by Nathaniel R
Greta Gerwig directing the prom scene in Lady Bird. Look, she's even dressed for the occasion!The first time we spoke to Greta Gerwig in 2013 for Frances Ha it was over the phone. Her voice was so animated it felt like an in person interview. She was learning the accordion because of that seismically magical moment in the French film Holy Motors and revealing to me that she didn't think being an "actor-for-hire" in other people's work would be her path. Little did I know -- though perhaps she did -- that the exquisite Lady Bird was coming. In between she wrote and starred in Mistress America (2015) and gave what is arguably her best performance in Mike Mills 20th Century Women (2016). The rest is of course current celebration and future history: Lady Bird proved a mainstream breakthrough as a writer/director. It's up for five Oscars including two for Greta Gerwig herself as a writer and as a director.
This time, speaking in person, that familiar voice is just as lively but her laughter even more infectious. She radiates as much joy from talking art in real life as she often has creating it onscreen as a performer.
When I ask her her how the accordion is coming, she admits she's "rusty" and that it hasn't been a movie that inspired her lately but 'certain books' though she leaves them unnamed. Whatever feeds your soul as an artist, that's where you go.
on set directing Timothée and Saoire in Lady Bird (2017)
I reminder her about that comment about acting for others not being her path and she says "I know..." in a goofily apologetic way, like she always knew where she was heading but just hadn't told us. Our interview is after the jump...
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