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Tuesday
Jan072020

BAFTA lacks diversity (in all sorts of ways) and goes all in on "Joker"

by Nathaniel R

I've made it no secret over the years that I think BAFTA is the worst of the major awards organizations. They always appear to have watched an extremely limited pool of films (even less than Oscar's tunnel vision screener stack) and they regularly ignore British fare unless it's tipped to be hot at the Oscars (like 1917). This year is no different. They threw all their weight behind Joker (an astounding 11 nominations) and three of the films which feel like possibilities to win the Oscar for Best Picture: The Irishman, Once Upon a Time..., and 1917 (their one UK-produced love). Those four movies handily dominated the nomination count.

We also have to call bulls*** on BAFTA executives blaming the film industry for their lack of diverse nominations this year. Their acting nominees are all white this year and their directing nominees all male. They've responded saying:

"We'd have liked to have seen more diversity in the nominations, it does continue to be an industry-wide issue. I think more films need to be made, and entered, giving people a chance to see them. We'd absolutely like to see more diversity, but I also don't want to take away from those celebrating today."

As you all know, since I've been chastised for it before, I'm not always happy about where the complaints about diversity are focused. In some years the Oscar voters have been (I feel) wrongly targeted when there just weren't a lot of options for them. This year however there is no excuse as there are multiple lauded actors of color from films like Us, Dolemite is My Name, Waves, The Farewell, Luce, Harriet, Hustlers, and Parasite. And it's also been a great year for female directors given Little Women, Hustlers, Atlantics,A Beautiful Day in the Neighborhood, and The Farewell.

The full list of nominations with commentary are after the jump...

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Monday
Jan062020

How often do two top Globe victories translate to Oscar gold?

by Abe Fried-Tanzer

Sam Mendes had a great night on Sunday when he took home both Best Director and Best Motion Picture – Drama for his war epic 1917. That two-hander worked out very well for him exactly twenty years ago for his debut feature, American Beauty, since he went on to repeat at the Oscars. Winning both prizes at both ceremonies, however, doesn’t actually happen often. 

Between Mendes’ two bookends, that feat has only occurred twice...

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Monday
Jan062020

WGA nominations don't tell the whole story

This week is huge for precursor nominations (Visual Effects Society, DGA, PGA, and BAFTA all hit tomorrow) but today was the Writers Guild of America's turn.

ORIGINAL SCREENPLAY

A strongish lineup even if we wouldn't single out 1917's strength as its writing. Curiously, both The Two Popes and Hustlers were eligible for Original with the WGA (and missed) but they're both competing in Adapted for Oscar voters where they actually belong since they're based on a play and a magazine article respectively. Did the confusion cost them votes?  This WGA lineup is bad news for critical darlings like Honey BoyUncut Gems,  and Dolemite is My Name, any of which might have made headway in a weaker year for Originals. But the three strongest alternate threats for an Oscar nomination weren't eligible...

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Monday
Jan062020

Golden Globes Men: Pick a Trio

by Nathaniel R

Men's fashion continues to be a bit more interesting than it was in previous decades though it's hard to fault a dapper classic tux. Herewith some men who caught the eye on Globes night.

Let's play a variation on do dump or marry. You can meet one of them for a drink at the bar, nab one for a quick selfie, and take one home in your limo. Who is it gonna be and why? 

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Monday
Jan062020

FYC: Claire Mathon for Best Cinematography

by Cláudio Alves

Two years ago, Rachel Morrison made history when she became the first woman to be nominated for Best Cinematography at the Oscars. By no means does that imply Mudbound's wondrous DP is a pioneer. There are many awards-worthy female DPs working in cinema, past and present, and the Academy's sketchy record should be understood as nothing more than the industry's  internalized sexism and biases. Where were the nominations for Maryse Alberti, Agnès Godard, and Ellen Kuras, among others?

This year, critics have been united in their praise of a particular DP whose double dose of photographic genius could make History, just as Morrison did in 2018. However, Claire Mathon is fighting against even more of the Academy's treacherous biases, including their disinterest in African cinema, LGBTQ stories, and non-English speaking narratives…

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