Oscar History
Film Bitch History
Welcome

The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

Follow TFE on Substackd

Powered by Squarespace
COMMENTS

 

Keep TFE Strong

We're looking for 500... no 390 SubscribersIf you read us daily, please be one.  

I ♥ The Film Experience

THANKS IN ADVANCE

What'cha Looking For?
Subscribe

Entries in TV (905)

Friday
Jun102011

X-Men: First Adaptation

Andreas here. In his recent review of X-Men: First Class, Nathaniel pointed out how movies keep trying to master "television's most powerful asset (long form storytelling) without having the right equipment by which to master it (weekly hour-long episodes)." This is exactly why, to my mind, the most successful adaptation of the X-Men comics to date wasn't directed by Bryan Singer, and doesn't have a numeral after it. It's the Marvel/Saban-produced X-Men: The Animated Series, which ran for 76 episodes in the mid-'90s.

Like many superhero-themed TV shows, X-Men: TAS served as a "greatest hits" compilation, compacting decades of comics storylines into dense, bite-sized portions. It showcased some of the comics' most thrilling narrative arcs and most terrifying villains, like Apocalypse and the Sentinels. While the X-Men films have only scratched the surface of most characters, reserving the vast majority of screen time for Xavier, Magneto, and a few privileged others, the animated series had time to explore its mutant ensemble, devoting whole episodes to individual crises.

Better yet, X-Men: TAS used its guise a kids show (complete with lasers, spaceships, and time travel) to introduce a new generation to a range of social issues: institutionalized oppression, harassment, self-loathing, political assassinations, police states, and more. It was covertly progressive and slyly written in ways that are still impressive today. The show ended its run over a decade ago, yet its main authority figures (who doubled as bad-ass warriors) were a black woman and a disabled man.

So while I'm still excited to see X-Men: First Class, I doubt it'll top X-Men: The Animated Series, which embraced and exploited its source material's superpowered soap opera. (It was also my childhood gateway drug into the nerdy world of superheroes and comics, so that nostalgic attachment helps.)

I'll close with my big wish as a cinephile and animation junkie: why can't we get more high-quality, feature-length, animated superhero movies, à la Batman: Mask of the Phantasm? Bad example, I guess, since that was tragically unprofitable... but the idea's still good! I'd definitely pay $8-10 to see X-Men: The Animated Movie on the big screen. Oh, and Marvel, while you're catering to my dreams: can you please bring back the Sentinels?

What dreams would you like Marvel to fulfill?

Tuesday
Jun072011

Linkland: Thelma & Louise, Marion & Melanie, Regina & Shawn

Movie|Line "what the box office skeptics are missing about Super 8"?
In Contention does not like Super 8. "Super h8ted it" Uh oh.
Just Jared Dakota Fanning's High School Graduation. Congrats Dakota!
Mister Hipp "sometimes you can still catch me dancing in it" - just lovely. Still my favorite Tim Burton film.
Kenneth in the (212) Thelma & Louise, 20 years later (in Toronto.) Awwww I ♥. Sadly, Brad Pitt was not there.
Tom Shone loves Melanie Laurent in Beginners. As do I.
The Critical Condition has a really interesting question/thought about Marion Cotillard in Midnight in Paris. NOTE: Don't read it until after you've seen the movie!
Splash Page talks to Chris Evans about working on The Avengers.

X-Men "Born This Way" Parody.

Teehee. Fun lyrics although some may quibble about Magneto not being... that other way.

Finally, Scott Feinberg shares the nominees for the 1st annual BTJA "Critics Choice" Awards. Mad Men cleans up but the interesting part is the Emmy-diversion details: Glee is nominated but Jane Lynch is the only cast member with a nomination; they're absolutely nuts for all AMC shows; and Southland got a nomination for Shawn Hatosy (yes!) but not for Regina King (boo!). If you watch Southland you'll know that Hatosy's role got crazy intense this past season as his screen partner Kevin Alejandro was killed (so that he could sex up Lafayette on True Blood... or was that a post-job-loss career get?) and Hatosy's character broke down hard. But the MVP of this show is still Regina King. Go Regina!

