Oscar's Songwriters Have a Difficult Task in 2013

Glenn here and it's the weekend, which means there is no better time to discuss Oscar's original song category (er, right?). Much like that other much-maligned category, animated feature, The Academy's songwriting branch somehow need to come up with five nominees even if there aren't enough worthy contenders. Last year's introduction of a guaranteed five nominees produced "Academy Award Nominee Ted!", although it did allow for the beautiful song from Chasing Ice (performed by ScarJo!) to come to our attention so maybe it's not such a bad thing after all? I strongly believe that this is their penance for not nominating "You Haven't Seen the Last of Me" from Burlesque a few years back. Diane Warren's music branch voodoo doll works in mysterious ways, folks.

At least one song we can all be pretty confident about is "Let It Go" from Disney's Frozen. Apparently the studio will only be submitting this one song from the film despite a wide roster of contenders. They're going for the win it would seem and, at least at this stage, unless reception to the film isn't particularly positive it's probably the best bet for the win based purely on history. The video below isn't the best, but it's all we've got at the moment that isn't a Demi Lovato pop version. 

The Butler, The Great Gatsby, Belgian bluegrass and Tom Cruise after the jump!

Click to read more ...

Podcast: Cheetah Tattoos & Broken Sailboats

Nathaniel, Nick and Joe welcome back Katey, who's been in London gazing into Chris Hemsworth's eyes at the Thor junket. We gathered to discuss J.C. Chandor's All is Lost but as per usual, the conversation turned.

Topics include but are not limited to...

• Gotham Nominations: Blue Caprice & Inside Llewyn Davis
• Awards Futures for The Butler & Frances Ha
• The Counselor & Cameron Diaz
• Actor Retirements from Goldie Hawn to Leonardo DiCaprio
• Wolf of Wall Street & Release Date Swappage

... and a few leftover feelings from 2012 from Bad Teacher to Django Unchained turn up, too! You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

 

supplemental reading: this tweet, this post

All is Lost for the Counselor in Gotham

Links. The Top Three Best Whatevah!

Serious Film does an all time 5 best cinematography ballot. The best ever?  Hmmmm. Well they're all stunning at the very least
TFE Facebook my 3 favorite film scores off the top of my head. I was surprised as you to scribble John Williams there but what can you do. You give props when due. Yours?
The Film Stage Hayao Miyazaki's retirement is truly final this time (failing eyesight *sniffle*) and The Wind Rises gets an Oscar qualifying release
The Playlist Lars von Trier's Nymphomaniac is now two films that will run five hours in total. UGH. I am exhausted by movies wanting to be TV series. Be your best self. Be a  MOVIE. 90-110 minutes is ideal! (Same goes for TV with unrelated stand-alone episodes. That's dumb. You're not a movie, be a TV series.)

Bloody Disgusting James Cameron loves Alfonso Cuarón's Gravity. Of course he does!
The Studio Executive is starting a snarky series on 'How to Be A Film Critic'. I don't qualify for the first three how to succeed suggestions (wealthy parents, influential friends, unethical bastard behavior) which only leaves me with the fourth (cock-sucking... also known as sleeping your way to the top), which I have no objection to. But no one famous/influential/wealthy willing to make my career has ever rung me up to ask. #shameless
Yahoo Movies new trailer to August: Osage County 
The Dissolve The Harry Potter world will continue on screen with a (presumably endless) spinoff series Fantastic Beasts and Where to Find Them. For my reaction to this news, I can only share the brilliant tweet of another...

There has got to be a better way to get British actors work without having to give us more Harry Potter movies.

— Paolo Miguel Kagaoan (@paolocase) September 12, 2013

 

Must Read (If You Haven't Yet) 
What Was, Is, and Will Be Popular in the New York Times Magazine. A fascinating long read discussing the impossible to define notion of popularity in our fractured pop culture be it television, movies, music, opera, museums, or anything really. Candy bars, even! For example I seriously haven't even heard of the actress that they claim personifies modern TV fame (Pauley Perrette? Who dat?) and I don't know if you've heard but I like actresses a little. The essay has also got awesome sidebar goodies... did you know that "Bella" is the most popular name for both cats and bitches now? (Damn you Twilight). There's even a cute little point about 1000 "likes" on facebook putting some kind of artistic wind in your sails for struggling indie "popularity" in our fractured world, so The Film Experience is almost there. Like us.

