Cannes Days 7-8: "The Beguiled" and "Rodin"

Another day in May, more cheers and jeers for the competition films. Only five competition films are yet to screen: Fatih Akin's In the Fade (starring Diane Kruger), Good Time from the Safdie brothers, Sergei Loznita's A Gentle Creature, François Ozon's L'Amant Double  (with two of his favorites Marine Vacth and Jérémie Renier), and Lynne Ramsay's You Were Never Really Here (starring Joaquin Phoenix). 

Previously: Day 1, Days 2-4, and Days 5-6
And Don't Miss: Nicole in Cannes Pt 1 and Pt 2

So it looks like the frontrunners for the Palme d'Or, barring any of those five landing in a major way, are France's 120 Battements Par Minute, Sweden's The Square, or Russia's Loveless. But with Cannes and the mysteries of the group dynamics of juries, you never really know until the awards are announced. Pundits always forget that. People who assume that the Palme is a given for ___ are wrong nearly every year. That's half the fun.

Day 8 brings us one of the longshot possibilities for the Palme from the great Sofia Coppola...

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Soundtracking: "American Honey"

NEW SERIES ALERT: Chris Feil will be talking soundtracks and music in movies every Wednesday! The first installment is on last year's Cannes winner American Honey:

Last year at Cannes, Andrea Arnold won her third Jury Prize for American Honey. The film follows Star (breakthrough star Sasha Lane), an Oklahoma teenager who leaves her rural life to sell magazines with a van full of forgotten youths. It’s a compassionate and condemning road movie, Arnold using music to provide a distorted reflection of the limits of the American Dream. You wouldn’t immediately think of Honey as defined by its soundtrack, but it is in so many rich ways.

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Hit Me With Your Best Shot: "Moonlight"

by Nathaniel R

Little and Juan framed by nature

A truth: No matter how much you love a movie on first viewing, what makes it become a classic, a masterpiece even, is less predictable. That's in how it endures and oft times whether it can keep giving you new information. Aging, even for non-living things like a movie which is already "complete," before it begins that process, is tricky. But after a handful of screenings of Moonlight over the past nine months, it's quite obvious that the film (not to mention its surprise Best Picture win) will age spectacularly well. A prediction: We're just barely getting to know its marvel.

The Hit Me With Your Best Shot series initially started as an idea to honor Cinematography but film is so collaborative and complex that that's not how it turned out. It's ended up being more of a mise-en-scène appreciation ... sometimes the images that grab you are lighting based, other times it's the perfect marriage of a sound and picture, and then there are performances so indelible that they even become the primary iconic visual. Because Moonlight is rich in all of its moving parts, I opted to just look at the first act (for now). And I did something I never do: I watched it with the sound turned off... 

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Kidman in Cannes. Part 2.

Hello mortals,

It is me, your ruler and Empress Nicole Kidman here to remind you that perfection is attainable if you work real hard to attain it *giggles* OK, not really, I was born with it.

However, I was sent from my galaxy to share my perfection with you and improve your existence through my many servants across time and space. As I go about being all perfect and stuff at Cannes, I'll leave you with the meek Jose who will tell you stories of my achievements and miracles.

Toodles! 

*vanishes in a cloud of lavender scented glitter*

Thanks your highness! Last time we saw Nicole she was pleasing John Cameron Mitchell, Elle Fanning and Sandy Powell by making her first Cannes appearance in Rodarte. Since then there have been a whopping three reports of Kidmanifestations at the French Riviera. Now let us turn our pages to the second chapter of the holy book of Kidman at Cannes.  See the holy apparitions after the jump...

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