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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 


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Entries in Paddy Considine (4)


We Can't Wait #3: Macbeth

Team Experience is counting down our 15 most anticipated for 2015. Here's David to kick off the top 3...

Who & What: Yes, there have been countless Shakespeare adaptations through cinematic history, although the Scottish play is one of the Bard’s biggest plays that (perhaps) hasn’t landed a definitive English language adaptation as of yet (Kurosawa’s Throne of Blood will admittedly take some beating) – and that’s with auteurs as legendary as Orson Welles and Roman Polanski having taken a crack at it. Justin Kurzel, the Australian newbie who was much admired for the jagged savagery of his debut feature The Snowtown Murders, is in the directing chair, and has the awesome pairing of Michael Fassbender and Marion Cotillard as his royal Scottish schemers. 

People getting in the way of their bloodthirsty lust for power include David Thewlis’ Duncan, Paddy Considine’s Banquo, rising star Jack Reynor as Malcolm and The Great Gatsby’s Elizabeth Debicki as Lady MacDuff. Behind the camera, talent includes cinematographer Adam Arkapaw (Snowtown, Animal Kingdom), production designer Fiona Crombie (Snowtown, Top of the Lake) and our beloved costumer Jacqueline Durran.

Why we're excited about it: Ever since it was announced, Kurzel taking on what might be the Bard’s most gruesome pieces of work has seemed like a delectable proposition, with Snowtown’s eerie form promising a take on the greed, manipulation and psychological demonics of Macbeth that doesn’t skimp on the utter blackness at its heart. Add two of the world’s finest – not to mention most beautiful – performers at the centre, plus all of that additional talent, and this apparently ‘gothic’ take on the material can hardly fail.

What if it all goes wrong?: Well, it’s been a long wait – is that something to be worried about? Hopefully not; a preview at Cannes last year seemed to impress, and Kurzel probably didn’t want to rush it out of the editing room just for awards. Natalie Portman’s exit from the project was never explained, but it doesn’t seem to have augured any rumours of trouble in the production.

When: What with those Oscar rumblings last year, we’d wager it’ll be a long, impatient wait until some time near the end of the year, ready for next Oscar season, especially with The Weinstein Company involved. IMDb lists November and December dates for France and Sweden, but every other country is still awaiting news of when the latest take on the Bard’s most infamous play will arrive.


Review: 'Pride,' the Year's Most Adorable Movie

This article originally appeared in Nathaniel's column at Towleroad. It is reprinted here with their permission...

Truth is stranger-than-fiction and also often gayer. The new feature PRIDE dramatizes a largely unknown historical anecdote from the bitter year-long miner’s strike in Thatcher-era Britain when a group of gay activists fundraised for the miners. This alliance is at first an awkward tense match but it eventually finds heartwarming pockets of oxygen when these two unlikely groups are breathing the same air.

It begins with a handful of gay activists (“and lesbian!” their only female member interjects with a small wave in a recurring joke), notice a sudden decline in police bullying in their neighborhood. They make the connection: the conservative government has a new minority to scapegoat. They form a group called LGSM “Lesbians and Gays for the Striking Miners” to help the people suffering without paychecks for months on end — a byproduct of Margaret Thatcher’s war against the unions.

At first, though, these gay heroes can’t even find a miner’s group that will take their money in this cross culture dramedy. [more...]

Click to read more ...


BIFA Noms: "Tyrannosaur" Triumphs, "Weekend" Wobbles

Herewith a few comments about the just-announced British Independent Film Awards. You may recall that last year they heavily favored The King's Speech and strangely snubbed Mike Leigh's Another Year in Best Film.

BIFA loved "Kevin" but wasn't crazy about "Weekend"

I should warn you up front that I'm apt to spend the whole time bitching about the strange snubbing of Weekend in all but one category. 

British Independent Film
Tinker Tailor Soldier Spy
We Need To Talk About Kevin

They unfortunately snubbed the acclaimed gay romance Weekend (Dear reader, I did warn you. DEAR NOTE, I SHALL HIT THEE FREQUENTLY!) which was a perfect fit given the "British" and the "Independent"... not to mention that it's a better film than some of these titles. But then, that's award season for you. Right from the start there will be winners and losers and unexpecting favoring of certain titles that nobody was expecting major awards runs from. Not sure what to make of the lineup other than that the deep preferencing for Shame, Tyrannosaur, and Kevin reminds us that when seeking kudos, ambitiously arty but thunderously grim depression can be an easier path to glory than optimistic and delicately carved miniatures. Again, where is Weekend?

Best Director
Ben Wheatley, Kill List
Steve McQueen, Shame
Tomas Alfredson, Tinker Tailor Soldier Spy
Paddy Considine, Tyrannosaur
Lynne Ramsay, We Need To Talk About Kevin

Best Debut Director (The Douglas Hickox Award)
Joe Cornish, Attack the Block
Ralph Fiennes, Coriolanus
John Michael McDonagh, The Guard
Richard Ayoade, Submarine
Paddy Considine, Tyrannosaur 

Paddy Considine directs Olivia Colman to greatness in "Tyrannosaur"

I am of the opinion that when one separates directing categories one should not be eligible for both. More direction and acting nods after the jump...

Click to read more ...


