Best of '15: Co-Star Chemistry, the Great Intangible

These are the 15 relationships that really crackled for us on screen this year with an electric snap... or familial/platonic warmth... or sexual combustibility... or tense reserve ... or  lived-in authenticity ...or any combo thereof depending on what the relationship called for. Kudos to the actors, directors, screenwriters, and casting directors who all obviously contributed to capture lightning in a bottle. The following examples of screen chemistry told us so much about the characters within the story and sometimes outside of it from long before the events of the movie or projecting out after the narrative. Do I find it troubling that the SAG and BFCA nominations for Best Ensemble avoided ALL of these films save Spotlight? Why, yes --- yes I do! Thanks for asking. 

Note: I opted not to include Carol in the list primarily because the obsession is too strong and every single relationship in the movie is fascinating (yes even Therese & Richard's! Even Harge & Abby who only get one scene together) and it wouldn't be fair to the other pictures with its web of relationships, new, old, soured, fresh, complicated and all superbly rendered. Joy, which is better than the initial response suggests, also has fine pockets of chemistry within a bustling cast (something David O. Russell excels at) but I couldn't settle on any one relationship.

The list is presented without commentary... but for what you have to say in the comments. 

15 Sylvester Stallone & Michael B Jordan in Creed (trainer/trainee and surrogate something)

14 more couplings after the jump...

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"Tangerine" and the Case for Mya Taylor

Kieran, here taking a moment to talk about Mya Taylor’s Independent Spirit Award-nominated performance in Sean Baker’s Tangerine.

Being the calm in a storm is not as easy a dynamic to render on-screen as it looks. That’s what Mya Taylor is tasked with in Tangerine—playing the careful, contemplative counterpoint to Sin-Dee’s (Kitana “Kiki” Rodriguez) turbulent rampage through the streets of East Hollywood. When considering the two performances, both accomplished but in very different keys, I immediately thought of Jennifer Jason Leigh’s Sadie and Mare Winningham’s title character in 1995’s Georgia (previously discussed here). Though both Alexandra and Sin-Dee’s lives aren’t exactly as diametrically opposed as Georgia and Sadie’s, there’s a similar thread of calm vs. irrational running beautifully through both films. Like Winningham, Taylor gifts her film with an unfussy balance of quiet observation and brimming, longstanding frustration. [More...]

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Cinematography Outsiders

The creative leaps forward we've been seeing in the past decade have been staggering with our prominent cinematographers constantly developing new ways to experiment with visual storytelling and reinventing old tricks. Each year we also get exciting new voices added to the fray, but the Academy's cinematography branch has been reticent to include such future legends as Bradford Young and Greg Fraser.

This year is no different, with the heavyweight directors of photography set to dominate the category once again. Previous winners and perenial nominees Emmanuel Lubezki (The Revenant), Robert Richardson (the 70MM UltraPanivision The Hateful Eight), Janusz Kaminski (Bridge of Spies) and John Seale (Mad Max: Fury Road) are all possible candidates, with the still Oscar-less Roger Deakins (pictured above, Sicario) is always a threat. Our likeliest first-time nominee Edward Lachman for Carol is an example of how hard it can be to break through while delivering brilliant work.

But why so exclusive? This isn't a category that hugs close to the Best Picture lineup typically, and while they've rewarded creative risks, it is typically for a seasoned vet rather than a fresh voice. None of this is meant to diss these veteran artists - they're the elite for a reason. However, here are some non-frontrunner candidates worthy of more discussion:

Creed - Maryse Alberti

While the ballyhooed single take shot is a perfect example of the furious energy Alberti visually brings to key story moments, it's the more subtextual moments that shine - like the shot above or Adonis shadowboxing to stock footage of his father. Her work here is like a less taxing companion to what she did with The Wrestler, but just as potent. With female cinematographers unrecognized by the branch, I dare you to see her work and claim that the lack of female nominees is because there are no worthy candidates.

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Tangerine Wishes & Globe Prediction Jitters

We're hoping against all hope at TFE HQ that Tangerine will somehow place in the Golden Globe Comedy or Musical categories in the morning. Not only because it's hugely deserving but because wouldn't that be a kick to see Sean Baker, Kitana Kiki Rodriguez and Mya Taylor at the Globes? It would take a (good) miracle but we're due one after the (bad) miracles of SAG Nomination Morning, don'cha think? Great movies are their own awards though. So even if it never gets nominated for or wins another prize, cherish it. It's streaming on Netflix so if you haven't yet seen it, invite friends over (comedies are better with a crowd), serve donuts, turn out the lights and be amazed. You WILL have a good time.

The night before the Globe nominations what are you dreaming of and what are YOU predicting. I'll share mine after the jump -- because they're bound to be wrong and who wants that on the main page! -- for you completists... 

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Gotham Winners: Color us "Tangerine"

The most exciting wild card at both the East Coast Gotham Awards and the West Coast Spirit Awards is Sean Baker's raucous and hugely entertaining comedy Tangerine (my favorite film from Sundance this year) about two trans hookers sharing a wild 24 hours in Los Angeles at Christmas time. Though most of the big movie awards prefer studio filmmaking or "prestige" indies, we can all cross our fingers that Tangerine, which is truly independent in spirit and filmmaking, has one mainstream nomination in its future: Best Picture, Comedy or Musical at the Golden Globes. It would be richly deserved.

But if that doesn't come to pass at least it was well loved at the Gothams (two awards, bested only by Spotlight) and with Spirit Nominations. Though Carol was shut out, Gotham Awards don't have that many categories to begin with and Todd Haynes was honored so we'll forgive them.

Feature Spotlight
Audience Award Tangerine
Actress Bel Powley in Diary of a Teenage Girl
Actor Paul Dano in Love and Mercy
Documentary The Look of Silence
Screenplay Spotlight written by Tom McCarthy & Josh Singer

Breakthrough Awards
Breakthrough Actor Mya Taylor in Tangerine
Breakthrough Director Jonas Carpigano for Mediterranea
Breakthrough Series - Long Form Mr Robot
Breakthrough Series - Short Form Shugs & Fats

Special Prizes
The First Gotham Appreciation Award Ellen Cotter - Angelika Film Center Theaters
Special Jury Award – Ensemble Spotlight's Mark Ruffalo, Michael Keaton, Rachel McAdams, John Slattery, Stanley Tucci, Brian d’Arcy James, Liev Schreiber, and Billy Crudup
Tributes to: Helen Mirren, Todd Haynes, Robert Redford