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Entries in Submarine (3)

Monday
Jan092012

Burning Questions: What Are the Future Cult Films of 2011?

Hey folks. Michael C here to ponder how future movie buffs will view 2011.

When a film is riding high through awards season, racking up the honors and soaking up the prestige, it must feel to its makers like its title is being etched into the face of cinematic history with a hammer and chisel. Yet we know that even the biggest box office champs and awards winners can make that cruel slide into obscurity the same as the cheapest B movie. Likewise, films that managed to slip in and out of theaters without kicking up too much fuss can find popularity and redemption on their way to the dustbin. Looking through the records of cinema years past is a lot like glancing through a high school yearbook. Why, oh why, was I so love with her, who I now see clearly to be pretty but painfully shallow, and what possessed me ignore that knockout, even if she was a little quirky.

So the question I want to find an answer to this week is which under-the-radar 2011 films are most likely headed for large and loyal cult fanbases? I am going to skip the obvious choices of Attack the Block and Warrior, both of which had their cult status secured the instant they failed to catch fire at the box office, and name three still underseen titles which are likely to hold up better than their initial releases would suggest: 

SUBMARINE – Box Office: $467, 602

The initial reaction of much of the film critic community at Richard Ayoad smart, often brutal tale of teenage love and heartbreak was to make brief mention of its impressive visuals, then to simply take roll call of all the other coming-of-age tales it superficially resembled (especially Rushmore). My hunch is that time is going to be very kind to Submarine. It may share themes with other stories of precocious teens in love (how could it not?) yet few such stories ring as true in every harsh, painful and often hilarious detail. And few films of any stripe have such a visually striking creation of time and place. 

THE GUARD – Box Office: $5,338,115

The atmosphere of the modern multiplex is not friendly to the low-key character study. The films where you spend more time smiling quietly than guffawing out loud tend to do better with the low-pressure home video environment when the whole night and half a week’s paycheck isn’t on the line. This will certainly be the case for John Michael McDonagh’s The Guard. The movie's shaggy crime story never comes to much, but as a showcase for Brendan Gleesons rumpled charm and flawless comic timing in the title role it will satisfy many a viewer. 

BELLFLOWER  - Box Office: $168,226

I was not the biggest fan of Evan Glodell’s tale of heartarche, male rage, and Road Warrior obsession. But I can’t deny that it touched a nerve somewhere in the whole mess of flamethrowers, cricket eating, and apocalyptic revenge fantasy. I further can’t deny that there were several stand alone images as memorable as any from 2011 and a mood of pervasive unease that marks Glodell as one to watch. I suspect the home video crowd will be more willing to look past the film’s questionable message, and amateurish lapses to appreciate the raw filmmaking talent contained within. And if Glodell should deliver on his promise in his future projects, forget it. Expect the common refrain among film buffs to be that they were on board with Bellflower before everyone else jumped on the bandwagon.

Have another candidate for future cult glory? Let me know in the comments. You can follow Michael C. on Twitter at @SeriousFilm or read his blog Serious Film

Previous Burning Questions...

 

Monday
Oct312011

BIFA Noms: "Tyrannosaur" Triumphs, "Weekend" Wobbles

Herewith a few comments about the just-announced British Independent Film Awards. You may recall that last year they heavily favored The King's Speech and strangely snubbed Mike Leigh's Another Year in Best Film.

BIFA loved "Kevin" but wasn't crazy about "Weekend"

I should warn you up front that I'm apt to spend the whole time bitching about the strange snubbing of Weekend in all but one category. 

British Independent Film
Senna
Shame
Tinker Tailor Soldier Spy
Tyrannosaur
We Need To Talk About Kevin

They unfortunately snubbed the acclaimed gay romance Weekend (Dear reader, I did warn you. DEAR NOTE, I SHALL HIT THEE FREQUENTLY!) which was a perfect fit given the "British" and the "Independent"... not to mention that it's a better film than some of these titles. But then, that's award season for you. Right from the start there will be winners and losers and unexpecting favoring of certain titles that nobody was expecting major awards runs from. Not sure what to make of the lineup other than that the deep preferencing for Shame, Tyrannosaur, and Kevin reminds us that when seeking kudos, ambitiously arty but thunderously grim depression can be an easier path to glory than optimistic and delicately carved miniatures. Again, where is Weekend?

Best Director
Ben Wheatley, Kill List
Steve McQueen, Shame
Tomas Alfredson, Tinker Tailor Soldier Spy
Paddy Considine, Tyrannosaur
Lynne Ramsay, We Need To Talk About Kevin

Best Debut Director (The Douglas Hickox Award)
Joe Cornish, Attack the Block
Ralph Fiennes, Coriolanus
John Michael McDonagh, The Guard
Richard Ayoade, Submarine
Paddy Considine, Tyrannosaur 

Paddy Considine directs Olivia Colman to greatness in "Tyrannosaur"

I am of the opinion that when one separates directing categories one should not be eligible for both. More direction and acting nods after the jump...

Click to read more ...

Wednesday
Apr272011

Sweet Sally

Happy birthday to Sally Hawkins who turns 35 today.


We love her. In fact, if that's a love note she's holding we probably sent it! Submarine is on the screening schedule for tomorrow. Can't wait.

After Happy-Go-Lucky and Made in Dagenham we wonder what kind of miracle it's going to take to get her an Oscar nomination.