Sundance Festival Awards Wrap

Mostly I've been just motoring along, not too sad about having missed Sundance this year until it occurred to me what a jump start it gave me on this current Oscar race -- not too mention my own rooting interests at the film bitch awards. Whoa unto us who cannot afford a week in the snowy Utah mountains. I'm dying to see Vera Farmiga's directorial debut but otherwise I have poured over precious few Sundance articles. There was too much Oscar noise this week to give it much thought. But here's what Sundance went for with a passion.

Vera Farmiga, Dr. Nner and America Ferrara (photo from Zimbio)

The Sundance 2011 Awards broke down like so...

Grand Prize Dramatic Like Crazy
Grand Prize Documentary How To Die in Oregon
World Cinema Dramatic Happy, Happy
World Cinema Documentary Hell and Back Again

Like CrazyThe big breakout of the festival was Like Crazy, a cross-Atlantic romantic drama starring Actress winner Felicity Jones (the new Carey Mulligan they're saying... but isn't that just because Carey was a breakout at the same festival in a romantic drama?). It sold to Paramount for $4 million. If the past couple of festival years are any indication this does mean that Felicity Jones will be in the Oscar discussion a year from now. To be uncharitable and frank, I'm completely weirded out by this because a) she didn't register at all in Chéri despite a key role and b) I thought she was less than say "good" in The Tempest (2010) and all she had to do there was affectively portray falling in love as well as conveying being the sheltered child of a bossy mother. If Felicity Jones is a revelation here after that than Julie Taymor is an even worse director than I previously thought! Also weirding me out is the prospect of lil' Anton Yelchin as a romantic lead. Anton Yelchin. Isn't he that brainy little kid from Huff? Didn't he just look like a 12 year old playing at Chekov in Star Trek (2009)? My god they grow up so fast. ♪ sunrise sunset sunrise sunset ♫

Directing, Dramatic Sean Durkin for Martha Marcy May Marlene
Directing, Documentary Jon Foy for Resurrect Dead: The Mystery of Toynbee Tiles
Directing, World Cinema Paddy Considine for Tyrannosaur
Directing, Documentary World Cinema James Marsh for Project Nim
Waldo Salt Screenwriting Award Another Happy Day
World Cinema Screenwriting Restoration
Special Jury Prize (Acting) Felicity Jones for Like Crazy
Special Jury Prize (Dramatic) Another Earth
Special Jury Prize (Documentary) Being Elmo
World Cinema Special Jury Prize (Documentary) Position Among the Stars
World Cinema Special Jury Prize (Dramatic) The Acting in Tyrannosaur

Martha Marcy May MarleneOther than Vera Farmiga's film -- which I'm interested in mostly because I'm crazy for crazy-eyed Farmiga -- the one I'm most personally curious about is Martha Marcy May Marlene which won for Best Director. Fox Searchlight bought it and they do get behind their films. The film is about a young girl (Elizabeth Olsen. Yes, younger sister to the Olsen Twins) trying to adjust to life after fleeing a religious cult. She moves in with her sister (Sarah Paulson -yay) and her sister's fiance (Hugh Dancy - double yay!). John Hawke is the cult leader (triple yay... for Hawkes's involvement not dangerous cult leaders). Olsen won strong reviews and the film sounds like intriguing.

Paddy Considine and Olivia Colman on the set of "Tyrannosaur"Also looking forward to seeing Tyrannosaur. It's about the relationship between a rage filled man (Peter Mullan) and an abused woman (Olivia Colman) but one of our favorite character actors Paddy Considine is directing and if the world cinema jury felt the need to honor both its acting and its directing, maybe it's special and not just gritty miserabilism.

Documentary Editing If a Tree Falls
World Cinema Documentary Editing The Black Power Mixtape 1967-1975
Excellence in Cinematography, Dramatic Pariah
Excellence in Cinematography, Documentary The Redemption of General Butt Naked
World Cinema Cinematography All Your Dead Ones
World Cinema Cinematography, Documentary  Hell and Back Again
Alfred P Sloane Prize Another Earth directed by Mike Cahill
Sundance NHK International Filmmakers Award Cherien Davis
Jury Prize Short Filmmaking Brick novax Pt 1 & 2
Shorts Jury Honorable Mention: Choke by Michelle Latimer; Diarchy by Ferdinando Cito Filmomarioes; The External World by David O'Reilly; The Legend of Beaver Dam by Jerome Sable; Out of Reach by Jakub Stozek; Protoparticles by Chema García Ibarra

PariahFocus Features, who won The Kids Are All Right bidding war last year, also bought a lesbian film this year. Pariah, which won for cinematography, is about an African American teenager (played by Adepero Oduye) who is coming out of the closet in Brooklyn.

Audience Award
Dramatic Circumstance
Documentary Buck
World Cinema Kinyarwanda
World Documentary Senna
The Best of "NEXT" Audience Award to.get.her

CircumstanceLast year at Sundance the Dramatic Audience Award, Dramatic went to HappyThankYouMorePlease which was the writer/director debut of sitcom star Josh Radnor and surprise: it felt not unlike a sitcom. But the year before they chose Precious so you never know. This year's winner Circumstance is about an Iranian family struggling with rebellious teenagers.

Anything from Sundance 2011 interesting you from what you've read here or elsewhere?