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Thursday
Jan262017

Resident Evil ...Again.

by Brian Zitzelman

One of the strangest things about Oscar month is that the movies that open during it are usually the opposite of prestige. Tomorrow sees the release of Resident Evil: The Final Chapter, the allegedly last installment of this long-running franchise. With more than a decade's worth of subpar critical reviews, it's nonetheless more notable than it might seem upon first glance.  

Superhero movies aside, R-rated action franchises haven't especially been booming in the twenty-first century, or even in the post Arnold/Stallone/Willis dominated run of the 80s to mid-90s...

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Thursday
Jan262017

31 Days Until Oscar 

Today's magic number is 31. Can you believe it took Christian Bale 31 movies to win Oscar's love?

He debuted in the Steven Spielberg film Empire of the Sun (1987) which was nominated for six Oscars so they knew of him straight from the get-go. But nothing seemed to do it -- not literary adaptations (Little Women, The Portrait of a Lady), neither relationship dramas (Metroland, Laurel Canyon), nor glam rock epics (Velvet Goldmine). Of course it didn't happen for superheroes or serial killers (Batman, American Psycho) but even war dramas (Empire of the Sun, Rescue Dawn) didn't do it. And then suddenly The Fighter (2010) did. He crushed his competition on the way to a win.

Sometimes not being nominated but being routinely excellent is a good way to build crazy momentum for a win. Which working actor do you think is heading straight to an Oscar win as soon as they're finally nominated?

Thursday
Jan262017

Three Fittings: Oscar Nominated "La La Land"

by Nathaniel R

Welcome to "Three Fittings" in which we will celebrate costume design in the movies weekly. The number is necessary self-restraint for we love the art of costuming too much. We'll choose three costumes from a chosen film to discuss. Otherwise each episode would be six thousands words and twenty-five images long. As with Daniel's series "The Furniture," which focuses on Production Design, I'll alternate between contemporary and older films.

Let's begin with one of this year's Best Costume Design Oscar nominees La La Land. Contemporary films rarely receive this honor. Out of the 85 films nominated this century thus far for costumes, only 4 have been contemporary films: The Devil Wears Prada, The Queen, I Am Love, and now La La Land. But let's state this clearly up front: La La Land deserved the nomination. 

While the guiding principle of La La Land's costume design by Mary Zophres is simplicity, this should not be confused for subtlety...

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Thursday
Jan262017

On the Vanity Fair "Hollywood" Cover

One of the greatest awards seasons traditions is upon us the Vanity Fair "Hollywood" Issue. Last year we had a superstar cover and the year before that a mix of rising stars both male and female but VF likes to alter the mix each year and so we're back to where they began this tradition 22 years ago with a group of youngish female stars of the now. The covergirls this year are: Emma Stone, Lupita Nyong'o, Amy Adams, Natalie Portman, Ruth Negga, Dakota Fanning, Elle Fanning, Aja Naomi King, Dakota Johnson, Greta Gerwig, and Janelle Monáe.

Let's take a closer look after the jump...

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Thursday
Jan262017

America's National Parks are Vital Film Treasures

The American motion picture industry owes as much to its National Parks as the government who keeps them awe-inspiring, safe, and pristine; had President Lyndon B. Johnson never designated the Redwoods as federally protected land, who knows if there would even be an Endor for Return of the Jedi’s Ewoks to jam out on “Yub Nub." As our current presidential administration continues to show a combative inclination to incinerate their importance, it’s more important than ever to appreciate these wild lands as not just rugged pockets of natural splendor but a playground of our imaginations captured through film.

After all, a visual medium demands a compelling backdrop and it’s not just our science fiction stories – your E.T.s, your Planet of the Apes adventures – that respectfully depend on our country’s organic back lots. America the Beautiful has historically doubled as a treasured resoure and favorite filming locale for its national (and international) film industries. Thelma & Louise shot its climactic send-off in Canyonlands National Park, countless westerns called the Monument Valley of the Colorado Plateau (which is chocked full of federally reserved land) home, and even comedies like ¡Three Amigos! have used Arizona’s Coronado National Forest as milieu for its many jokes.

I keep returning to Jean-Marc Vallée’s Wild as an exhibition of all that the diverse West Coast wildnerness has to offer along the Pacific Coast Trail. Without the National Parks and Forests there wouldn’t even be an Oregon mountaintop for Reese Witherspoon to thrust her malfunctioning hiking boot off. This is where the stakes get personal when we don’t support our National Parks: less empassioned actressing. 

What are some of your favorite movies - domestic or international - that hike upon America’s purple mountain majesty or weave through its amber waves of grain?