Gong Li: Goddess of the Silver Screen

by Cláudio Alves

Earlier this month, Sean Donovan wrote a beautiful piece about Tilda Swinton's 2005 Hollywood adventure. The movies mentioned in that text mean a great deal to me since they represent the first time I ever came across the alien allure of that British thespian. Even as an eleven-year-old, I was hooked on this beguiling creature of the screen. Surprisingly enough, Swinton wasn't the only performer whose 2005 forays into mainstream American movies served as a gateway for my love of auteur cinema and über-glamourous deities of the big screen. 

For that was also the year when Chinese superstar Gong Li blessed Rob Marshall's unfortunate Memoirs of a Geisha with her electrifying presence…

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Posterized: Zhang Yimou returns with his best film in many years

by Nathaniel R

One of Asia's finest auteurs, Zhang Yimou, returns to arthouse theaters today with his new film Shadow, which is a true return to form for a director whose use of color in movies has few contemporary equals. The new films is shot in color but the costumes and sets are black and white making for numerous startling images. The 69 year old Chinese director's films have been up for multiple BAFTAs, Globes, and Oscars over the years and he also co-directed the very famous Opening and Closing Ceremonies of the 2008 Beijing Olympics so you might not even realize how familiar you are with his work. 

How many of his movies have you seen? Here are the posters for all 21 of his narrative features with some awards trivia, too...

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Golden Horse Winners (including "Shadow") and Fashions!

by Nathaniel R

Ang Lee and Andy Lau cheering on the winners

The Golden Horse Awards had a truly spread the wealth kind of year with no film dominating - all five of the Best Film nominees won multiple times. Though it didn't win the most statues, the four hour drama Elephant Sitting Still took Best Picture. Zhang Yimou took Best Director for Shadow (reviewed) and the film won three other technical prizes, leading the win tally. It probably helped that Yimou had his long time former muse, the goddess Gong Li, presiding over the jury but you can excuse those Huppert judging Haneke at Cannes style situations when it comes to the greatest director/muse pairings and Gong Li and Zhang Yimou are certainly on the all-time list. If you're unfamiliar with their work together watch any of their eight collaborations -- I'm most partial to Ju Dou or Raise the Red Lantern personally -- and be floored.

Best Actress Gowns!

The winners, a few gifs, and red carpet fashions are after the jump...

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Two Visual Triumphs Seeking Distribution: "The River" and "Shadow"

Since we're already deep into NYFF - thanks to Murtada and Jason for this excellent reviews (I'll join them shortly) --  I must accept that all the full reviews I had planned for things without release dates I saw at TIFF just aren't going to happen. But several films we caught are hitting theaters soon so they will get reviews: A Star is Born (10/5), Beautiful Boy (10/12), Border (10/26), and Boy Erased (11/2). In the meantime here are the final two TIFF films I must pinpoint because they don't have distribution yet but they totally deserve it.

Shadow
I'm calling this one 'camp without color,' because we always think of "camp" as something innately colorful, don't we? Director Zhang Yimou (House of the Flying Daggers) gifts for visual spectacle remain undimmed and this time he organizes his mise en scene around the duality of the yin yang symbols as well as inkwash paintings...

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TIFF Galas & Special Presentations Announced

by Nathaniel R

TIFF is around the corner y'all. Excited we are since it means the prestige film season and another round of Oscar madness is about to begin. For the first time TIFF has allowed The Film Experience two press passes so Chris Feil and Nathaniel R (that's me) will both be covering in real time for the whole fest from September 6th through the 16th. Today TIFF has announced the 47 films that will be featured in their Galas and Special Presentations sections. These are the two sections wherein you'll usually find the mainstream awards hopefuls shoulder-to-shoulder with more traditional festival fare and world cinema premieres. TIFF usually has hundreds of films so this is just the first announcement. 

The full list containing masterpieces and duds and everything inbetween (though we won't know which-is-which-is-which until we see them) is after the jump!

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