Live Blog : Independent Spirit Awards

Welcome to the Independent Spirit Awards Live Blog!  Your usual host Nathaniel is otherwise occupied. I’m Murtada hoping to take you through the next couple of hours in good spirits and minimal puns.

Refresh periodically for updates!

The show hosts today are Saturday Night Live star Kate McKinnon and  Silicon Valley’s Kumail Nanjiani. They gave a fun interview to Vanity Fair where they both admitted to being obsessed with awards shows growing up. Do you think they read The Film Experience?

McKinnon:

 "I have this notebook. I’m about 12 and I’ve got a notebook, and I watch all these shows and write down the winners in all of the categories. In every category at all the Oscars, the Globes, the Emmys. . . . Because I was really so interested in the entertainment industry.”

 Nanijani:

"I loved the Oscars and I had V.H.S. tapes for the Oscars, and I used to watch them over and over. There was probably one year where I watched it like 20 times or something.”

Read it when the commercials are on; it’s fun.

The nominations were led by Carol (6) and Beasts of No Nation (5). But if the last few years are any indication then Spolight, which scored 4 nominations, is the favorite since it's the only Oscar best picture nominee in the running. They really love the Oscars at Indie Spirits. 

However this year there are several categories that have 0 correlation with Oscar. So we are in for an unpredictable show. Hopefully.

Live commentary after the jump:

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Best of 2015: Nathaniel's Top Fifteen

When you devote your life to the movies, you come to cherish the movies that give back as if they're devoted, in return, to you. Yes, you, specifically. Our consumption of movies may be communal but in some ineffable way, especially when it comes to list-making, they're deeply personal; movies in conversation with your soul. At least if you're doing it right. It's painful enough to "rank" a top 15 for 2015. So I included a second tier of favorites. The 30 best of the year, according to your host, took place all over the world as we know it (Germany keeps popping up as does seemingly every place with an arid climate in an odd but starkly beautiful coincidence) to weirdly recognizable places beyond it (Why, Jakku, you look so much like Tattoine!). The unifying thread might be that however alien their perspectives and locales (inside a young girl's brain, locked in a 10 x 10 shed, or chained to the back of rusted death machines in hallucinatory sandstorms), they resonated as if deeply familiar.

Nathaniel's top 30 films of

If you're looking for __ you won't find it:
I liked Magic Mike XXL -- you may recall that Magic Mike (2012) won the Film Bitch Bronze medal here in 2012 as third best of its entire year -- but can't join the unexpected bandwagon of critics who decided they loved the sequel well after it left theaters. I did enjoy it a lot, though. Also just missing the list, not from an absence of affection exactly but "best?" attributes, is Ridley Scott's disco-lite outer-space romp The Martian. I'm far less keen on recent Oscar nominees like The Big Short, Straight Outta Compton, The Hateful Eight, Anomalisa, Trumbo, Son of Saul, and The Revenant but they need not cry from my qualms, indifference, or distaste (depending on the picture) since they have stadiums full of cheering sections elsewhere

And this list is about positive, nay giddy, love. So on to the best of the best. 

15 (Very) Honorable Mentions in Alpha Order
Please seek out: The Troubles via Yann Demange's electric debut '71; Desiree Arkhavan's hilarious bisexual Iranian-American hipster romcom (a genre we didn't even know we needed but love) Appropriate Behavior; Spielberg & Hanks's absorbing Bridge of Spies; Disney's girlie lush live-action Cinderella spin; Olivier Assayas's actressy-angst at those Clouds of Sils Maria; Celine Sciamma's infectiously observed but profoundly sad Girlhood; Lily Tomlin & Paul Weitz's Grandma focused road trip; the waking nightmare game of sexual tag in It Follows; Iceland's formally compelling beast and man oddity Of Horses and Men; Brazil's smart socioeconomic collisions in The Second Mother; Paul Feig & Melissa McCarthy's Spy romp; Disney's easy money $4 billion bet The Force Awakens; Tom McCarthy's soulful journalism procedural Spotlight; Aaron Sorkin's presentational Steve Jobs triptych; Xavier Dolan's queasy, queer, razor blade dangerous Tom at the Farm; and the director, crew, and cast who pulled off that continuous shot jaw-dropper stunt that was Victoria... and pulled it off with feeling. 

