This & That: Silkwood, Stewart, and other things we forgot to talk about

Herewith a random collection of things that have been clogging up The Film Experience pipeline (i.e. my desktop and emails) which I never got around to writing about and no team maker volunteered to cover. In some cases I saved a photo I don't remember from what and for what!

Once you're done reading the post please imitate that "empty trash" desktop noise and feel as uncluttered as I will once I've hit publish.

We'll start with Meryl because that always gets you going...

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mother! posters... who's next?

by Nathaniel R

Darren Aronofsky's mother! has now released two posters (which you can click to embiggen if you so desire). We already discussed JLaw's version (though they've changed the typeface) but now we have Bardem's. Once you start getting character posters you can usually assume more are on the way.  Since Lawrence's poster is earthy with the nature, and Javier Bardem's is fiery can we assume La Pfeiffer gets air or water?

Fair warning: if there is not a painted character poster for Michelle Pfeiffer, I'm going to burn Protozoa Pictures down.

(In related news I want to make out with whoever designed the new title font and I can't stop thinking about that teaser)

More TIFF Lineups: Midnight Madness and Platform

Another day another festival announcement. TIFF keeps adding to the festival. Even though they've reduced the number of films this year it's still SO MANY TO CHOOSE FROM IN EACH SECTION. Herewith the Midnight Madness and Platform choices. Let us know which ones you're most curious about!

Gael García Bernal in the French film "If You Saw His Heart"

PLATFORM
This section of 12 films, which tends to focus on directors in early stages of their careers, is actually juried (though TIFF isn't known for awards really outside of "People's Choice" which tends to have a strong correlation to eventual Best Picture nominations at the Oscars).

“Platform is the place to look for the distinct stamp of today's most interesting directors as they establish their reputations.
- -Cameron Bailey, TIFF's artistic director

The three-person jjury for 2017's Platform are directors Chen Kaige (China), Malgorzata Szumowska (Poland) and Wim Wenders (Germany)

• Beast (UK) A troubled woman becomes involved with a suspected killer in this debut from Michael Pearce [WORLD PREMIERE]
• Brad's Status (US) Screenwriter Mike White returns to the director's chair for this story about a man (Ben Stiller) comparing himself unfavorably to friends while touring colleges with his teenage son [WORLD PREMIERE]...

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Five Lessons Learned from Valerian

By Spencer Coile 

Although Valerian and the City of a Thousand Planets is not particularly good (see Dan's review), it is at least somewhat fascinating. Luc Besson's world-building is admirable if bloated, and there is definitely a lot of thought behind the action. It would be easy to detail all of the film's shortcomings but instead, let's talk takeaways.

Five Notes on Valerian

01. Laureline really knows Valerian's name
You could turn the number of times Laureline says Valerian's name in one scene into a very dangerous drinking game. In every line she utters she repeats his name in case we've forgotten it or the film's title. The film's title was initially Valerian and Laureline and was later changed to Valerian and the City of a Thousand Planets. It's not enough that the demoted Laureline must say Valerian's name constantly, but must bombard us with his importance, too...

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Stage Door: Andrew Garfield and Nathan Lane in "Angels in America"

by Sean Donovan

 

Roy Cohn, the devilish super-lawyer towering over Tony Kushner’s epic two-part play Angels in America, is introduced to the audience at his favorite place, his office telephone, shifting between various calls, screaming at his clients and associates, and relishing his position of supreme power and influence. In between calls he leans over to his protégé, closeted Mormon lawyer Joe Pitt, and remarks

I wish I was an octopus, a fucking octopus. Eight loving arms and all those suckers, know what I mean?”

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