The Lady Eve's slippery 75 years

David here. There are many things about The Lady Eve we could discuss to celebrate its 75th anniversary today - it is, after all, one of Hollywood’s most perfect films - but there’s one particular delight that we’re treated to right off the bat.

Warner Bros. employed Leon Schlesinger’s animation studio - the masterminds behind the Looney Tunes cartoon - to craft the genius opening credits sequence starring the cheeriest snake you’ll ever meet. Even in these halcyon days where the credits came at the film’s beginning, the brevity of them meant you rarely got much beyond an ornate border. Here, though, the snake winding his way across the screen is practically a fully rounded character in himself - just witness his pure joy as he shakes his maraca, and his venomous indignity as he’s conked on the head.

With this minute and a half of introductory magic, The Lady Eve starts playing with its themes of duplicity before Eve or her Adam have even appeared. And it plasters the grin on your face that is sure to remain there for the whole running time. You’ll be positively the same dame!


The Lady Eve Opening Credits by pezhammer

Jessica Chastain Can't Stop, Won't Stop, Launches All-Female Production Company

Daniel Crooke here. When it comes to gender inequality in the film industry, Jessica Chastain would like the means of production to know that she finds it very disrespectful. Deadline reports that Chastain has thrown her Zero Dark Thirty Aviators in the ring and founded her own production company, Freckle Films. This is obviously hugely exciting news and such an Aries move. As if her engine of multifaceted roles wasn't already roaring on overdrive, she decides to kick it up another notch and become the president of her cinematic brainchild. Hold onto your Coca-Colas because it gets better: Freckle Films will be employing all-female executives and (we assume) zero sex-stymying stereotypes onscreen.

Freckle Films has partnered in a first dibs development deal with Maven Pictures – whose execs’ credits include The Kids Are All Right, Still Alice, and Black Nativity – with two film adaptations (from female authors with female protagonists) already in the works. Ten cheers for the endlessly inspirational Chastain, who constantly reminds us of how to be an unrelenting champion on and off the screen and on Twitter. We’re not surprised that in the midst of #OscarsSoWhite and torrential reports of gender wage inequity, when the call for industry diversity is arguably louder now than it has ever been, Chastain is on the side of shaking things up in the name of representative evolution. More power to the people after the jump...

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What's on your cinematic mind?

It's an open thread as your host is otherwise slammed at the moment. Are Oscar's all that's on your mind or are you a non-conformist this week and otherwise cinematically preoccupied? Do tell in the comments. 

P.S. Just as I posted this news broke that Nate Parker's slave rebellion drama The Birth of a Nation, the Sundance sensation, has a release date now. It'll be a wide release (!) on October 7th, 2016 from Fox Searchlight. October is a good month for Oscar releases. 

Musical Moments

Time for more Film Bitch Categories. We're almost done*. Click away for the nominees in two more scene categories involving music.

Films featured in this round include (deep breath now): Chi-Raq, Ex-Machina, Girlhood, I'll See You In My Dreams, The Last Five Years, Magic Mike XXL, A Pigeon Sat on a Branch Reflecting on Existence, Ricki & the Flash, Straight Outta Compton, and Victoria

*Only eight more categories to go... Best Scenes (not featured in these categories), Opening and Closing Scenes, Title Sequence, Sex Scenes, Best Kisses, and Best Actor and Best Actress in Limited or Cameo Roles... (which generally means no more than 2 scenes). We'll name our gold, silver, and bronze medalists on Friday/Saturday.

HBO’s LGBT History Oscar Break: 2003 Acting Races

Manuel is working his way through all the LGBT-themed HBO productions.

 Last week we played a fun game of Oscar What If… imagining how Roger Spottiswoode’s And the Band Played On might have shifted the supporting actor and actress categories at the 1993 Academy Awards had it been released theatrically. This week we’re jumping ten years ahead and looking at the 2003 Oscar acting races and trying to suss out whether Jane Anderson’s Normal (which we discussed in depth a while back) could have made waves in the Best Actor and Best Supporting Actress categories.

Given that it was released the same year as the towering Angels in America it’s not surprising that Anderson’s Normal (based on her own play) went home empty-handed from all the end of year awards handed out despite featuring two dazzling performances that are usually awards-bait gold: Tom Wilkinson plays Roy Applewood who embarks on a transition to become the person he’s always known herself to be: Ruth; while Lange played his supportive wife, Irma. Indulge me if you will in imagining this Sundance Film Festival-screening title making it to theaters across the country and mounting campaigns that could have jockeyed for nominations the year Lord of the Rings: Return of the King swept the Oscars.

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