Saturday
May282011

TV @ The Movies: Parks and Recreation

Summer is a strange time at Chez Nathaniel. Though I'm a film guy, summer movie season isn't really even close to my favorite movie time. And though I'm not totally a TV guy, I miss my shows (No Mad Men this summer is going to be the strangest).

Fr'instance, I'm already missing Parks & Recreation since the fantastic two part Season Finale aired a week back.

The Haverford Charm Ray! wah-wah-wah

You know I LOL'ed at this moment when Tom Haverford (Aziz Ansari) decides to use the "Haverford Charm Ray" on an old lady who works on the dread 4th Floor. How to do it? Flatter her with screen goddess comparisons.

He wants this old lady to do his work for him. Time to butter her up.

Click to read more ...

Wednesday
May182011

"True Blood" Witches. True Blood Watchers?

I've been on a True Blood tear, catching up with Season 3. I haven't enjoyed it nearly as much as Season 2 (the peak) partially because the Big Bad "Russell, King of Mississippi" (Denis O'Hare) wasn't half as interesting, dynamic or amusing as immortal maenad "MaryAnn" (Michelle Forbes) from Season 2. Plus, I've missed the comedy gold that sprung up in the religious cult satire subplot which starred Jason Stackhouse (Ryan Kwanten), the ensemble's undersung hero. Yes, everyone loves his body. But he's arguably the most gifted comic in the cast.

Here's the new teaser for the fourth season of True Blood. If Fiona Shaw, the sensational stage actress, Harry Potter's Aunt Petunia, and our favorite batshit crazy sociopathic rich lady (The Black Dahlia) is this season's Big Bad, maybe Season 4 will rival Season 2?

Here's the teaser.

Quick show of hands for any TFE coverage?
Please vote.

 

Thursday
May052011

Game of Thrones, Three Hours In 

I've resisted commenting on the new HBO series Game of Thrones, made possible by way of The Lord of the Rings. (That's a gift that will hopefully keep on giving to the fantasy genre. No one wants to go back to the 80s when B movie status was forced upon an entire genre.) I wanted to see how the series did or did not evolve from the kick-off show a couple of weeks back. So after three hours in the Seven Kingdoms, it feels like time to discuss.

After glancing at a few reviews and comment pieces, most of which seem elated at the ratings or the instant second season renewal, it seems the general consensus is FuckYeahGameofThrones. I am personally not elated though I did want to be. I imagined that the right cast or storytelling decisions in the series would smooth over or even hurdle some of the problems with the book series. I loved the first book but grew less enamored with each until I finally gave up on the series halfway through the third. By that time we had been introduced to dozens of major characters (plus several dozen minor ones) and the story threads, splintered at the thrilling final chapters of the first book, had only been rebraided in the abstract. The characterizations were, generally speaking, quite interesting. What killed it was the lack of interaction between the characters. The map is so big and the plots so resistant to truly intertwining that it felt like you were reading 100 different novels at once and even the ones about blood relatives would almost never overlap. Great characters are great characters but even they need chemistry with other great characters to truly leap off the page or screen.

George R R Martin can turn a phrase with the best of them, build a thrilling moment, and make complex decisions about characterizations (the best longform aspects of the book may be that, aside from maybe three or four characters, most of them minor, nobody seems entirely like heroes or villains). But I found the author's voice too cruel -- the ratio of gruesome plot turns to endearing or lighter or funny or romantic bits is roughly 99 to 1 -- and the stories far too repetitve once it was clear that entire books would go by and we'd still be harping on the same points (in that way it was already a television soap opera!) and still yearning for some face-to-face time between ANY of the characters we'd seen interact in the first novel.

But here's how the pros and cons and character detail breaks down thus far.

Click to read more ...