, what a pairing) in Only Lovers Left Alive  

Hey Look.... Jodie Foster in Elysium


Coming Soon ...the movie's title refers to a pristine space station. She plays a government official out to protect the wealthiest citizens from their dirty Earth-bound counterparts who wish to emigrate. (The last time Jodie did sci-fi it turned out well, I think, don't you? Love Contact.) 

Small Screen 
A Blog Next Door says goodbye to 30 Rock with an encyclopedic memory of the show. What will we do on Thursdays now? I always want to go to there.
BuzzFeed 'How Smash became TV's biggest train wreck.' If you're a Smash obsessive this is a must-read... though it's more than a shade shady. The biggest shocker for me was hearing that Steven Spielberg wanted to replace Megan Hilty!!! Good God, are his eyes and ears working? She's the single best thing on the show by an embarrassing margin.

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