Today's Awesomest Review
Cinematic Spectacle Lee Daniels' The Butler  review/reaction in gifs. I lol'ed and it's just so true. Also: perfect punchline.

Box Office: Got Bank? The Butler Will Get That For You.

With the major success of Lee Daniels' The Butler, second week at the top and already his highest grosser, one senses that Crazy Daniels can do whatever he wants next, carte blanche. Will it be that troubled Janis Joplin biopic as rumored? I actually hope so because I want Amy Adams to sing onscreen more (when don't I want singing actresses to do this?) and I think she could use some of the abandon that Lee Daniels seems to inspire in his actresses.

I liked her rare rougher edges in The Fighter so much. If it weren't for her meercat fixation that one time, the peak of her career might well be that porch scene with Christian Bale. What have you ever done with your life, Amy?

I like my life. I like my life [...] 

All right. I drank too much. I worked in a lot of bars. And I ruined a lot of opportunities but I'm trying to do something better here. And so is Mickey. 

Come on. Come on. People took several pieces of that heart already, baby. So bring that Janis Joplin biopic on!

Oh but now we're way off track. Where were we? The weekend box office...

BOX OFFICE
01 LEE DANIELS' THE BUTLER $17 (cum. $52.2) Podcast & Review
02 WE'RE THE MILLERS $13.5 (cum. $91.7)
03 THE MORTAL INSTRUMENTS $9.3 *new* 
04 THE WORLD'S END $8.9 *new*
05 PLANES $8.5 ($59.5)
06 ELYSIUM $7.1 (cum. $69) Podcast & Review
07 YOU'RE NEXT $7 *new*
08 PERCY JACKSON 2 $5.2 (cum. $48.3)
09 BLUE JASMINE $4.3 *wide* (cum. $14.8) Podcast & Review
10 KICK-ASS 2 $4.2 (cum. $22.4)

In limited release Wong Kar Wai's The Grandmaster led the newbies with $132,000 at 7 locations and Short Term 12 opened with $60,000 at 4 locations. If I controlled the world Short Term 12 (reviewed) would have opened on 1000 screens to sold out houses but the world is a poorer place because I do not and it did not. But go see it anyway! Fruitvale Station (reviewed) inched past $15 million and Una Noche, a Cuban film winning rave reviews that Glenn just discussed, opened with $18,500

What did YOU see this weekend? Why are you so quiet this weekend?

Five Easy Linkses

Viola Davis is sad because her daughter when missing. I'm sad because Hollywood keeps underusing her!Cinema Blend on the giving-too-much-away promotion of crime thriller Prisoners. I must add that one thing they're not giving away is Viola Davis. She's barely in the trailers, despite the fact that her daughter -- not just Hugh Jackman's -- also goes missing!
The Dissolve on racial profiling at screenings of Lee Daniels' The Butler
eOnline Jennifer Lawrence & Hugh Jackman & other assorted X-Men go to see The Butler together with Hugh leading the way (also: since when is JLaw back with Nicholas Hoult? I somehow missed that)

blog buddies
Joe &  Nick talking about Supporting Actor (thus far this year) with notes on the men of The Place Beyond the Pines (have you heard they're all going supporting in Oscar campaigns?) and James Franco in Spring Breaker
Joe & Nick talking about Supporting Actress (thus far this year) with lots of mutual enthusiasm for Emma Watson in Bling Ring and a nifty little cameo that I'm also jazzed about in Side Effects. Also discussed: Melonie Diaz and Alison Janney. I should note since people have asked in various comments sections that I am less enthused about Emma Watson in Bling Ring than Joe & Nick seem to be.

It's not that I don't think she's funny in it. I very much do. I think she's really good in it. It's just that, for me, she's cribbing too much from Nicole Kidman's Suzanne Stone (To Die For) for me to fully feel like it's a creation of Emma's. That and it seems a touch ACTED when seen next to the beautifully unaffected real-person quality of Israel Broussard and Katie Chang and Taissa Farmiga who are all quite good as well. But still... I'm super glad that Emma is improving so much and so quickly (see also: The Perks of Being a Wallflower) since her beloved yet ghastly acting in those Harry Potter flicks. She was going to get a ton or roles whether or not she did so more power to her for committing to her craft.