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Wednesday
Sep212016

The Best Actor Competition... What is Going On Here? 

Only two men seem to have even remotely locked up their positions in the current Best Actor race and one of those only on reputation / material alone since no one has yet seen Denzel Washington's adaptation of Fences. So is it really Denzel for this third Oscar versus Casey Affleck for his first or is there more going on? There had better be since there are five nomination slots. Ten if you think of it in terms of Golden Globe excitement come year's end.

Since romantic male leads have historically had a tough time finding Oscar nominations from the male-heavy Academy body (romance is for girls. ewwwww, cooties) I know it looks weird to suggest that both Joel Edgerton and Ryan Gosling are looking likely but at this stage the field is what the field is. Gosling in particular, an actor whose work I've always deeply loved don't misunderstand, would seem like a clear miss. Think about it. He's headlining a musical which relies heavily on his effortless dreaminess, vibrant musicality, and physical grace. Not that those aren't award worthy attributes but Oscar is very gender-rigid about which adjectives are award worthy and if you say "dreamy, musical, and graceful" they'll think Best Actress. Which is why Emma Stone is much more locked up as a competitor at this stage, even though, musically speaking, she isn't as natural a dancer or musician. (Please note: Gosling also plays piano like a pro or can fake it better than pretty much any other actor I've ever seen.)

Edgerton & Gosling's chief competition looks like very young men (in terms of Oscar-voter tastes) in the form of Miles Teller (if his movie's a success), Dev Patel (if they don't do something fishy with the campaign), and Joe Alwyn (if he's tremendous in his debut and people love the movie). I know some are banking on Matthew McConaughey in Gold or Andrew Garfield in Silence (both sight unseen) but I'm suspicious in both cases. Just a hunch. 

That's where we'll find the gold.

The lack of heavy competition in this race means that Tom Hanks will finally be back after missing so recently for his arguably best work in Best Picture nominees. We can hope that the lack of excitement in this race (to date at least) will inspire more passion votes, too. If voters aren't feeling the leading men this year they could always look at off center giants like Viggo Mortensen in Captain Fantastic. I'd be shocked if there's five stronger leading male performances than his this year -- not that "deserves" got much to do with it. 

The New Best Actor Chart - Thoughts? 

Wednesday
Sep212016

Curtis Hanson (1945-2016)

Director Curtis Hanson passed away yesterday at the age of 71. Word is that Alzheimer had forced a retirement five years ago.

Eminem won a Song Oscar for his collaboration with Curtis Hanson in "8 Mile"

Hanson's brush with A list "prestige" was brief (3 Oscar nominations for producing, co-writing, and directing the much-admired LA Confidential) but his career was a fine example of versatile craftsmanship. He served as an important reminder that there's more to directing than auteurial stamps...

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Wednesday
Sep212016

Links: Brangelina Kaput, Broadway Blockbuster, Festival Afterglow

Brangelina No More
Vox looks at the parallels between Liz & Dick and Brangelina
EW Madame Tussaud's already separated Brad Pitt and Angelina Jolie's wax counterparts. Nathaniel wept. (Seriously, I'm not doing okay with this. I don't care if anyone thinks its silly. Double star wattage couples of this magnitude happen only a few times a century.) 
Slate ranks the remaining A list power couples

Brangelina, smack dab in the middle of their storied romance

Liz and Dick were only divorced for 16 months before they got back together so if I may put in an early request for 2018 Wishes. Lots more (and not just Brad & Angie) after the jump.

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Wednesday
Sep212016

Yes No Maybe So: "Passengers"

Do you like the Passengers trailer? The film, opening December 21st, is a mainstream-aimed original. Those are not quite an endangered species (yet) even though it feels that way after this summer of numbing sequels, remakes, and franchise extensions.

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Wednesday
Sep212016

Judy by the Numbers: "You're So Right For Me"

Anne Marie has been chronicling Judy Garland's career chronologically through musical numbers...

The terribly tricky thing about early TV (or really any TV) history is that episodes are often filmed and aired in different orders. Because of the discrepancies in airing schedules, we will be following in the order in which they were shot. After the CBS lawsuit was settled with the agreement that Judy Garland should make a show for CBS, the question became what kind of show to do. It took two years for the usual contract negotiations, delays, and upheavals to settle enough for that question to be decided. On June 24, 1963, Judy Garland recorded the first episode of a variety show titled (unsurprisingly) The Judy Garland Show

The Show: The Judy Garland Show Episode #1
The Songwriter: Mel Torme (uncredited)
The Cast: Judy Garland, Mickey Rooney, Jerry Van Dyke

The Story: A musical variety show seemed to be the perfect format for Judy: it was a popular genre that took advantage of its star's talents in not only singing, but also dancing and sketch comedy. Just two problems: 1) by 1964 the variety show was considered "old hat" and 2) CBS decided to air this new/old variety show against Sunday night behomoth Bonanza.

With the pressures of broadcast television, a new creative team (including Mel Torme), and her disintegrating relationship with Sidney Luft, Judy Garland requested that her first guest be someone she could trust: Mickey Rooney. The company line was that she was doing an old pal a favor, though it's clear from watching the clip that he's doing her a favor as well. Judy begins the clip full of nervous energy - she even mouths some of Mickey's lyrics - but eventually two decades of partnership and four decades of friendship put her at ease. By the time they get to the reprise, Judy Garland is genuinely, truly having a good time just being herself. The question was whether Judy Garland herself was something TV audiences would tune in for.