Kathryn Bigelow's "Detroit" Trailer Explodes

Chris here. Kathryn Bigelow’s Zero Dark Thirty follow-up, Detroit, has been veiled in almost as much secrecy as that Oscar-winning film, our only snippets of information being that it’s set during the 1967 Detroit riots. The film also has a pretty packed ensemble cast including John Boyega, Jason Mitchell, and John Krasinski (though suspiciously lacking in black female roles). But now we have a first look at what she’s crafted thanks to a tense trailer – and the results are stellar.

Though our mind naturally wanders to Oscar with Bigelow's name and her regular writing partner Mark Boal attached, the film's late summer release (roughly fifty years after the riots) also suggests confidence the film could be aiming to seize the zeitgeist just as we tire of superhero bombast. Though production company Annapurna Pictures has had Oscar success with the likes of American Hustle, Her, and Zero Dark Thirty, this will be their first outing as a distributor. I'm guessing they'll want the cash from making this a hit before betting on a costly Oscar play. However, I'm already rooting for Jason Mitchell's chances this year - he'll also have Dee Rees's Mudbound to keep him in the conversation.

Might Detroit be included in tomorrow's Cannes lineup announcement? Check out the intense trailer below and tell us your thoughts in the comments. Detroit opens August 4!

Score, Sound, and Songs ~ April Foolish Oscar Predix

by Nathaniel R

It's April which means April Foolish Oscar Predictions as we throw up the new Oscar charts. Today we're talking Sound Categories.

ORIGINAL SCORE
Dare we hope that last year's anomalous Original Score list, comprised of nearly all newcomers, happens again? We can hope it but it would be foolish to predict given that the music branch is notoriously insular and a lot of the big name composers have high profile films this year...

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There's Something on Spike TV: "The Mist"

Robert here! It looks like the poor citizens of Maine are once again at the mercy of supernatural horrors as Stephen King's The Mist is being adapted into a miniseries for Spike TV. The new trailer dropped yesterday and it looks like this adaptation has it all: creepy priests, commentary on the decline of western consumerism, Frances Conroy, and even a same-sex kiss (that doesn't turn out so well :/).

All of that being said, as much as The Mist is perfect fodder for the miniseries treatment, I'm left feeling a little apprehensive by the current prospects of this one...

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Instagram Battles: Sir Ian vs Blake vs Keaton

Would you rather...

... have a cuppa in Istanbul with Sir Ian McKellen?
... spend some time bedazzling with Blake Lively?
... hug a pitbull with Justin Theroux? 
... take a quick nap with Rossy de Palma? 
... order around Diane Keaton's "housekeeper" Emmie while she dusts? 
... take costume-fitting selfies with Jennifer Ehle?

PICTURES AFTER THE JUMP TO HELP YOU DECIDE. 

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Noah Baumbach Heads to Netflix

Chris here. Consider me outright clamoring for whatever Noah Baumbach does next, even if Mistress America (and for that matter his DePalma doc) wasn't as long ago as it feels like. Time is a slow beast when you're waiting on beloved writer/directors. His next, The Meyerowitz Stories, is his most star-studded and it just got picked up by Netflix.

The film stars Dustin Hoffman, Emma Thompson (all hippied out to the left), Ben Stiller, and now Netflix mainstay Adam Sandler as a family reuniting in New York to celebrate their artist father. Baumbach's work has been an evolving array of comic tones, so where on his spectrum it will land from bitter pill Margot at the Wedding to the farce of Mistress America is anyone's guess. If nothing else, this could be his largest platform yet - especially if this noteworthy cast is also met with Baumbach's less misanthropic side.

Netflix, for what it's worth, already has confidence in the film: this will be one of their few titles that will also receive a theatrical release, along with this year's Oscar hopeful Mudbound. 

Baumbach's films have only been outside shots at best, aside from a screenplay nomination for The Squid and the Whale and some Globe-nominated performances. But if this could even be a comedy contender at the Globes, I suspect Netflix will need to put more than a toe in the theatrical waters to clearly mark its theatrical/television territory. Are you excited for Noah Baumbach's latest?