Without further ado and with deep appreciation...

NATHANIEL'S TOP 15 OF '15
🎶 they're speaking my language baby 🎶 

I'LL SEE YOU IN MY DREAMS
(Brett Haley)
Bleecker Street Media. May 15th
92 minutes 

A movie as unassuming as Blythe Danner's still waters star turn, and as gently surprised by its twilight romanticism as the wonderful theme song. It's easy to imagine this film becoming a staple, a comfortable blanket to wrap yourself up in on lonely nights; an old dear friend that understands the value of finding new ones.

You're a good drinking buddy!"

CHI-RAQ
(Spike Lee)
Roadside Attractions. December 4th
119 minutes 

By no small margin the most uneven and sometimes downright sloppy movie on this 15 wide "Best" list --  stop reading the teleprompter Samuel L Jackson, learn your damn verse! But, a permanent truth: perfection isn't everything. Vitality of voice, with something actually worth saying, counts for quite a lot with so many polished but empty-headed and safe pictures clogging up each year's awards pipeline. Spike Lee won an Honorary Oscar shortly before anyone saw his reworking of Lysistrata, transported to contemporary Chicago (nicknamed Chi-Raq for its crime rate troubles). Nobody knew that his best movie in 15 years was about to hit to make that statue feel retroactively less of a tribute to past highs (Do The Right Thing, 25th Hour, etcetera) and more of an "it's about damn time!" honor for a still relevant artist. Chi-Raq is... Crazy. Funny. Sexy. Anguished. Silly. Mad. Experimental. Sickening. Sober. Even Optimistic. In short, "It's 'EVERYTHING!' as the queens say. Now if only everyone would go see this bold bawdy and beautiful everything. And, did someone say "Queen," I can hear Miss Helen (Angela Bassett, who also Got Her Groove Back of late) shaking her head at the meager box office receipts.

Y'all make my tired ass tired!" 

SICARIO
(Denis Villeneuve)
Lionsgate. October 2nd
121 minutes 

If Denis Villenueve's movies get any more tense they're going to explode by the second reel.

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Oscar Ballots Out Today. Three Simple FYCs for Voters.

Let the Oscar balloting begin. The image we use to illustrate is envelopes because they're pretty but they're also analog when even as ancient an institution as Oscar -- he's 88 years old now! -- has gone digital. Academy members can start nominating their favorites TODAY.  I won't barrage AMPAS members with requests other than these three wishes:

1. Please ignore precursors. Surprise us! 
The precursor bodies make terrible mistakes in trying to predict you (SAG & Critics Choice in particular this year are just a mess of lazy "what will the Academy vote for?" impulses rather than a searching for what constitutes great work which should always be the only concern). Two fine movies off the top of our heads that nobody expects you to vote for this year but why the hell shouldn't you? Sicario and Tangerine. People also seem to agree that you won't get behind stories about women but we know you have it in you. The public is enjoying reliving 1977 because of Star Wars: The Force Awakens but remember in 1977 how 80% of your Best Picture lineup was about women? Good times! I mean, why shouldn't you vote for something as gentle, resonant, and well modulated as Brooklyn, for example?

2. FYC: Remember that love stories require two leads. 
Rooney Mara and Cate Blanchett are a beautiful team in Carol - so don't separate them in two different categories. Think of the classic screen couples (Gone With the Wind, The Way We Were, Titanic, It Happened One Night, Casablanca, Coming Home, etcetera). In none of those romantic dramas do people pretend one movie star is "supporting" the other movie star. Be reasonable and put an end to greedy campaign strategies that make the very notion of awards seem crassly opportunist when the conversation should be edifying and fun; "Best" is a beautiful word! And love stories are love stories are love stories whether the couple is straight or LGBT. (See also: The Danish Girl)

3. Most ≠ Best
This isn't just about the acting categories but how about a deserved nod here or there that you could never call "Most" but could definitely argue "Best".  Three examples of many: The Production Design of Room (a top notch technical achievement but also emotionally intelligent and a true creative challenge); The Visual Effects of Ex Machina (there's no grand setpieces, sure, but damn if these fx aren't a master class and hugely impressive in comparison to the typical CGI shenanigans of blockbusters like Jurassic World); and the Original Score of Steve Jobs (unusual, contemporary, and creatively retro too).

