Abe Gives Thanks 2020

A few volunteer members of Team Experience will be giving thanks this holiday week. Here's Abe Friedtanzer

This year has had its share of disappointments, but there’s plenty to celebrate personally and cinematically. I’m fortunate to have great weather in Los Angeles where I can spend time outdoors on a regular basis. It’s also been exciting to write much more frequently for The Film Experience and to interact with contributors and readers who were mostly willing to forgive my lukewarm attitude towards Schitt’s Creek. Here are ten movie/TV-related reasons I’d like to give thanks:

• Parasite winning Best Picture. I predicted 1917 but couldn’t have been more thrilled to see a stat-busting international triumph. It’s also the first time since The Departed that my #1 film of the year was also chosen by Oscar.

• The Sundance Film Festival happened completely as normal. For my seventh time in Park City, Utah, I got to see 41 films and enjoy sitting in the front row in crowded theaters for five movies in a row per day for a week straight. Little did I know that January would be my last visit to a movie theater...

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Interview: Garrett Bradley, Fox and Rob Rich on their award-winning documentary "Time"

by Murtada Elfadl 

Fox and Rob Rich in a shot from the film

This year’s documentary sensation is Time, now streaming on Amazon Prime, a film that announces the arrival of Garrett Bradley as an accomplished filmmaker. Telling the decades spanning story of Fox Rich, an entrepreneur and abolitionist who spent almost 20 years fighting for the release of her husband Rob Rich out of the Louisiana State Penitentiary, commonly known as Angola. He has been given a 60 year sentence for a robbery they both committed in a moment of desperation. Talk about punishment that doesn’t fit the crime.

The film’s 2020 journey of accolades started at the Sundance Film Festival in January, where Bradley won the Best Director award in the Documentary feature competition. Since then it has played the Toronto and New York film festivals and is now available to screen on Amazon. And it is absolutely my favorite film of 2020.

The film is a mix of Fox’s video diaries that she recorded over the years with insight into the last couple of years of her family’s story shot by Bradley. That was not the original concept. After ending the shoot Fox gave Bradley a treasure of archival footage that she had shot through the years. Bradley changed direction and incorporated Fox’s footage. Recently I had the chance to speak to the Riches and Bradley over zoom and I started the conversation at this juncture asking Fox why she gave Bradley her video diaries.

This interview has been edited and condensed for clarity... 

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Zainab Jah and Jayme Lawson reminisce about Sundance

by Murtada Elfadl

 

In the final part of the conversation I moderated between the actresses Zainab Jah (who will next be seen in Seacole) and Jayme Lawson (who will next be seen in The Batman), they talk about going to Sundance for the first time. They were there in January to premiere their film together Farewell Amor in which they play mother and daughter immigrants. With nostalgia for film festivals in full bloom, let's take a trip back to a happier time just a handful of months ago...

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"Farewell Amor"

... one last Sundance review from Murtada Elfadl 

Early on in Farewell Amor, Angolan immigrant Walter (Ntare Guma Mbaho Mwine) sits down to eat with his wife Esther (Zainab Jah) and teenage daughter Sylvia (Jayme Lawson), they talk about all the years they spent apart. Walter moved to New York to escape the Civil War and was hoping to bring over Esther and Sylvia, yet they were stuck in Tanzania for seventeen years. That's a long time to be apart; Are they still a family or just three strangers trying to avoid the awkwardness of small talk?

It’s a moment of fraught emotions and stilted silence. Yet as Mwine, Jah and Lawson play it, it is also a moment of guarded release. The wait is over, there’s awkwardness, doubt and trepidation but also hope...

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Murtada's Sundance Notes & Favorite Performances

by Murtada Elfadl

My second straight year at Sundance was even better than my first. I knew my way around a little bit more and managed not to over schedule myself. The movies remain for the most part fantastic and the conversations in the many lines and at the different spaces on Main Street illuminating. Here are a few observations about this year's festival:

the Zola team

Diversity of Voices and Stories Can Be Accomplished

I saw 30 movies in 8 days. Half of them were directed by women and half were cast with pre dominantently actors of color. Some of the best movies I saw came from outside the US...

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