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Friday
Feb262016

Final Oscar Predictions. Here We Go...

Thanks for reading all year, dear Oscar freaks.  I originally published these predictions in my column at Towleroad but the write-ups are expanded here with more details since y'all are movie freaks and I love you for it. Here we go...

From silly rumors of a bear “raping” Leonardo DiCaprio, to the critical fervor for a fourth film in a Mad and previously non-prestigious action franchise, to obviously gathering but non-impactful support of our years long anti category fraud crusade, to the internet rage and ongoing controversy over #OscarsSoWhite this has been an eventful and often surprising awards season. Will Oscar night continue that trend or feel like an anticlimax? Whichever way it goes, it all comes to an end this Sunday night on ABC when the 88th Academy Awards unspool.

The following predictions can be used to inform your Oscar party or office Oscar pool but fair warning: even seasoned Oscar pundits like myself and other Gurus and Experts are confused this year about some categories. As early as last week, for example, I had planned to start this article with an obnoxiously cute bit about the surest prediction being that the producers would try desperately to pretend that Hollywood was very diverse on Oscar night. I was wrong, wrong, wrong. They went and made another anti-diversity blunder, axing performances of two of the Original Song nominees, the two that happen to be sung by a famous Asian soprano and a trans woman. Can we have a round of applause please for Anohni (better known as Antony Hegarty) who has published a must-read personal essay about the insulting behavior of the Academy in regards to her nomination for Best Original Song.

Sigh. It’s like The Academy can’t help themselves!?! They just dig themselves deeper every time. Yet we can’t help ourselves either and continue obsessing over that 13½ inch naked gold man. Let’s look at all 24 categories after the jump...

Click to read more ...

Friday
Feb262016

Review: Eddie the Eagle

Eric here for the new Hugh Jackman. Eddie the Eagle tells the true-life story of Michael “Eddie” Edwards, who became the first skier to represent Great Britain in Olympic ski jumping in 1988.  The comic spin:  Eddie is not really an athlete, or a particularly good skier.  But he’s a dreamer!  And tenacious!

Even if this weren’t a true story, you’d know from the first few scenes where it was headed.  Director Dexter Fletcher doesn’t have any aspiration higher than to make you feel good, but he has a just-pluckier-than-sitcom sensibility that feels predictably right for this genre.  He delivers the kind of film that studio executives love, where nothing is challenging and all the characters fall into their respective stereotypes (including groan-inducing taunting foreign competitors and the horny middle-aged female bar owner.!)

Where the filmmakers got it right, and very very lucky, is with their two leads. Externally, Taron Egerton (Kingsman: The Secret Service) overplays the comedy with a bit too many Zellwegarian face scrunches, but internally he has a surefooted instinct for the joke and knows how to keep things surprising with his captivating capriciousness. For this film the latter goes a long way. Jackman has essentially no character on the page, but he plays it as if nobody told him he’s in a mediocre movie.  One of Jackman’s secret weapons as a movie star is that he always knows exactly what is required of him in any given film.  Here he just needs to loan out his star wattage to add credibility and look great in jeans; he supplies both with sweet aplomb.   

Even though this movie has low ambitions, which it achieves with low success, it’s tough to be mad at it.  There are enough bright lines of dialogue to make you wish there were more, plus a bouncy score that salutes 80s comedies (until it veers towards standard, Feel-This-Way scoring).  The film may be as subversive as a Norman Rockwell painting, but when Egerton and Jackman walk towards each other flapping their wings, there’s a pleasant little high.

Friday
Feb262016

Bye Instant Watch: Popeye, I Am Divine, Indecent Proposal, Etc...

Oscar weekend is a busy time but it's also your last opportunity to watch these titles free if you have Amazon Prime or Netflix. As is our silly habit, we've freeze framed a handful of them at a totally random place to whet your appetite. If this scene looks intriguing maybe you should carve out a couple of hours...

Leaving Netflix (after the jump)

Click to read more ...

Friday
Feb262016

Lin-Manuel Miranda Has a Jolly Holiday with Mary

The news of a Rob Marshall rehashing of Mary Poppins was met here with both patient fear and complete revulsion. Emily Blunt is our new Mary, which will please some of us at least. However, here's a bit of casting news worthy of outright cheers: Hamilton mastermind Lin-Manuel Miranda is joining the film.

Miranda will be filling the massive shoes of Dick Van Dyke in a new character that will still be reminiscent of Dyke's Bert. That is quite an undertaking that the multi-hyphenate star and his unflappable charisma are fully equipped to take on. Even if his Hamilton success is truly unprecedented, kudos to Disney for signing over a significant role to an actual Broadway star. He's gotten close to a musical adaptation before, with Universal getting thisclose to filming his first musical In the Heights with Miranda intact.

It's worth noting that here's another step Disney is taking to put diversity on the screen in a big project post-Star Wars. The new Poppins iteration draws from P.L. Travers novels and won't be stuck to the original's plot, so perhaps we'll see further exciting casting? The reboot overload is something we'll continue to bemoan, but this one gets increasingly more interesting.

If nothing else, Lin-Manuel Miranda's absense from Hamilton might mean we plebians can score a ticket.

Thursday
Feb252016

The entire history of the directors of the Best Documentary nominees

Tim here. Since Glenn already did such a great job looking at the films that would ultimately be nominated for the Best Documentary Oscar, I wanted to approach that category from a different angle. You might call it the auteur studies approach: I've decided to highlight one film made by each of the directors whose films are up for that award.

And the best part is, you can follow along! Each of these movies is available for streaming... 

Click to read more ...