Cannes Look-back: "The Class"

As we await the Cannes closing ceremony with all its awards glamour, let's take a look back at a previous Palme winner which has connections to a competition entry this year.  Here's John Guerin...

The Class, Laurent Cantet’s 2008 Palme d’Or winner, left me both exhausted and inspired. An autobiographical chronicle of François Bégaudeau’s first year of teaching French language and literature at an inner-city high school in Paris, The Class is an entirely self-contained glimpse into the daily challenges, joys, dead-ends, nuisances, amusements, and tensions in one especially spirited classroom. Although The Class is spatially confined to the school building, the currents of the outside world frequently wash ashore and brush up against Bégaudeau’s attempts to lead a discussion of the imperfect tense or find meaning in The Diary of Anne Frank or do just about anything constructive.

Cantet and Bégaudeau, with the assistance of co-writer and editor Robin Campillo (director of the underrated 2013 Eastern Boys and this year's Queer Palme winner 120 Beats per Minute), smartly avoid clichés of the Exasperated Teacher genre and opts instead for ambivalence over didacticism; there is no breakthrough in Bégaudeau’s attitude from frustration to satisfaction, there is seldom a transformation of student rancor into exuberance, there is no “saving” exactly, but the film doesn’t descend into cheap cynicism either... 

Click to read more ...

Cannes Prizes Pt 1: Sidebar Glories and Oscar Dreams

Congratulations to this poodle below from The Meyerowitz Stories who won the coveted Palme Dog

The Palme Dog is not an official prize from the festival itself but it's always fun to see who wins. Past years winners have been the utterly adorable bulldog from Paterson (2016), the Maltese from Arabian Nights (2014), Uggie from The Artist (2011) and so on. The Palme Dog people also gave an honorary to the bomb sniffing dogs working Cannes to ensure the safety of the industry professionals attending. 

But wait that's not all. Two of the official Cannes juries also named their winners in advance of tomorrow's main closing night ceremony. Read about them after the jump...

Click to read more ...

RuPaul's Drag Race S9E10 - The New Ru Crew

by Chris Feil

After last week’s shocking fall from grace and resulting elimination for Valentina sent the RuPaul’s Drag Race fandom into such a tizzy, it’s a relief that this episode was largely all love.

For all the quibbles and bitching among fans of the show and the drama that inevitably comes between contestants, the show always comes from the heart. From the cruelest villains to the most resilient champions to the sad queen learning to accept herself, Drag Race loves every competitor who crosses its gates. Its a major reason why it elicits such a passionate response.

But Drag Race’s love extends far beyond the competition, and this episode showed us a little bit more of Mama Ru’s extended family. Past queens have mentioned in interviews how tight knit they become with the crew as well as their sister queens, but this challenge allowed that affection to be featured onscreen: for this season’s makeover challenge, the queens had to dragify a crew member.

Click to read more ...

Cannes: "You Were Never Really Here" and Palme d'Or Predictions

Previously: Day 1, Days 2-4, Days 5-6, Days 7-8, and Days 9-10
Fashion: French Divas & Kidmanifestations 1, 2, 3

Joaquin Phoenix, an antihero saving girls from sex slavery, in Lynne Ramsay's thriller "You Were Never Really Here"

Cannes wraps up Sunday with the closing ceremony which means the Palme d'Or! The last competition film to premiere (tomorrow officially is Lynne Ramsay's You Were Never Really Here  and as is sometimes the case in the more dramatic Cannes festivals, many critics are proclaiming that the festival saved the best for last. Variety's Guy Lodge loved it calling it a "a stunning return," The Guardian compares it to Taxi Driver in its "nightmarish psychological drama" 

Does that mean it will win the Palme d'Or or that Joaquin Phoenix has Best Actor wrapped up? Not really. It's foolish with Cannes to ever assume you know what will win but let's make some tentative predictions for fun after the jump shall we? 

Click to read more ...

Beauty Break: The Men of "Mr. Goodbar"

by Seán McGovern

Annie Hall turns 40 this year and Diane Keaton will be the recipient of the AFI Life Achievement Award next month (June 8th to be exact). Keaton, a perennial A-lister, reminds us every few years about the extent of her talents. She's been enjoying recent success in The Young Pope and her upcoming projects Hampstead and Book Club sound promising at least. Since Annie Hall turns 40 this year so too will Keaton's other '77 triumph, Looking For Mr. Goodbar. 

Though Goodbar is remembered for Keaton in a dramatic role (which this author will pay attention to here at a later date), the film is definitely what we'd call in contemporary parlance "problematic". I recently watched Goodbar for my own podcast, but amongst the reprehensible moments I finally understood why so many women of a certain age (i.e. my mother) swooned over Richard Gere - who we get to see plenty of in this film, as well as co-star Tom Berenger who never looked so gorgeous.[More, slightly NSFW, after the jump...] 

Click to read more ...