HAPPY VOTING EVERYONE!

Beauty vs Beast: Shadow of the Auteur

JA from MNPP here christening 2015's final episode of "Beauty vs Beast" with one of my favorite movies of ever, which is celebrating it's 15th anniversary this week - E. Elias Merhige's Shadow of the Vampire, which fictionalized the filming of F.W. Murnau's Nosferatu by adding in some actual behind-the-scenes bloodsucking, was released on December 29th, 2000 -- I have strangely fixed memories of seeing this film for the first time, from the dreamy Art Deco opening credits on down; anyway it left a mark, so don't ask me what the hell happened to Merhige after this. He's only made one more feature-length film since, the 2004 serial killer thriller Suspect Zero with Ben Kingsley.

As for Shadow of the Vampire it didn't do great box-office-wise but it did manage to score two Oscar nominations - one for Make-Up and a much-deserved Best Supporting Actor nomination for Willem Dafoe, playing the actor Max Schreck "playing" the creature Nosferatu as a hilarious spin on Method acting. ("Thissss is hardly your peecture any longgger!" is weekly chatter in my house.) But under-sung if you ask me is John Malkovich's twisted take on the director Murnau, meeting Dafoe every inch in their dance towards Hell without the benefit of literal blood-thirst - his hunger is movie-making, the magic on the screen, and he makes it, by god he makes it.

PS if we want to wrap this movie into the now its influence can easily be seen on Jemaine Clement and Taika Waititi's hysterical vampire mockumentary What We Do In the Shadows, which unleashes a house-full of Nosferatus (Nosferati?) on some unprepared filmmakers.

PREVIOUSLY I hope everybody celebrated the past week the new cool way to do it - by storming around downtown Los Angeles dragging prostitutes and pimps around like sacks of flour, cackling all the way - speaking of, in last week's Tangerine duel Sin-Dee (Kitana Kiki Rodriguez) grabbed a clump full of our collective hair and wouldn't let go, taking a full 3/4s of the vote! Said BD:

"Oh my gosh, that whole door-busting, hair-pulling sequence was so bad-ass."

Beauty vs Beast: Red & Green & Tangerine

Jason from MNPP here, wishing you and yours a Ha Ha Happy Holidays with a Ho Ho Ho in your heart -- since it's Christmas Week I figured what better way to celebrate the festive mood than with the hilarious and heartfelt brand new Christmas classic, right up there with Batman Returns and Eyes Wide Shut, that is Sean Baker's Tangerine. Like Keiran argued recently my favorite character in the film is also Alexandra (played by a lovely Mya Taylor), but for "Beauty vs Beast" purposes its gotta be Sin-dee (the very funny Kitana Kiki Rodriguez) versus her pimp-snatching rival and "real fish girl" Dinah (Mickey O'Hagan's hilarious performance should be getting more attention too)...

PREVIOUSLY Two weeks ago we looked back at the 25th anniversary of The Grifters and set two of TFE's fave actresses against each other in a con-woman cage-match -- well repeating history it was tough mama Lilly (played by a maybe never better Anjelica Huston) who shoved her way to the front with over 70% of your vote! Said kermit_the_frog:

"I choose Huston here - Tthe Grifters is a far more sinister and unpleasant film than I first thought it was. That Huston makes you actively root for the character is achievement in itself. By the way, I nominate Huston twice in Best Actress 1990 - this and The Witches (I've never understood the annoying 'one nomination per category' rule!"