Soundtracking: Waiting for Guffman

by Chris Feil

Music is essential to the Christopher Guest universe, from This is Spinal Tap to the Oscar-nommed A Mighty Wind to “God Loves a Terrier”. Waiting for Guffman, however, carries such a hefty cult comedy weight with it that it hardly ever gets discussed for the musical oddity that it is. On top of the film’s improvisational comedic genius, Guest also creates it as a subversion of the classic American “let’s put on a show” midwestern musical and of the consuming culture that is musical theatre obsession. Both are presented as lies of the American dream, both to comedic extremes and tragic disappointment, as the film charts the exploits of clueless dreamers in the small town of Blaine.

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Happy Parker Posey Day! Her 10 Best...

by Nathaniel R

Happy 50th birthday today to the one and only Parker Posey. The 'Queen of Indies' of the 1990s isn't as celebrated these days and, frankly, we could use a lot more of her. So we're eager to read her hilariously titled memoir (pictured left) which was published this summer. Hollywood has always been a bit confused about her but we're relieved that she didn't just vanish after that first decade of fame (it girl status, indie or otherwise, is by its nature, transitory) but instead forged a patchwork kind of career mixing supporting roles in indies, tv movies, the occasional mainstream feature, and guest starring and recurring characters on TV. She's currently starring in Netflix's reboot of Lost in Space (where she plays the shady Dr Smith) and she's also recently completed filming a new indie called Elsewhere.

For her birthday we thought we'd share a list of her greatest performances.  Posey is such a curiousity that we're sure everyone's top ten will vary immensely, so have at it in the comments!

Disclaimer: I should note that the three most acclaimed performances I haven't seen from her filmography are the indies Fay Grim (2006) and Broken English (2007) and the TV film for which she was Globe nominated Hell on Heels: The Battle of Mary Kay (2002).

Ready for the list? Let's go!

Honorable Mentions: hell, just about everything but wanted to specifically note the following: Rhonda in Adam and Steve (2006), Miami in Kicking and Screaming (1995), Debbie in Drunks (1995), Kitty Kowalski in Superman Returns (2006), and Sissy Knox in A Mighty Wind (2003)

TEN BEST OF PARKER POSEY

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Parker Posey's On Top

WHO'S ON TOP AND WHO'S ON BOTTOM NOW, HUH?

Happy Birthday to Parker Posey, who gave us the best worst audition of all time.

And here's to Libby Mae Brown and her healthy blizzard. 

 She'll always be our teacher's pet.

Interview: Grace & Frankie's Emmy-nominated costume designers

by Nathaniel R

One of the most satisfying moments of Emmy nomination morning was the contemporary costume nomination for Grace & Frankie. The Netflix sitcom starring Jane Fonda and Lily Tomlin is hot off its third and best season. The writers and creative team seem to know the characters and their interpersonal dynamics, in and out at this point. That intimacy is abundanctly evidence in the terrific costuming. Until the television Academy split off their costume design category into period and contemporary, their was little opportunity for designers who specialize in contemporary clothing to be honored no matter how strong their work - exceptions like Sex and the City were all too rare.

I had the opportunity to discuss Grace & Frankie's worthy and vibrant work with its three nominees Allyson B Fanger the costume designer, Heather Pain, her assistant costume designer, and Lori DeLapp the costume supervisor. Their overlapping answers, despite their separate duties, and light ribbing over the abundance of statement piece jewelry worn by Frankie were ample evidence that they're totally in synch.

That's true whether or not their subjects Grace (Jane Fonda) and Frankie (Lily Tomlin) are seeing eye to eye in any given episode...

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This Is The Day Before The Show, Y'all

by Daniel Crooke

In honor of Christopher Guest’s long overdue return to the mockumentary – the costumed cheerleader saga Mascots, hit Netflix at midnight – let’s take a moment to celebrate some of the most indelible characters in his filmography. This collection of ordinary folks in extraordinarily amusing niches – small town actors with big city dreams, obsessive dog owners, outdated folk musicians, awards show hopefuls – could easily be milked for laughs through condescending jabs. Instead Guest and his repertory cohort of improvisational comics imbue their creations with rich empathy and heartfelt humor, no matter how ludicrous their worlds. This marks theirs as a distinctly humanist cinema that revels in personal idiosyncrasies rather than repelling from them, and chooses ironic optimism over sarcastic defeat. While refreshingly full-bodied, they’re, above all else, very funny.

For me, all roads lead back to Libby Mae Brown, the spirited, slack-jawed (low-fat or non-fat) Blizzard queen from Waiting for Guffman, the first of Parker Posey's slamdunk soul-searchers in Guest’s company films. Who among us wouldn't like to meet some guys, some Italian guys, and watch TV and stuff? But the competition is stiff and the runners up are numerous; the distant loss of Catherine O’Hara’s Mickey Crabbe in A Mighty Wind tugs at the heartstrings between laughs while (runner-up at the 2001 National Society of Film Critics Awards for Best Supporting Actor) Fred Willard’s class clown motor-mouth in Best In Show surely pioneered the archetype of lucid and silly sports announcers for performers such as Jason Bateman or Elizabeth Banks. And then there’s always Guest’s own restless dreamer Corky St. Clair, the community theater iconoclast who pops up in Mascots for a second time.

Of all the peculiar characters in the Christopher Guest universe, which is your favorite? The one that most fuels your stool boom, if you will.