Posterized: Tilda Swinton's Greatest Hits

by Nathaniel R

Alien movie star Tilda Swinton is one of the true glories of modern cinema, and she's playing multiple creepy roles this weekend in her third Luca Guadagnino picture. After starring for the Italian director in I Am Love and A Bigger Splash she's the MVP of his new spin-off riff (it's hardly a 'remake') of Dario Argento's classic hallucinatory horror film Suspiria.

What's more this is not even the first time the actress has played mutiple roles sometimes of multiple genders in the same picture (see also Teknolust, Hail Caesar, Man to Man, and Orlando). Since Tilda Swinton works so often, her filmography is over 70 movies long. That means we can't do a comprehensive Posterized lest we be here for literally hours working in Photoshop, so instead we've opted for Swinton's largest and/or most essential roles.

How many of these 21 key Tildas have you seen? The posters are after the jump...

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Yes, No, Maybe So: Suspiria

What’s good? It's Salim. Yesterday, Amazon Studios graced us with the second trailer to their upcoming horror film, Suspiria, a film that performs double duty as the remake to one of the seminal horror films in cinematic history by Italian legend Dario Argento and Luca Guadagnino’s follow-up to his acclaimed Oscar contender Call Me by Your Name. To some, the attempt to remake such a perfect masterpiece as Suspiria may feel like sacrilege. To yours truly, it has been one of my most anticipated movies ever since Guadagnino was announced as the director years ago (Much less so when the poor fit of David Gordon Green was attached) and seeing the cryptic first teaser months ago felt like manna after long speculation of how the results would be (including Armie Hammer going on record after seeing it calling the movie “evil”). 

More on the Trailer After the Jump

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YNMS: "Suspiria" Teaser Kills, Making Lots of "Widows"

Chris here, reeling from the trailer feast happening this Monday. As teased in previous days, we get our first look at Luca Guadagnino's grisly Suspiria rehash and Steve McQueen's heist thriller adaptation Widows. Both films have a host of elements to bring our anticipation to a fever pitch (Suspiria: intriguing director/genre pairing, Widows: the powers of McQueen matched with author Gillain Flynn on writing duties) but that doesn't mean they don't also have their question marks. Do both films find the auteurs reaching for mainstream sensibilities? Is there any Oscar play here? And what of the sizeable female ensembles in both?

Both films are heavily speculated to launch at the Venice Film Festival, since both filmmakers have previously debuted films there. If you haven't already gorged on both (or need a second watch, third, fourth, etc). check out the two fantastic trailers after the jump and we'll break down the Yes No Maybe So)...

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"Suspiria" First Look is Dakota Looking

by Chris Feil.

We've steadily been getting tidbits of late for Luca Guadagnino's Suspiria remake (or reimagining, as the director would prefer) - stories of the filming sending Dakota Johnson to therapy, Cinema Con attendees losing their lunch over the first body-breaking footage, and a reported sprawling 2.5 hour running time. What once sounded like a potentially dubious project is sounding more and more like something worthy of standing next to Dario Argento's original masterwork...

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This Is Halloween

By Salim Garami

What's Good? We're less than a week away from the spookiest time of the year so let's talk about what the holiday means in the cinematic sense. These are personal impressions and I hope you'll share your own as well.

We start with the actual season in itself: the autumn colors are there in a very muted way that signify the beginning of the end of the year in all its resigned reds and oranges. The palette chases away the greens and blues that took over the summer, although one could certainly see faint glimmers of those colors to remind us of the months past. Such as in Spielberg's E.T. the Extra-Terrestrial and its Halloween scene, glowing with yellowish twilight and orange rays in the sun that reflect on the suburban homes and streets Elliot and his friends walk...

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