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The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)

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Friday
Sep032021

Almost There: Shirley MacLaine in "Madame Sousatzka"

by Cláudio Alves

The Venice Film Festival is upon us and, this year, The Film Experience has two writers attending – Nathaniel and Elisa. For those at home, though, it might help satiate some of the FOMO to look back at the festival's long history. Indeed, these next two Almost There write-ups will focus on actors who won the Volpi Cup, managed to capture some Oscar buzz, but still failed to catch the Academy's attention. Today's example is exciting, for it comes from a rare tie. In 1988, the jury presided by Sergio Leone decided to award two performers with the Best Actress prize, an ex-aequo honor. They were Isabelle Huppert for her breathtaking tour de force in Chabrol's Story of Women and, our present subject of analysis, Shirley MacLaine in John Schlesinger's Madame Sousatzka

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Thursday
Sep022021

Streaming Review: "Worth"

By Ben Miller

With the 20th anniversary of the September 11th terrorist attacks approaching, Sara Colangelo’s Worth paints a compassionate picture of the victims and their families while attempting to get into the heads of the lawyers in charge of assigning a dollar amount to the victims. While the lead trio are each superb, the host of character actors and actress recounting their lost loved ones tug at the heartstrings.  Poignantly acted and directed, the film lacks the flash and grandstanding of the usual Hollywood fare, but still delivers a heartfelt message on the value of life.

Following the 9/11 attacks, to stave off the potential of economically disastrous lawsuits against the airlines, the United States Attorney General assigns respected lawyer Kenneth Feinberg (Michael Keaton) as the Special Master of the fund allocated to compensate victims and their families of the attacks...

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Thursday
Sep022021

How Had I Never Seen . . . . "Lust, Caution"?

by Nick Taylor

Happy Venice Film Festival, y’all!! While Nathaniel and Elisa are off in Italy enjoying some of the season’s hottest potential offerings, I figured it’d be fun to play along at home and finally watch some noteworthy Venice prizewinners I somehow hadn’t seen yet, or have been prioritizing for years but never gotten around to viewing.

And among the most urgent films for this tour was 2007’s Golden Lion winner Lust, Caution, Ang Lee’s story of espionage in Japanese-occupied Hong Kong across several years of World War II, dramatizing on-the-ground political stakes with an eye towards contemporaneous cinematic flourishes and the defining grit and elegance of ‘40s noir. The 1979 novella by Ellen Chang was infamous for supposedly extrapolating story elements from the life of Chinese spy Zheng Pingru. Lee’s film reignited those controversies while drawing some of its own, facing confusion about its country of production and earning an NC-17 rating that put it in hot water with numerous censorship laws.

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Wednesday
Sep012021

Doc Corner: 'On Broadway'

By Glenn Dunks

They say the neon lights are bright,
on Broadway.
They say there’s always magic in the air…

Let's be thankful that On Broadway doesn’t open with those famous lyrics from the song of the same name. Bob Fosse already did that, using George Benson’s funk-inspired 1978 rendition to launch All That Jazz over images of a throng of auditioning theatre wannabes. It’s showtime, folks, and that song is a hell of an introduction, but it's been done.

The release of Oren Jacoby’s doc feels perfectly timed, having been completed and screened at the Hamptons International Film Festival back in 2019 but delayed for general release until now as the city is on the verge of re-opening to crowds...

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Wednesday
Sep012021

"The Other Two" Shines by Putting Molly Shannon in the Spotlight

Wouldn't you watch a Molly Shannon talk show?

By: Christopher James

Creators Chris Kelley and Sarah Schneider should “Pat… themselves on the back” for another great season of The Other Two. Season two roars back with a new vigor as it re-centers the show around the Dubek matriarch, Pat (Molly Shannon), and her newfound success as a talk show host.

Last season saw the Dubak family thrust into the spotlight once the youngest son, ChaseDreams (Case Walker) has a viral hit and becomes an overnight pop sensation. Now, Chase is off to NYU (but not Tisch, as the show hilariously notes) and Pat has become a talk show host that rivals Chase in terms of popularity.

As for the titular Other Two Dubek siblings, they are… doing all right. At the very least, they are in better positions than last year...

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