Drag Race S9E7 - 9021Ho No She Better Do

by Chris Feil

[a large cardboard giftbox rolls in and after a few confusing seconds, Chris emerges] I’m back, bitches!

Forgive my Shangela moment, I’m just that excited to be back on the Drag Race beat after Nathaniel kindly took over in my absence for last week’s fantastic Snatch Game. But while that episode felt like a real return to form, this episode was the show at its peak, serving full talent, drama, and emotion the way its best episodes do. The 90210 challenge and big hair runway concept were relatively unfussy, proving that RuPaul’s Drag Race excels by keeping its focus on the queens...

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Posterized: Brie Larson

By Nathaniel R

Last week the directors of Captain Marvel were announced, moving that imaginary Marvel Studios picture, starring Brie Larson, closer to reality. 2019 is still a long way off though we have plenty of Brie to tide us over until then. She's in movie theaters currently as part of Ben Wheatley's crime comedy ensemble picture Free Fire  (reviewed). It's one of two features this spring whichhas featured Brie Larson as the token female amongst a group of adult men fighting for their lives (the other being Kong Skull Island). Which is, if you consider her particular skills as an actress, kind of a waste; to date she's consistently done her most transcendent work opposite other women or child actors.

Though it feels as if Brie Larson only recently exploded into fame having won the Best Actress Oscar for Room (2015), in reality she has been paying her dues for ages, winning her first TV gig at just 9 years of age (a comedy skit on the Tonight Show with Jay Leno) and her first movie gig by 10 (something called Special Delivery in which she played "Little Angel"). She's done a little of everything including an attempted pop career - which goes down really well in a meta sort of way via the satiric prism of her role in Scott Pilgrim vs. The World and her role-playing  within "United States of Tara" -- 'Princess Valhalla Hawkwind,' anyone?.

So let's look back on her movie history via POSTERIZED (returning for another season!). We've thrown in all her movies that we could find posters to (a couple others don't seem to have been released) and her three largest TV roles. How many of these 27 Brie Larson projects have you seen?

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Annette Bening v. Hilary Swank: 2018 Edition

By Spencer Coile 

For those desperately hoping that Ryan Murphy will bring Annette Bening Emmy glory for her role on the second season of American Crime Story, think again. Hilary Swank has been cast in the new FX limited series, Trust, which will be helmed by Simon Beaufoy and Danny Boyle... 

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"Praised Be": Or, The Handmaid's Tale

By Spencer Coile

Mad Men ended almost two years ago. For many fans, it was the end of an era as we watched Don Draper spiral out of control, while Peggy Olson climbed the ladder to success. It was a story many of us cherished for its seven year run. Importantly, though, it was the series that catapulted Elisabeth Moss to stardom. Sure, she had stints on The West Wing and later found success in film and on Broadway, but it was Mad Men that helped pave the way for Moss to be where she is now. For many fans (myself included), we found ourselves wondering when Moss would claim another role that used her incredible, chameleon-esque acting abilities the same way Mad Men did. 

And then Hulu ordered a straight-to-series 10 episode adaptation of Margaret Atwood's 1985 novel, A Handmaid's Tale. After its premiere (today), it is safe to say that Elisabeth Moss is back. And better than ever. Of course, she is not the only stellar quality to the series. After the jump, a review of the first two episodes of The Handmaid's Tale. And boy, are they doozies... 

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Feud 1.08: You Mean All This Time We Could Have Been Friends? - Season Finale

In the season one finale, Joan goes to the dentist, Bette gets roasted, and the show answers the question “If you could have any four people over for dinner, dead or alive…?”

by Jorge Molina

Last night, after seven weeks of behind-the-scenes introspections, gargantuan character work, and many, many hats, Feud reached its conclusion. And if it accomplished anything, it was making clear that, underneath the two legends the world knows as Joan Crawford and Bette Davis, there were two broken women with an eternal strive for outside validation, left empty once the cameras stopped rolling.

The finale presents the last years in the careers of Joan (Jessica Lange) and Bette (Susan Sarandon). But mostly Joan. Because she seemed to have been the most natural recipient of all the themes Ryan Murphy and company wanted to make evident: ageism, mysogny, merciless sacrifice for Hollywood, estrangement, ingratitude, and, mostly, pain...

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