César Nominations: Elle, Frantz, and More

France's César Awards announced their nominations this morning. As expected Elle and Divines (currently streaming on Netflix) have much reason to celebrate. Other hits with César including François Ozon's gorgeous black and white feature about Post-War relations and guilt called Frantz (which opens in the US in March), The Innocents (an arthouse hit in the US this year) and My Life as a Zucchini which was just nominated for the Animated Feature Oscar and receives 3 nominations here. 

Their foreign film category also has two Oscar players Manchester by the Sea and Toni Erdmann.

Best Film
DIVINES (on Netflix)
ELLE (now playing)
FRANTZ (opening in US in March)
LES INNOCENTES (available on blu-ray)
MA LOUTE
FROM THE LAND OF THE MOON
VICTORIA 

Ma Loute is from Bruno Dumont and is called Slack Bay in some markets. From the Land of the Moon stars Marion Cotillard among others.

Best Actress
JUDITH CHEMLA dans A WOMAN'S LIFE
MARION COTILLARD dans FROM THE LAND OF THE MOON
VIRGINIE EFIRA dans VICTORIA 
MARINA FOÏS dans IRRÉPROCHABLE
ISABELLE HUPPERTdans ELLE 
SIDSE BABETT KNUDSEN dans LA FILLE DE 
BREST SOKO dans LA DANSEUSE 

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Kiss the hand

Doc Corner: The Non-Fiction Class of 2016

This year’s Oscar race for Best Documentary Feature was a fiercely competitive one. With the strength of the 15-wide finalists list, quite frankly, it would have been hard to give us a truly bad line-up. We particularly weep for the omissions of Cameraperson, Tower, Zero Days and Weiner, but personal grouching aside about a couple of the nominees, this year’s batch is quite something. We have three films about race (one with queer undertones), a foreign language title, and the longest film ever nominated for an Academy Award.

The nominees are:

• Fire at Sea (Gianfranco Rosi, Donatella Palermo)
• I Am Not Your Negro (Raoul Peck, Rémi Grellety, Hébert Peck)
• O.J.: Made in America (Ezra Edelman, Caroline Waterlow)
• Life, Animated (Roger Ross Williams, Julie Goldman)
• 13th (Ava DuVernay, Spencer Averick, Howard Barish)

We will be looking at the documentary short nominees later (I have one title left to watch, which is proving difficult!), but now we're going to hypothesize how the doc feature nominees did it. Let us break down the imaginary math…

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Numbers. Oscars. Numbers. Oscars...

If you love Oscars too much (*raises hands*) your head can get a little swimmy on Oscar nomination day, trying to parse it all. Particularly the numbers and the new statistics. This could take some time. But here are some non-subjective hierarchies and numbers and stats from the day.

We'll start with the easy one.

Most Nominations

1. La La Land (14)
2. [tie] Moonlight and Arrival (8)
3. [tie] Hacksaw Ridge and Lion and Manchester by the Sea (6)
4. Fences (4)
5. Hidden Figures and Jackie (3)
   
   NOTE: Jackie marks the second year in a row wherein a "chilly" gorgeous movie about a complicated woman wins the distinction of "most nominated movie that isn't nominated for Best Picture" -- coincidence? Nope.

5 of past 6 years film w/ most noms that wasn't up for Best Pic was a chilly beauty about complex woman. Coincidence? I think not. #Oscars pic.twitter.com/fRFZXaflsb

— Nathaniel Rogers (@nathanielr) January 24, 2017

Category with Most First Timers!
(excluding categories with too way many names to look up like producing, visual fx, sound,song, and makeup) 

1. Adapted Screenplay (5/5 nominees are newbies to Oscar)
2. [tie] Original Score and Cinematography (4/5 nominees are newbies to Oscar)
3. Best Director (4/5 nominees are first timers in this particular category though some have been nominated in other categories)
4. Best Supporting Actor (3/5 nominees are newbies to Oscar)
5. Original Screenplay (3/5 nominees are first time nominees for writing) 

Other Curious Statistics after the jump...

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Happy Thoughts from Oscar Nominations!

We've delivered the hot takeaways, mourned the snubs, but now let's get positive. I polled Team Experience about what made them happiest this morning and which category is the best overall. I hope you'll chime in. An unexpected consensus emerged straightaway in their answers. More after the jump...

Which nomination made you happiest?

Tim: Kubo and the Two Strings for Best Visual Effects. It's a great movie that deserves as much as it can possibly get, and also a good reminder to keep our conceptions about what "counts" as film craft as broad as possible

Laurence: Kubo and the Two Strings for Visual Effects. After the Ex Machina win I got the sense that branch was becoming more interested in awarding outside the box effects, so I bet on this nomination happening early. It's stunning work even by Laika standards...

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