Sundance: Clifton Collins Jr. in “Jockey”

By Abe Friedtanzer

 

It feels like there’s at least one memorable horse movie every year at Sundance. Dream Horse played last year (as did Horse Girl), The Mustang was a hit in 2019, and Chloé Zhao’s The Rider screened in 2018. There’s just something about the bond between man and the animal that’s not necessarily known as his best friend but is still thought of in quite an endearing manner. The best of those films tend to focus just as much on the human protagonist’s own internal and interpersonal struggles as they do on their relationship with their prized steed. This year’s signature Sundance entry, Jockey, does just that… 

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Sundance: "John and the Hole" review

by Jason Adams

Titled like a Bible story or a fable of ol' Aesop's (or perhaps it's the start of a dirty limerick), John and the Hole does indeed contain both a John, and a hole. John, played by Captain Fantastic's Charlie Shotwell (and seen just recently doing the disaffected youth thing, and to better effect if you ask me, in Sean Durkin's The Nest), is an absent-eyed 13-year-old sociopath who only seems to spurt to life when playing video-games and screaming obscenities at his best friend via headset. Otherwise he wanders his cavernous home in a daze, occasionally aided by some pills he steals from his parent's drawer...

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Sundance: "Flee" beautifully animates a family's struggle

by Eurocheese

As the first acquisition at this year’s Sundance Film Festival, Flee made headlines as an early success story. To anyone who attended the premiere screening, it was no surprise that the film was snapped up so quickly. Between its lovely animation and personal message, it speaks to a refugee’s journey in a heartfelt way. I shed tears at several points during the film, and based on the reactions I heard during the Q&A afterwards, we’ll be hearing much more about its emotional impact in the future.

The story begins as a conversation between two friends, one of whom (Amin) seems to be hesitating when considering marriage to his longtime boyfriend...

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Sundance: "Strawberry Mansion" review

by Jason Adams

"Out of my hair and into my home, to enter you must lick the ice cream cone," is how one character greets another in the trippy and lovingly strange Strawberry Mansion from writer-directors Kentucker Audley and Albert Birney. That invitation gives y'all your gist -- if you wanna enter a movie that will bestow such a whimsical greeting upon you at the door then you're probably in the right place. And it only gets weirder once you've come in. It's up to you whether you're willing to let the Strawberry wash over you. Me, I was mostly tickled. Pinkish, you know...

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Interview: Bao Nguyen on "Be Water" and the cultural resonance of Bruce Lee

by Nathaniel R

Bao Nguyen's Be Water premiered on ESPN this past summer and has touched a lot of people since then. It's a lovely meditation on Bruce Lee's life, his relationships to both the East and the West, and the meaning of his legacy and activism. Be Water is one of 238 films eligible for the Oscar this year in Best Documentary Feature. We were thrilled to sit down with Bao Nguyen, over Zoom of course, to discuss his picture and the man and myth that is Bruce Lee.

Be Water was five years in the making, though things sped up considerably once ESPN signed on two years or so ago. Originally Be Water was supposed to come out around Bruce Lee's 80th birthday this past November but demand was so great for new movies during quarantine that the release was moved up to June. Nyugen, had a strange year (didn't we all!) but one recurring joy was hearing from and seeing photos of multigenerational families watching the film together. He describes the film as "connective tissue" and the parents and kids and grandparents could then discuss what Bruce Lee meant to them...

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