Daredevil 3-4

Daredevil bum never splits Murdock suits... even while leaping wildly up fireescapesThe secret reason that it's healthy to write about Netflix shows: it slows down the binge-watching. The side-effects of binge-watching are unpleasant if too little discussed. Side effects include but are not limited too: Lack of productivity, lethargy, weight gain, glazed eyeballs, reduced moviegoing (VERY BAD), and a dichotomous relationship to impatience -- refusal to wait a week to see what happens each hour paired with the willingness to tolerate a lot of padding in your drama wherein you sit for 12 hours for anything to actually happen.

Not that things don't happen on Daredevil. I speak more of Bloodline which is good but kind of a slog, really. Like True Blood (curiously not a Netflix show) one gets the sense that the season's story is much much shorter than the time it's taking to tell it. Curiously the best episodes of Daredevil (#2 & #6) thus far seem to be the ones that get stuck and confined in one place wherein the things that happen, however few of them there may be, actually do feel as if they matter. 

1.3 "Rabbit in a Snowstorm"
The third episode begins with a innocuously familiar image, a bowling ball, that quickly turns into a murder weapon in the show's grisliest episode thus far. Thankfully most of the actual carnage is offscreen so those with Game of Thrones aversions (I know we are few and far between) can rest assured if not easy that they'll probably be able to stomach this series. Nelson & Murdock are hired by Fisk (unbeknownst to them...sort of) to defend the murderer.  In the B plot Karen is asked to sign a gag order by her former company which makes her even more curious about their wicked ways. More...

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Daredevil 1-2

I fell in love with Daredevil as a young boy when Frank Miller, pre Dark Knight, took over the comic. It wasn't just the sexiness of a blind superhero (what?). Miller's run in the early 80s brought us famous characters like Bullseye and Elektra and Stick and a dangerous physical immediacy that other comics just didn't have. Naturally the Frank Miller run, plot-wise, was what the execrable 2003 movie tried to cover, jamming it all together with spectacularly disastrous and silly results. Marvel's first foray into Netflix territory gets so much right in its first few episodes that people need no longer fear The Man Without Fear but embrace him. Instead we need only fear, together whilst binge-watching, that Daredevil won't be able to keep this quality up for for its whole first season.

Herewith thoughts on the first two episodes...

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Superheroes, Shakespeares, Stonewalls, and Series Endings

Lukewarm off the presses: Here's a collection of things we didn't get around to talking and/or linking to for your enjoyment or conversation prompting. We always hope for both. And I'm always hoping to empty out my "things to write about immediately" desktop folder... which is never emptied out.

• Terrence Malick's new movie (the one right after Knight of Cups) will be called Weightless (no cracks about how skinny Portman, Blanchett, Fassbender, and Rooney Mara, who star, are) but it's about music and its set in Austin. Apparently there's Madonna, Bob Dylan and Arcade Fire songs or something? Who knows. In truth I don't know why I'm sharing this info. Fact: Malick movies are only interesting in the watching of them, not in the hearing about their development since that's always totally vague.

• Glenn Kenny wrote a lovely piece about his mother's love of Alfred Hitchcock movies (she recently died) and he brings up an interesting point about how older audiences of either gender remember and loved his work. Do you know what your parents favorite Hitchcock's were?

• Look! It's Jeremy Irvine in action director Roland Emmerich's first gay drama Stonewall (2015) -- that and plenty of other things are after the jump...

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Deadpool Pulls a Burt Reynolds. (Don't Tell Archer.)

Ryan Reynolds posted the first "official" photo of himself (presumably) in costume for the forthcoming Deadpool movie, which is due in approximately 11 months (expected to open in February 2016). The synopsis goes like so:

Based upon Marvel Comics’ most unconventional anti-hero, DEADPOOL tells the origin story of former Special Forces operative turned mercenary Wade Wilson, who after being subjected to a rogue experiment that leaves him with accelerated healing powers, adopts the alter ego Deadpool. Armed with his new abilities and a dark, twisted sense of humor, Deadpool hunts down the man who nearly destroyed his life.

A gazillion bonus points for doing it so cheekily a la Burt Reynolds on a bear rug because costume reveals are usually SO unimaginative.

Burt Reynolds super-fan Archer Sterling would approve. Or be very jealous. 

But isn't it weird that Ryan Reynolds, who obviously works hard to maintain one of the most spectacular bodies in the movies, keeps getting covered for the movies that require men have great physiques - i.e. superhero movies? First it was that all CGI costume for Green Lantern (blargh) and now a full body suit with literally not one square inch of flesh showing. 

Burt Reynolds would not approve of the modesty (neither would Archer come to think of it) and if you are very young or tune out anytime anyone discusses stars from before your time, you'll see why after the NSFW jump...

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A Glorious Geeky Gospel-Infused Pop Culture Collision

Grant Gustin & Jesse L Martin in "The Flash"I wasn't aware that Jesse L Martin, one of the best singing actors, was hoping to finance a musical short for himself but he is. The world collectively fell for his voice on the Original Cast Recording of "Rent." David E Kelley let him sing fairly regularly on "Ally McBeal" (those bar scenes made full use of the many musical alums in Ally McBeal's cast) and then he reprised his star-making role for the ill-conceived Rent movie. Since then he tends to be cast in non-singing roles -- even in musical shows like "Smash"! He's currently the adoptive father / police detective hero on CW's hit "The Flash" and he doesn't get to sing on that show either.

But listen to this -- here he is with two of his current co-stars on "The Flash" (Carlos Valdes and Rick Cosnett) to sing the theme song for Joss Whedon's "Firefly" It's a thank you to Joss who donated to their collective kickstarter project. A fourth co-star is also involved in this would be short (Patrick Sabongui who plays the incidentally gay police captain boss on the series) but he's not in this thank you video. Maybe he sings, too?

Let this double as a cry for action aimed at the CW writers room: The Flash obviously and desperately needs a musical episode. Make it happen in Season 2. To its very entertaining credit your show already embraces "anything can happen" insanity (Gorilla Grodd, hi!) so if Grant Gustin can't sing, just give the other guys all the songs. Make it work.

UPDATE: Grant Gustin can very much sing. (Sorry, I stopped watching "Glee" before he arrived and have never regretted the decision). A musical episode must happen.

Why are actors always so multi-talented? It's unfair. And wonderful.