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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Thursday
Feb232017

A New Awards Group? Yup, Another One for the Indies

Over the years I realize that The Film Experience has been a bit of a killjoy in terms of one very specific development that other awards sites fawn on: the explosion of film award groups. It's just that over the years its been ridiculous to see the numbers explode but not see any correlative expansion of ideas or discussion about what constitutes great cinema. If all awards groups do is rubber stamp each other and watch the same 20 movies, we should just stick to the 3 or 4 original groups and be done with it! 

This preamble is a way of saying that when I heard there was a new Independent Film Award organization I initially rolled my eyes and shrugged it off with a tweet. Weren't The Gothams and the Spirits enough? But I've had a bit of a change of heart and am keeping an open mind after further investigation. If you're going to create a new film award, you need a purpose. And the American Independent Film Awards seems to have one. In fact, it looks like they're planning to do exactly what the Independent Spirit awards originally set out to do but have long since wandered away from as they've become a mainstream big publicity party for the mini-majors and their Oscar campaigns. The AIFA will focus on movies with budgets of $1 million or less. In other words, true indies as studios don't make films that size...  

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Thursday
Feb232017

Black History Month: Spotlight on Octavia Spencer

by Steven Fenton

On February 26, 2012, Octavia Spencer won the Oscar for Best Supporting Actress for her endearing performance as the feisty Minny Jackson in Tate Taylor’s The Help. With her win, Spencer joined an elite group, becoming just the sixth black actress to win an acting Oscar (and only the seventh overall, if you count Irene Cara’s Original Song win for Flashdance, since she also starred in the film). Prior to 2011, Spencer had worked steadily since the mid-90s, gaining a reputation as a warm and generous co-star and a beloved character actress. So her win in February 2012 felt like an authentic opportunity for the academy to recognize an industry favorite.

Spencer was an indomitable force in the 2011 awards season, snatching wins at the Critics Choice, SAG awards, Globe Globes, and BAFTA, and beating out a talented crop of women in sensational breakout performances, including: Melissa McCarthy (Bridesmaids), Shailene Woodley (The Descendants), and Spencer’s co-star, Jessica Chastain (who had taken both the LA and NY Film Critics awards for her outstanding trio of performances in The Help, Take Shelter, and Tree of Life). Spencer’s Oscar win was a foregone conclusion early in the race. The real competition that was year between Viola Davis and Meryl Streep in Leading Actress. Viola could have made history that night as the second black woman to win in lead, but it wasn’t to be. Instead, Spencer walked away with The Help’s only win that evening. Little did we know then, Octavia’s Oscar story wasn’t over, and she definitely wasn’t done making history...

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Thursday
Feb232017

3 Days Until Oscar -- multiple wins without a Best Picture Nod

With the seismic shift of the expanded best picture field in 2009, certain forms of Oscar trivia seem dead or at least on life support. Foxcatcher proved you could still be a "lone director" nominee for a non Best Picture player, and Carol proved you could still get a big swath of nominations but miss out on placing in the top category. But nearly all the records involving films that weren't nominated for Best Picture will not be broken now; when Oscar notices you in a big way these days, you're also likely to achieve that highest distinction of being a Best Picture nominee.

But with 3 being the magic number today, let's take a look back at the rare cases of films that won 3 or more Oscars that were not nominated for Best Picture. The only film that could theoretically join this list this year is Jackie (the most nominated film that isn't up for Best Picture) but it would have to win all three of its bids! 

The 18 Biggest Oscar Winners That Were NOT
Nominated for Best Picture

(current titles for categories used in this list though some have changed) 

01 Five Oscar wins from six nominations
The Bad and the Beautiful (1952) Supporting Actress, Original Screenplay, Cinematography, Production Design, Costume Design. It lost only Best Actor but mysteriously wasn't nominated for Picture or Director despite obvious widespread love for it. But then, 1952 was among the very strangest of Oscar years for multiple reasons. 

Curiously Kirk Douglas also leads one of the three films tied for runner up in this particular list...

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Thursday
Feb232017

A Look at the Animated Shorts

Eric here with a look at the animated shorts. If you missed previous nominated shorts coverage, Glenn investigated the documentary options, I looked at the live action shorts, and Nathaniel interviewed the director of Sing.

Pros and cons and predictions after the jump...

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Thursday
Feb232017

Director Richard Linklater Fights Against Anti-Transgender Bathroom Bills With PSA

If you thought the gorgeous cadre of jocks in Everybody Wants Some!! was the extent of what Texan ally Richard Linklater had to offer in all things LGBT this past year, be sure to take a look at his recent PSA: "Taking A Seat, Making A Stand." Acting in solidarity with the transgender community, he steps up his game with his most recent project in a major way. Linklater teamed up with the I Pee With LGBT campaign to produce this bright and sharp comic short in response to the anti-transgender bathroom bill that’s currently awaiting a vote in the Texas legislature – S.B. 6, for those keeping track of the insidious discrimination measures spreading across America’s statehouses. As President Trump reverses course on establishing federal protections for transgender minors, this urgent, inclusively common sense message speaks to our shared humanity in the face of hate, and deserves to be loudly repeated more and more by the day.

What role do you think players in the motion picture industry should take within the climate of today’s increasingly omnipresent political landscape?