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Entries in The Power of the Dog (32)

Monday
Feb282022

The frontrunners for Best Picture went-home empty-handed at SAG. What does it mean?

We'll talk more about the SAG ceremony and actual winners soon but first let's talk about what happened to Belfast and The Power of the Dog. While Kenneth Branagh's memoir and Jane Campion's instant classic have long been considered Best Picture frontrunners neither of them won a single prize at the Screen Actors Guild Awards. Does this mean anything? Well,  yes and no...

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Saturday
Feb122022

Podcast: The Team chats Oscar nods

Nathaniel gathered the team members who were available on Tuesday night for a quickie discussion of the Oscar nominations.  

You can listen to the podcast on iTunesStitcher or Spotify or download the attachment below. And while you're thinking of the Oscars, check out the charts and vote on the polls!

Post Nomination Discussion

Friday
Feb042022

Oscar Volley: Picture - Does it really come down to just two spots?

TFE’s Oscar volleys wrap up with Lynn Lee, Eurocheese, and Christopher James making predictions for the Big One (Best Picture). Nathaniel’s final Oscar chart predictions will be up tonight to usher in the weekend.

Lynn Lee: Oscar nomination voting closed Tuesday night but before it did do we agree we were approaching a consensus core group? Taking the precursors into account (minus BAFTA which hasn't yet announced as I type this), eight of the ten spots are close to locked up (in alpha order): Belfast, CODA, Don't Look Up, Dune, King Richard, Licorice Pizza, The Power of the Dog and West Side Story. That leaves two nomination spots for maybe a half dozen viable contenders. PGA went with Being the Ricardos and tick, tick...BOOM!, but as Nathaniel’s noted, the Oscar list is rarely an exact copy of the PGA. Could it happen this year? Entirely possible but I suspect at least one of those two is going to drop out and if I had to take a bet, it’s sadly more likely to be BOOM!...

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Thursday
Feb032022

Nathaniel's Top Ten List (Best of 2021)

by Nathaniel R

Movies are not quite keepsakes anymore with physical media dying. Yet they remain emotional treasures to return to or reflect upon as real as any beloved mementos you could place in a keepsake box. For awards and list obsessives they take on extra-meaning as stand-ins for each calendar year as well. We have to have a gimmick for the top ten lists each year, else the task of putting so much love into words becomes too daunting.  So this year we've chosen memorable objects as a frame with which to remember the year's best. These great films were filled with fawned over items and knick knacks from "purty" paper flowers to restless coffee cups, from razor-sharp seashell bracelets to winning lottery tickets, from horny religious figurines to magical belts.

20 HONORABLE MENTIONS

So that you don't immediately ask "WHERE IS  ____?" here are the 20 films outside of the top 10 list that were loved and/or deeply admired. Plus, in keeping with the chosen theme, the visual object we most closely associate with them... 

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Tuesday
Feb012022

Oscar Volley: Best Cinematography, Half-Locked, Half-Not?

Continuing our Oscar Volley series at The Film Experience. Eric Blume, Elisa Giudici, and Glenn Dunks talk Best Cinematography. 

Greig Fraser shooting Timothée Chalamet in the desert for Dune (2021)

Eric Blume:  Glenn and Elisa, Do we all agree that we probably have two "locks" for Best Cinematography nominations:  Delbonnel for The Tragedy of Macbeth, and Greig Fraser for Dune?  Those feel like two very worthy nominees to me.  While I think Joel Coen's conception of his film is limited and flawed, I admired Delbonnel's execution of Coen's concept, really leaning into that austere Calvinist guilt like we got in Carl Theodore Dreyer movies, and stealing from Sven Nykvist's framing in Bergman movies...yet netting out in its own unique visual scheme to highlight those sets and costumes.  And I thought Fraser's work made Denis Villeneuve's arid sci-fi epic surprisingly sensual, which helped the film (which is dense and heavy) enormously by taking you out of your head sometimes and back to your senses. Do you think both are locks?  What are your thoughts on those two, and their closest challengers... 

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